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American soprano Christina Pier has been hailed by Opera News for her “big, gleaming soprano and impressive coloratura…she is a young singer with great potential.” Whether it be on the opera stage, concert platform or recital hall, Ms. Pier is consistently met with great critical and audience acclaim. In the 2012-13 season Ms. Pier will be heard with the Charlotte Symphony in an evening of Handel, Mozart and Golijov with Christopher Warren-Green; she makes her house and role debut as Rosalinde in Die Fledermaus with Virginia Opera; and sings Handel’s Messiah with the Indianapolis Symphony. Recently on the concert platform she has performed Maher’s Symphony No. 4 with the North Carolina Symphony under the direction of Grant Llewellyn as well as with the Rochester Philharmonic with Arild Remmereit, and Mozart’s Requiem with the Charlotte Symphony and the Eugene Symphony with Christopher Warren-Green and Danail Rachev respectively.  She was heard with the Alabama Symphony in Mozart’s Great Mass in C Minor, and with the Hartford Symphony Orchestra performing Ravel’s Shéhérazade. Ms. Pier performed as a soloist with the St. Paul Chamber Orchestra singing

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American soprano Christina Pier has been hailed by Opera News for her “big, gleaming soprano and impressive coloratura…she is a young singer with great potential.” Whether it be on the opera stage, concert platform or recital hall, Ms. Pier is consistently met with great critical and audience acclaim.

In the 2012-13 season Ms. Pier will be heard with the Charlotte Symphony in an evening of Handel, Mozart and Golijov with Christopher Warren-Green; she makes her house and role debut as Rosalinde in Die Fledermaus with Virginia Opera; and sings Handel’s Messiah with the Indianapolis Symphony.

Recently on the concert platform she has performed Maher’s Symphony No. 4 with the North Carolina Symphony under the direction of Grant Llewellyn as well as with the Rochester Philharmonic with Arild Remmereit, and Mozart’s Requiem with the Charlotte Symphony and the Eugene Symphony with Christopher Warren-Green and Danail Rachev respectively.  She was heard with the Alabama Symphony in Mozart’s Great Mass in C Minor, and with the Hartford Symphony Orchestra performing Ravel’s Shéhérazade. Ms. Pier performed as a soloist with the St. Paul Chamber Orchestra singing Mendelssohn’s Lobgesang and selections of Beethoven’s Leonore conducted by Nic McGegan, and previously, Beethoven’s Symphony No. 9 with conductor Roberto Abbado, a recital for the George London Foundation, and concerts with the World Youth Orchestra in Italy and at the General Assembly Hall of the United Nations in New York.  In 2009 she recorded Vaughan Williams' Dona Nobis Pacem with David Hill and the BBC Singers and is available on the Naxos label.

Christina Pier has performed leading roles with the Santa Fe Opera, Florida Grand Opera, Minnesota Opera, Nashville Opera, Sarasota Opera, Princeton Festival, Eugene Opera, and understudied two roles with Lyric Opera of Chicago.  A consummate Mozartarian, Ms. Pier has been seen as Donna Anna in Don Giovanni, Pamina in Die Zauberflöte, Countess in Le Nozze di Figaro, and Fiordiligi in Cosi fan tutte. She has also sung Micaëla in Carmen and Marguerite in Gounod’s Faust.

Ms. Pier is the recipient of numerous prestigious awards including a 2003 Grand Finals Winner of the Metropolitan Opera National Council Auditions, George London Award, Sullivan Award, two Charles A. Lynam awards, and two Palm Beach Opera Competition Awards.

Originally from Flagstaff, AZ, Ms. Pier received a BM and MM in voice at Indiana University where she studied with Virginia Zeani. She is currently a member of the voice faculty at Catawba College.  

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Reviews

"Christina Pier unleashed a big, gleaming soprano and impressive coloratura in Donna Anna's "Non mi dir": she is a young singer with great potential."

Opera News

"Christina Pier, as Donna Anna, daughter to the murdered Commendatore, sang her arias with passion and musicality: it is difficult to sustain this high-pitched soprano role without seeming to scream or go slightly sharp by the end of the opera. Pier was pitch-perfect all night long."

Palm Beach Arts Paper

"Christina Pier as Marguerite sang as beautifully as she did in last year’s ‘Don Giovanni.’ Her voice has a warm, velvet sound, and a superb range, which made her the most impressive singer of the night. The spinning wheel song was a marvel of both restraint and opulence."

Register-Guard

"The vocal standout is Christina Pier as Micaela….[H]er pure lyric soprano peals out beautifully in Micaela's duet with Jose. Pier earned an ovation for her strong account of the aria in the third act."

Courier Post

"In the cantata, which sets three Walt Whitman poems, soprano soloist Christina Pier was a ravishing presence, floating above the tumult with her singing of the Angus Dei and especially its final plea: Dona nobis pacem (Grant us peace), repeated throughout the five-part work. "

Tampa Bay Times

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Discography