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In his teens, countertenor Christophe Dumaux took part in masterclasses with James Bowman and Noelle Barker.  He continued his studies at the Paris Conservatoire. 2002, aged just 22, he made a spectacular professional debut singing Eustazio in Handel’s Rinaldo at the Festival de Radio France, Montpellier. This production, conducted by René Jacobs, was coproduced by the Innsbruck Festival and the Berlin Staatsoper and a disc released by Harmonia Mundi.  He is since invited for engagements at major houses and festivals -  the Metropolitan  New York,  Glyndebourne  Festival , the Paris Opera , Theater an der Wien, Chicago, the Santa Fe Festival, the Berlin Staatsoper, Salzburger Festspiele, Brussels and Zurich. This upcoming season he embarks on a recital tour singing Giulio Cesare alongside Natalie Dessay as Cleopatra.  Dates include New York Lincoln Centre and the Theatre des Champs Elysées Paris;  He then returns to La Monnaie to sing the title role of Tamerlano, and on to Zurich for a new production of Vivaldi’s La Verita in Cimento.  Appearances include Tolomeo at the Metropolitan New York, Paris, Glyndebourne, Barbican, Vienna, Chicago, Madrid;  Ottone, L’incoronazione di Poppea 

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In his teens, countertenor Christophe Dumaux took part in masterclasses with James Bowman and Noelle Barker.  He continued his studies at the Paris Conservatoire.

2002, aged just 22, he made a spectacular professional debut singing Eustazio in Handel’s Rinaldo at the Festival de Radio France, Montpellier. This production, conducted by René Jacobs, was coproduced by the Innsbruck Festival and the Berlin Staatsoper and a disc released by Harmonia Mundi. 

He is since invited for engagements at major houses and festivals -  the Metropolitan  New York,  Glyndebourne  Festival , the Paris Opera , Theater an der Wien, Chicago, the Santa Fe Festival, the Berlin Staatsoper, Salzburger Festspiele, Brussels and Zurich.

This upcoming season he embarks on a recital tour singing Giulio Cesare alongside Natalie Dessay as Cleopatra.  Dates include New York Lincoln Centre and the Theatre des Champs Elysées Paris;  He then returns to La Monnaie to sing the title role of Tamerlano, and on to Zurich for a new production of Vivaldi’s La Verita in Cimento. 

Appearances include Tolomeo at the Metropolitan New York, Paris, Glyndebourne, Barbican, Vienna, Chicago, Madrid;  Ottone, L’incoronazione di Poppea  at Glyndebourne, Paris, Geneva, Madrid;   Tamerlano at Spoleto Festival USA; La Calisto in Luxembourg; Eliogabalo at La Monnaie, Brussels;  Sosarme in Saint Gallen; Orlando, Théâtre des Champs-Elysées Paris),  Ottone, Agrippina (Santa Fe); Unulfo, Rodelinda (Metropolitan new York,  Dallas ; Armindo, Agrippina  in Copenhagen; Giasone  at Vlaamse Opera; Fernando, Don Chisciotte in Amsterdam, Hamor, Jephta at Opera du Rhin, Britten’s Death in Venice at Theater an der Wien.

In 2011, Christophe Dumaux returned to the Opéra de Paris for two new productions, Akhmatova by Bruno Mantovani and Giulio Cesare (Tolomeo).  The same year marked his critically acclaimed debuts in the title role of Giulio Cesare at the Château de Versailles and of Rinaldo at Glyndebourne.
2012 marked his debut at the Salzburg Festival in a new production of Giulio Cesare and his debut at the Opernhaus Zurich.

In 2013, he returned to the Metropolitan Opera for Giulio Cesare where his singing and acting were hailed by public and critics alike.  He delighted global audiences with his portrayal via the live Cinecast
The same season, he made returns to both Paris and Zurich Operas and this autumn he sang in Peter Sellar’s new production of the Indian Queen in both Madrid and Perm. 

2014 saw him debut his first Mozartian role, Farnace, in a new production of Mitridate at the famous Drottningholm Festival Stockholm. 

Recent concerts have brought him to the Salle Pleyel for Semele and Giulio Cesare, both with Cecila Bartoli; he sang solo recitals with the Moscow Soloists and the Freiburger Barockorchester and he made his debut at the renowned Concertgebouw Hall in Amsterdam. 

Among his recordings, a CD of Bach arias, released by Naïve and on Harmonia Mundi, Pergolesi’s Septem verba a Christo, conducted by René Jacobs. 

His numerous DVD appearances include Giulio Cesare from the Glyndebourne Festival and from the Paris Opera, Giasone from De Vlaamse Oper, Partenope, Copenhagen Opera, Cesare from the Glyndebourne Festival and from the Paris Opera, Giasone from De Vlaamse Oper, Partenope, Copenhagen Opera .

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Photos

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Reviews

"The French countertenor Christophe Dumaux steals every scene he is in as the calculating Ptolemy. His voice is bright, clear and strong. Tall, trim and athletic, he is a natural onstage. In one taunting aria, he executes a full body flip as easily as tossing off a trill. "

Anthony Tommasini, The New York Times

"A better name for this production might be “Tolomeo,” given Christophe Dumaux’s electrifying performance as that villain. His lean, tangy countertenor whizzed through coloratura as nimbly as he pranced though choreographer Andrew George’s martial arts moves."

James Jorden, New York Post

"Christophe Dumaux, […] plays Cleopatra’s brother Ptolemy as an uproarious early Hollywood villain, complete with waxed mustache, but sings with total commitment."

Justin Davidson, New York Magazine

"Christophe Dumaux was a hoot, a countertenor secure and audible across the vocal range, bouncing about the stage with an acrobat’s skill and a comedian’s timing."

Susan Elliott, Musical America

"He not only sang his tricky arias with fresh, even tone and immaculate technique, he also acted up a storm, making this lascivious villain into a comic delight. Dumaux managed to steal just about every scene he was in — even dashing off a somersault at one point in his exuberance."

Mike Silverman, Associated Press

"Nous attendions avec gourmandise les débuts de Christophe Dumaux dans le rôle-tire, lui qui est déjà le meilleur Tolomeo de ces dernières années. Registres contrastés mais unis, chant incisif et constamment expressif, aisance dans la vocalise comme dans l’élégie, trilles…voici peut-être le Cesare le mieux chantant que nous ayons jamais entendu. Ajoutez à cela une aisance scénique telle qu’on le croirait né sur les planches, et ce qu’il nous offre se résume en deux mots : admirable et exemplaire !
[Because he has been the best Ptolemy of the last few years, we greatly anticipated Christophe Dumaux’s debut in the title-role. His registers differ but are united, his singing is incisive and constantly expressive and he performs vocally with ease, whether he sings elegies or trills… We have most probably never heard a better-singing Cesare. With that, he has an incredible ease on stage, so much so that he could have been born on it. All in all, what he offers can be summarized in two words: brilliant and exemplary!] "

Opéra Magazine

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Discography