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Graduated in History of Music at the University of Bologna, Daniela Pini studied with Maestro Angelo Bertacchi in Modena.
She made her debut very young as Isabella in L’Italiana in Algeri by G. Rossini and as Dorabella in Così fan tutte by W.A. Mozart.
She has sung several roles in national and international Theatres such as Angelina in La cenerentola by G. Rossini at Teatro Comunale in Bologna, Trieste, Sassari, Frankfurt; Rosina in Il barbiere di Siviglia at Filarmonico in Verona and at Stadttheater in Stuttgard; Tancredi by G. Rossini in Trieste, Osaka and Tokyo.
She obtained great success with La pietra del paragone at Teatro Regio in Parma (Baronessa Aspasia) and at Teatro Verdi in Sassari (Clarice), in Faust (Siebel) at Teatro Regio in Parma, in Butterfly (Suzuki) in Tokyo and Nagoya, in Viaggio a Reims (Melibea) at Royal Monnaie Theatre in Bruxelles, Ariodante (Polinesso) in Frankfurt, L’Italiana in Algeri (Isabella) in Bologna, Nozze di Figaro (Cherubino) in Viterbo and Tokyo, Orlando furioso (Alcina) in Frankfurt and (Medoro) in Edinburgh, Clemenza di Tito (Annio) at Teatro Regio in Turin, Candide by L.Bernstein at Carlo Felice in Genoa.
Her repertoire of sacred song
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Graduated in History of Music at the University of Bologna, Daniela Pini studied with Maestro Angelo Bertacchi in Modena.
She made her debut very young as Isabella in L’Italiana in Algeri by G. Rossini and as Dorabella in Così fan tutte by W.A. Mozart.
She has sung several roles in national and international Theatres such as Angelina in La cenerentola by G. Rossini at Teatro Comunale in Bologna, Trieste, Sassari, Frankfurt; Rosina in Il barbiere di Siviglia at Filarmonico in Verona and at Stadttheater in Stuttgard; Tancredi by G. Rossini in Trieste, Osaka and Tokyo.
She obtained great success with La pietra del paragone at Teatro Regio in Parma (Baronessa Aspasia) and at Teatro Verdi in Sassari (Clarice), in Faust (Siebel) at Teatro Regio in Parma, in Butterfly (Suzuki) in Tokyo and Nagoya, in Viaggio a Reims (Melibea) at Royal Monnaie Theatre in Bruxelles, Ariodante (Polinesso) in Frankfurt, L’Italiana in Algeri (Isabella) in Bologna, Nozze di Figaro (Cherubino) in Viterbo and Tokyo, Orlando furioso (Alcina) in Frankfurt and (Medoro) in Edinburgh, Clemenza di Tito (Annio) at Teatro Regio in Turin, Candide by L.Bernstein at Carlo Felice in Genoa.
Her repertoire of sacred song includes: Stabat Mater by G.B. Pergolesi, Petite Messe Solennelle and Stabat Mater by G. Rossini, Requiem by Mozart and Missa solemnis in Re Maggiore by Beethoven performed with the Choir of Santa Cecilia in Rome, Messiah by Handel, Stabat Mater and Gloria by A. Vivaldi.
She has worked with conductors such as: R. Abbado, Y. Temirkanov, D. Oren, D. Renzetti, R. Frizza, P. Arrivabeni, K. Martin, J.C. Casadeus, C. Scimone, N. Luisotti, J.C. Spinosi, A. Marcon, M. Mariotti, D. Callegari, G. Noseda.
She has worked with directors such as: G. Vick, G. Lavia, D. Fo, L. Wertmuller, P.L. Pizzi, M. Gasparon, D. McVicar, L. Ronconi, H. De Ana, I. Brook.
She was in Cagliari with La Cenerentola, in Frankfurt with Orlando Furioso, where she obtained great reviews from public and critics, and in Paris, Budapest and London with a concert version of Orlando Furioso conducted by M° Spinosi.
Recently she sang Così fan tutte (Mozart) at National Theatre in Tokyo, Mozart’s Requiem at Suntory Hall in Tokyo, Rigoletto in a tournée in Oman with Teatro Regio di Parma, Falstaff at Festival Verdi in Parma, Così fan tutte at Teatro Regio in Turin.
Future plans include: La Cenerentola (Rossini) at Seattle Opera.
Photos
Reviews
"Ironic, expressive, amazing, a pure talent."
Corriere di Viterbo