Davinia Rodriguez was born in Las Palmas of Gran Canaria and began her vocal studies at the Conservatory of her town under the guide of Leopoldo Rojas O’ Donell.
After the Conservatory, she attended the High School “Reina Sofia” in Madrid with Teresa Berganza and she followed Masterclasses of great singers, perfecting her singing technique with Martina Arroyo in New York and with Raina Kabaivanska in Modena.

She started her career at a young age performing in the major Spanish theatres, as Perez Galdos in Las Palmas, Teatro Real de Madrid and Auditorium de Tenerife.

Thanks to her long and profitable collaboration with the Philarmonic Orchestra of Gran Canaria, she has carried out a wide concert activity.
As for the opera repertory, she obtained a great success with the debut in Così fan tutte (Despina), Nozze di Figaro (Susanna), Matrimonio segreto (Carolina), Elisir d’Amore (Giannetta e Adina), Viaggio a Reims (Countess of Folleville) at Rossini Opera Festival.
She sang the role of Regina della Notte (Magic Flute) at Festival Settimane Musicali in Stresa conducted by Gianandrea Noseda, at Carlo Felice in Genoa and in Stuttgart; and she obtained a great success in Paris and Wien singing Maria in West Side Story. She also sang Ravel’s L'enfant et les sortileges (la Princesse, le Rossignol, le Feu) at Teatro San Carlo in Naples, conducted by Jeffrey Tate; she had a great success in her debut at the prestiogious Santory Hall in Tokyo, singing Don Giovanni (Zerlina) conducted by Nicola Luisotti and directed by Gabriele Lavia, and she has been Micaela in Carmen in Cremona, Brescia, Pavia, Como.

Further highlights include the world première of Matteo D’Amico’s Le maletendu at Macerata Festival, L’Italiana in Algeri at Teatro Real in Madrid, The Marry Widow at Teatro Carlo Felice in Genoa and Verona, Un giorno di Regno (Marchesa del Poggio) in Parma, Così fan tutte at Tokyo Suntory Hall, Juditha triumphans in Macerata.

In October 2011 she was in Tokyo, where she obtained a great success singing at the Suntory Hall Gala with Vladimir Ashkenazy, Evgeny Kissin and Sir James Galway, and in a solo Recital with James Vaughan.

Recently she has been acclaimed in Lucia di Lammermoor at Seattle Opera, at Florida Grand Opera in Luisa Fernanda with Placido Domingo, and again at Seattle Opera with Orphée et Eurydice.

She has been conducted by Jesus Lopez Cobos, Jeffrey Tate, Alberto Zedda, Nicola Luisotti, Gianandrea Noseda, Donato Renzetti, Placido Domingo, Riccardo Frizza, just to name a few.

Future plans include: Rigoletto in Seattle, La Bohème in Dallas, Elisir d’amore and Norma in Tokyo.