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For decades now, Elisabeth Leonskaja has been among the most celebrated pianists of our time. In a world dominated by the media, Elisabeth Leonskaja has remained true to herself and to her music, and in doing so, is following in the footsteps of the great Russian musicians of the Soviet era, such as David Oistrakh, Sviatoslav Richter and Emil Gilels, who never wavered in their focus on the quintessence of music despite working in a very difficult political environment. Her almost legendary modesty still makes her somewhat media-shy today. Yet as soon as she walks out on the stage, audiences can sense the force behind the fact that music is and always has been her life’s work. Elisabeth Leonskaja has appeared as a soloist with virtually all the leading orchestras in the world, such as the New York Philharmonic, the Los Angeles Philharmonic Orchestra, the Cleveland Orchestra, the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, the BBC Symphony Orchestr London, the Zurich Tonhalle Orchestra, the Berlin Philharmonic Orchestra, the Gewandhausorchester Leipzig, the radio orchestras of Hamburg, Cologne and Munich, the Czech Philharmonic Orchestra and many others, under the baton of such leading conductors as: Kurt Masur, Sir Colin Davis, Christoph Eschenbach, Christoph von Dohnanyi, Kurt Sanderling, Maris Jansons, Yuri Temirkanov and many others.

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A french journalist wrote "La dernière grande Dame de l´Ecole Soviétique", a Spanish critic named her "Anti-Diva". Both are right.
For decades now, Elisabeth Leonskaja has been among the most celebrated pianists of our time. In a world dominated by the media, Elisabeth Leonskaja has remained true to herself and to her music, and in doing so, is following in the footsteps of the great Russian musicians of the Soviet era, such as David Oistrakh, Sviatoslav Richter and Emil Gilels, who never wavered in their focus on the quintessence of music despite working in a very difficult political environment. Her almost legendary modesty still makes her somewhat media-shy today. Yet as soon as she walks out on the stage, audiences can sense the force behind the fact that music is and always has been her life’s work.

Born in Tbilisi, Georgia, to a Russian family, she was regarded as a child prodigy and gave her first concerts as early as age 11. Her exceptional talent soon brought her to study at the Moscow Conservatory. While still a student at the Conservatory, she won prizes in the prestigious Enescu, Marguerite Long and Queen Elizabeth international piano competitions.

Elisabeth Leonskaja’s musical development was shaped or influenced to a decisive degree by her collaboration with Sviatoslav Richter. The master recognized her exceptional talent and fostered her development not only through teaching and giving her advice, but also by inviting her to play numerous duets with him. A memorable musical event! The musical partnership and personal friendship between Sviatoslav Richter and Elisabeth Leonskaja endured until Richter’s death in the year 1997. In 1978 Elisabeth Leonskaja left the Soviet Union and made her new home in Vienna. Her sensational performance at the Salzburg Festival in 1979 marked the beginning of her steadily blossoming career as a concert pianist in the west.

Elisabeth Leonskaja has appeared as a soloist with virtually all the leading orchestras in the world, such as the New York Philharmonic, the Los Angeles Philharmonic Orchestra, the Cleveland Orchestra, the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, the BBC Symphony Orchestr London, the Zurich Tonhalle Orchestra, the Berlin Philharmonic Orchestra, the Gewandhausorchester Leipzig, the radio orchestras of Hamburg, Cologne and Munich, the Czech Philharmonic Orchestra and many others, under the baton of such leading conductors as: Kurt Masur, Sir Colin Davis, Christoph Eschenbach, Christoph von Dohnanyi, Kurt Sanderling, Maris Jansons, Yuri Temirkanov and many others.
Elisabeth Leonskaja is a frequent and welcomed guest at prestigious summer music festivals, such as the Salzburg Festival, the Vienna and Lucerne Festivals, the Schleswig-Holstein Festival, the Schubertiade in Hohenems and Schwarzenberg, and she also gives recitals in the Piano Series in the world's major musical centers, such as Paris, Madrid, Barcelona, London, Edinburgh, Munich, Zurich and Vienna.

Despite her busy schedule as a soloist, chamber music has always played a prominent role in her creative work, and she frequently appears with the Emerson, Borodin and Artemis Quartets.

Numerous recordings bear testimony to the outstanding artistic achievements of this pianist and she has been awarded prizes such as the Caecilia Prize for her Brahms piano sonatas, or the Diapason d´Or for her recordings of works by Liszt. Other significant recordings include the Tchaikovsky Piano Concertos with the New York Philharmonic Orchestra under Kurt Masur, the Chopin Piano Concertos with the Czech Philharmonic Orchestra under Vladimir Ashkenazy, and the Shostakovich Piano Concertos with the Saint Paul Chamber Orchestra.

In her adopted home, the Republic of Austria, Elisabeth Leonskaja’s outstanding achievements have also gained her great recognition. She has been made an Honorary Member of the Konzerthaus of Vienna. In 2006, she was awarded the Austrian Cross of Honor, First Class, for her services to the cultural life of the country – the highest award of its kind in Austria. Today the “Lioness of the Keyboard” has matured into an exceptional pianist, one who is above emphasizing her virtuosity and who enjoys the warmest of receptions wherever she appears.

A quote from the music magazine “Diapason” by Andre Boucourechliev (Paris):
"Le chemin de Leonskaja est un chemin de cimes. Par le dépassement de soi, l´exigence, la passion et l´intelligence, elle se place au rang des plus grands, non seulement d’aujourd´hui mais de l´époque: au rang d´une Clara Haskil, d’un Lipatti, la modernité en plus“.

"Elisabeth Leonskaja’s journey leads from one pinnacle to another. By constantly excelling herself, driven by her own personal demands, by her passion and her intelligence she has scaled the heights achieved only by the greatest, not just of today, but of an entire epoch: those of a Clara Haskil, a Lipatti, and of modernity to boot “.

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Reviews

"The popularity of mercurial Elisabeth Leonskaja amongst audiences has never been higher, perhaps because she is one of “the last of the great Russian school""

Sean Rafferty , Bach Track

"The apogee of what the human mind is capable of: Georgian pianist Elisabeth Leonskaja…..Doubtless one of the most ingenious players among the international pianists of our age, Elisabeth Leonskaja, the pianist from Tbilisi in Georgia, has over the years increasingly turned into a well-nigh unsurpassable Schubert-specialist….Elisabeth Leonskaja isn't easy on her audience. She penetrates Schubert's universe at so deep a level that she often leaves listeners breathless, with the listening experience and the empathy at moments almost turning into physical and mental pain. "

Bern, Samstag

"Leonskaja– who invariably produces a warm cultured piano tone – took this unpretentious music by stealth rather than full-frontal assault, combining delicacy and warmth. There was a touch of gemütlich whimsy and a very welcome lightness with each dance fully characterised, yet given air to breathe. Virtuosity was undoubtedly there in abundance in the more demanding pieces, but for the most part Schumann the dreamer-poet prevailed. "

Douglas Cooksey - Classical Source

"Indeed her playing of Chopin Piano Concerto no.2 in F minor combined delicate lyricism with wonderful lucidity, as well as offering spirited attack…..every theme, every sub-theme received its own character, like a shimmering game of glass beads."

Christopher Kalies

"Georgian pianist Elisabeth Leonskaja whose warm sound, captivating virtuosity, and incomparable feeling turned the mighty work into an unforgettable listening experience - and all without the slightest trace of straining after effect but rather with a modesty that recalled the late great Clara Haskill. "

Dr. Rolf P. Steiger

"Enthusiasm and agony. Elisabeth Leonskaja's playing is thoroughly cultivated. It is above all the effortlessness, which impresses. Virtuoso garlands of notes enfold weightlessly, while care is taken with regards to dynamics. Her performance is subtle yet distinct."

"Perceptions of time passing across the two sonatas were fluid and protean. Her incredible lightness at some moments was offset by powerhouse thunder at others, her sense of repose by the rage and fury, rather than mere drama, at yet others. As I said, never a dull moment. If the word mercurial did not exist, it would have to be invented for this remarkable musician. "

Michael Tumelty, The Herald

"She is also a comprehensive stylist, with the weighty orchestral pianism of the Russian school keeping bass lines dauntingly clear. "

David Nice, The Arts desk.com

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Discography