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 Gabriela Montero’s visionary interpretations and unique improvisational gifts have won her a devoted following around the world. Anthony Tommasini remarked in The New York Times, "Montero’s playing had everything: crackling rhythmic brio, subtle shadings, steely power…soulful lyricism…unsentimental expressivity." Performance highlights from this and recent seasons include recitals given at Avery Fisher Hall, Kennedy Center, Wigmore Hall, Vienna Konzerthaus, Berlin Philharmonie, Frankfurt Alte Oper, Cologne Philharmonie, Leipzig Gewandhaus, Munich Herkulessaal, Sydney Opera House, Amsterdam Concertgebouw, Luxembourg Philharmonie, Lisbon Gulbenkian Museum, Tokyo Orchard Hall, Manchester Bridgewater Hall, and at the Edinburgh, Salzburg, Lucerne, Ravinia, Tanglewood, Saint-Denis, Aldeburgh, Cheltenham, Rheingau, Ruhr, Bergen, Istanbul, and Lugano festivals. Gabriela has also been invited to perform with many of the world’s most respected orchestras, including the Royal Liverpool, Rotterdam, Dresden, Oslo, Netherlands Radio, and Malaysian philharmonic orchestras; Chicago, Houston, Pittsburgh, Detroit, Atlanta, Toronto, and RTÉ National symphony orchestras; the National Arts Centre Orchestra of Canada, Gewandhausorchester Leipzig, Academy of St Martin in the Fields, NDR Sinfonieorchester Hamburg, and Zürcher Kammerorchester; the Cleveland, City of Birmingham Symphony, Philharmonia, and Komische Oper Berlin orchestras; and the Vienna Symphony, NDR Radiophilharmonie Hannover, Residentie, and Sydney

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 Gabriela Montero’s visionary interpretations and unique improvisational gifts have won her a devoted following around the world. Anthony Tommasini remarked in The New York Times, "Montero’s playing had everything: crackling rhythmic brio, subtle shadings, steely power…soulful lyricism…unsentimental expressivity."

Performance highlights from this and recent seasons include recitals given at Avery Fisher Hall, Kennedy Center, Wigmore Hall, Vienna Konzerthaus, Berlin Philharmonie, Frankfurt Alte Oper, Cologne Philharmonie, Leipzig Gewandhaus, Munich Herkulessaal, Sydney Opera House, Amsterdam Concertgebouw, Luxembourg Philharmonie, Lisbon Gulbenkian Museum, Tokyo Orchard Hall, Manchester Bridgewater Hall, and at the Edinburgh, Salzburg, Lucerne, Ravinia, Tanglewood, Saint-Denis, Aldeburgh, Cheltenham, Rheingau, Ruhr, Bergen, Istanbul, and Lugano festivals.

Gabriela has also been invited to perform with many of the world’s most respected orchestras, including the Royal Liverpool, Rotterdam, Dresden, Oslo, Netherlands Radio, and Malaysian philharmonic orchestras; Chicago, Houston, Pittsburgh, Detroit, Atlanta, Toronto, and RTÉ National symphony orchestras; the National Arts Centre Orchestra of Canada, Gewandhausorchester Leipzig, Academy of St Martin in the Fields, NDR Sinfonieorchester Hamburg, and Zürcher Kammerorchester; the Cleveland, City of Birmingham Symphony, Philharmonia, and Komische Oper Berlin orchestras; and the Vienna Symphony, NDR Radiophilharmonie Hannover, Residentie, and Sydney Symphony orchestras.

In addition to her brilliant interpretations of the core piano repertoire, Gabriela is also celebrated for her ability to improvise, composing and playing new works in real time. She says, "I connect to my audience in a completely unique way – and they connect with me. Because improvisation is such a huge part of who I am, it is the most natural and spontaneous way I can express myself." Whether in recital or following a concerto performance, Gabriela regularly invites her audiences to choose themes on which she improvises.

Gabriela is also an award-winning and bestselling recording artist. Her most previous album, released in Summer 2015 on the Orchid Classics label, featured Rachmaninov’s Piano Concerto No. 2, her own composition Ex Patria and her signature improvisations, winning the artist her first Latin Grammy® for Best Classical Album (Mejor Álbum de Música Clásica). Previous recordings include Bach and Beyond, which held the top spot on the Billboard Classical Charts for several months and garnered her two Echo Klassik Awards: the 2006 Keyboard Instrumentalist of the Year and 2007 Award for Classical Music without Borders. She also received a Grammy® nomination for her Bach and Beyond follow-up, Baroque, in 2008, and in 2010, released Solatino, an album inspired by her Venezuelan homeland and devoted to works by Latin American composers and her own interpretations on Latin themes.

Following a long held desire to apply her abilities in improvisation to formal composition, Gabriela debuted as a composer in 2011 with Ex Patria, a tone poem for piano and orchestra and her emotional response to Venezuela's descent into lawlessness, corruption, and violence. Her piece had its world premiere tour in October of that year with the Academy of St Martin in the Fields, and in 2015 was recorded and released internationally with the YOA Orchestra of the Americas and conductor Carlos Miguel Prieto.

A staunch advocate of human rights whose voice increasingly reaches beyond the classical music sphere, Gabriela was recently named an Honorary Consul by Amnesty International and was also selected as a Nominee for Outstanding Work in the Field of Human Rights by the Human Rights Foundation, all in recognition of her ongoing commitment to human rights issues in Venezuela and beyond. She was invited to participate in the 2013 Women of the World Festival, held at London’s Southbank Centre, and has spoken and performed twice at the World Economic Forum in Davos-Klosters (Switzerland). She was also awarded the 2012 Rockefeller Award for her contribution to the arts and was a featured performer at Barack Obama’s 2008 Presidential Inauguration.

Born in Venezuela, Gabriela gave her first public performance at the age of five. Aged eight, she made her concerto debut in her hometown of Caracas, which led to a scholarship from the government to study privately in the USA. She continued her studies under Hamish Milne at the Royal Academy of Music in London, graduating with the highest honours. She currently resides in Barcelona with her husband and two daughters.

www.gabrielamontero.com  facebook.com/monterogabriela  twitter.com/monterogabriela

For more information, please contact: Derek Chandruang E: dchandruang@imgartists.com T: +44 (0) 20 7957 5810

This is Gabriela Montero’s official biography for the 2015/16 season.  Please replace all previously dated materials

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Reviews

"Montero's playing had everything: crackling rhythmic brio, subtle shadings, steely power in climactic moments, soulful lyricism in the ruminative passages and, best of all, unsentimental expressivity"

Anthony Tommasini, New York Times

"Montero galvanized the audience through her performances of Brahms, Lecuona, Ginastera and her own improvisations [formed by taking motif suggestions from the audience]. These spontaneous compositions are steeped in expression and feeling. The audience were dazzled by her impeccable displays of compositional excellence. Montero exposes the world’s loss of improvisation and virtuosic composition."

Peter Korfmacher, Leipziger Volkszeitung

"Gabriela Montero demonstrated exceptional mastery, and seeing such music created in front of your own eyes was an absolutely unique experience... there are not many artists about whom it can truly be said that their talent borders on genius."

Antoine Leboyer, ConcertoNet.com

"The piano recital by Gabriela Montero at the Vienna Konzerthaus was like a visit from outer space. First... the Venezuelan pianist immersed herself completely in the three interludes, Op 117 by Johannes Brahms - and then presented a massive version of Franz Liszt's B minor Sonata, played already like music that was invented that very moment. Gruff and brooding in detail, with calm and overview of the architectural design Montero upheld an almost unbearable tension during the gigantic work..."

Der Standard

"Montero is the sort of artist whom classical music lovers should most appreciate. "

concertonet.com

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Discography