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Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today. James Gaffigan is currently the Chief Conductor of the Lucerne Symphony Orchestra. Since taking up this position he has made a very significant impact on the Orchestra 's profile both nationally and internationally with a number of highly successful tours and recordings. In recognition of this success James's contract has been further extended until 2022. He also holds positions as Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra and he was appointed the first Principal Guest Conductor of the Gürzenich Orchestra, Cologne in September 2013, a position that was created for him. In addition to these titled positions, James Gaffigan is in high demand working with leading Orchestras and opera houses throughout Europe, the United States and Asia. The 2015/16 season included debuts with the New York Philharmonic and Bayerische Staatsoper, in a production of Don Giovanni and other return engagements included the Munich and Los Angeles Philharmonics, Dallas Symphony, Orchestre de Paris, Orchestre National de France, and the Vienna Staatsoper where he conducted Le Nozze

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Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today. James Gaffigan is currently the Chief Conductor of the Lucerne Symphony Orchestra. Since taking up this position he has made a very significant impact on the Orchestra 's profile both nationally and internationally with a number of highly successful tours and recordings. In recognition of this success James's contract has been further extended until 2022. He also holds positions as Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra and he was appointed the first Principal Guest Conductor of the Gürzenich Orchestra, Cologne in September 2013, a position that was created for him.

In addition to these titled positions, James Gaffigan is in high demand working with leading Orchestras and opera houses throughout Europe, the United States and Asia. The 2015/16 season included debuts with the New York Philharmonic and Bayerische Staatsoper, in a production of Don Giovanni and other return engagements included the Munich and Los Angeles Philharmonics, Dallas Symphony, Orchestre de Paris, Orchestre National de France, and the Vienna Staatsoper where he conducted Le Nozze di Figaro.

In the 16/17 season, James Gaffigan will continue to appear across the globe with such orchestras as the Cleveland Orchestra, Chicago, San Francisco, Toronto, Detroit, BBC, Bournemouth and Sydney Symphonies; the Oslo, Seoul and Los Angeles Philharmonics; in Paris he visits the Orchestre de Paris and Orchestre National de France, and he will debut with the Salzburg Mozarteum Orchestra. Upcoming opera engagements include leading productions at the Chicgo Lyric Opera and Washington National Opera.

Other opera appearances have included Vienna Staatsoper where he has conducte La Bohème, Don Giovanni, and Le Nozze di Figaro, Glyndebourne Festival with productions of Così fan Tutte, La Cenerentola and Falstaff, Norwegian Opera with La Traviata, Hamburg Opera with Salome and with Zurich Opera conducting La Bohème.

In recent seasons, James Gaffigan has also enjoyed guest engagements with the London, Dresden, Czech and Rotterdam Philharmonics, Vienna Symphoniker, Dresden Staatskapelle, Deutsches Symphony Orchestra (Berlin), Konzerthaus Berlin, Zurich Tonhalle, Gothenburg, Tokyo Metropolitan and City of Birmingham Symphony Orchestras, Orchestra of the Age of Enlightenment, Leipzig, Berlin and Stuttgart Radio Orchestras. In the US, he has additionally worked with the Philadelphia Orchestra, St. Louis, Baltimore, Pittsburgh and National Symphony Orchestras.

Mr. Gaffigan was a conducting fellow at the Tanglewood Music Center and was part of American Academy of Conducting at the Aspen Music Festival. In 2009, he completed a three¬year tenure as Associate Conductor of the San Francisco Symphony in a position specially created for him by Michael Tilson Thomas. Prior to that appointment, he was the Assistant Conductor of the Cleveland Orchestra where he worked under Music Director Franz Welser¬Möst from 2003 through 2006. James Gaffigan was also named a first prize winner at the 2004 Sir Georg Solti International Conducting Competition.

For more information please visit www.jamesgaffigan.com.

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Reviews

"Gaffigan and the orchestra collaborated in a performance that made a well-worn piece sound brand-new and wonderful...You couldn’t ask for more precise beats from a conductor, but Gaffigan also conveyed the real import of the music, and how it fit together. I hope we see him, and Abduraimov, again soon."

The Dallas Morning News, February 2016

"Lightness, transparency, geniality, warmth and a keen sense of symphonic inexorability – these and other admirable qualities keep the first movement of Gaffigan’s Dvořák Sixth consistently engaging. "

Gramophone Magazine, September 2014

"...there is something especially winning about the way Gaffigan and the orchestra dedine the music's character, bringing rhythmic zest and hearty brilliance to the Bohemian 'furiant'..."

The Telegraph, October 2014 (Dvorak Symphony No.6 CD Review)

" I can’t wait to hear more."

Gramophone Magazine, September 2014

"There is little doubt that James Gaffigan is . . . well on his way to being one of the greats of his generation."

TheatreJones, April 2012

"Gaffigan is another gifted young American conductor … He's clear in his beat and gestures, and everything about his conducting tells orchestra players how he feels about the music and what they are to express. Let's have Gaffigan back for more such adventures at Grant Park – and the CSO, for that matter."

Chicago Tribune, July 2012

"Gaffigan is one of those rare conductors ... who not only shows you how a piece should sound, but what it means."

Toronto Globe and Mail

"This is an absolute knockout ... James Gaffigan's conducting is thrilling in its precision and control."

The Guardian, May 2012

"... tying the whole show neatly together is the sparky conducting of ... James Gaffigan. He cooks up a great storm scene, some brilliantly zingy ensembles - and an all-important dash of fairytale sugar."

The Times, May 2012