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Raised in the rich singing tradition of South Wales, Jason Howard is now recognised as one of the UK's leading performers on the international operatic stage. Upon leaving his first career as a fireman, he took up studies at Trinity College of Music and the Royal College of Music with John Wakefield and Norman Bailey respectively, and commenced his career at Scottish Opera, subsequently singing with all the major UK opera companies and orchestras. In the past fifteen years he has sung to critical acclaim throughout Europe and North America in addition to his many UK engagements.
Long known as an outstanding performer in the French and Italian repertoire, Verdi featured highly in his output in the late 1990s and 2000s and Jason sang the baritone roles in Attila, La Traviata,Don Carlos, Rigoletto, Macbeth, Nabucco and Il Trovatore. Other highlights included his debut at the Royal Opera House and Paris Opera as Marcello La Boheme and his debut at Chicago Lyric Opera as Adam Brant Mourning Becomes Electra (also perfomed in Seattle and New York).
With his most recent success as Wotan in David McVicars's wonderful production of Wagner's Ring des Nibelungen at the Op
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Raised in the rich singing tradition of South Wales, Jason Howard is now recognised as one of the UK's leading performers on the international operatic stage. Upon leaving his first career as a fireman, he took up studies at Trinity College of Music and the Royal College of Music with John Wakefield and Norman Bailey respectively, and commenced his career at Scottish Opera, subsequently singing with all the major UK opera companies and orchestras. In the past fifteen years he has sung to critical acclaim throughout Europe and North America in addition to his many UK engagements.
Long known as an outstanding performer in the French and Italian repertoire, Verdi featured highly in his output in the late 1990s and 2000s and Jason sang the baritone roles in Attila, La Traviata,Don Carlos, Rigoletto, Macbeth, Nabucco and Il Trovatore. Other highlights included his debut at the Royal Opera House and Paris Opera as Marcello La Boheme and his debut at Chicago Lyric Opera as Adam Brant Mourning Becomes Electra (also perfomed in Seattle and New York).
With his most recent success as Wotan in David McVicars's wonderful production of Wagner's Ring des Nibelungen at the Opéra National du Rhin, Strasbourg, he is now quickly establishing himself as a leading exponent of the German heroic repertoire. One review described him as “the Wotan of his generation” after his debut in Die Walküre. Together with the recently performed Strauss' Orest and Wagner's Fliegende Holländer, he is continuing to expand his German repertoire with performances of Jochanaan Salome in Lisbon and the USA in spring 2010.
Other highlights in recent years have included his debut in the South American premier of Britten's Death in Venice at the Teatro Colon, Buenos Aires and the roles of Prospero in Thomas Ades' The Tempest and Tonio and Alfio in Cavalleria Rusticana/Pagliacci for WNO. In the winter of 2009, nineteen years after his performances of Ravenal in the RSC/Opera North production of Showboat, he finally returned to the musical stage with performances of Emile de Beque in the Lincoln Center Theater production of South Pacific. In 2010 he returned to the heroic baritone repertoire with his first Scarpia Tosca in Salzburg and his first Iago Otello in America.
In 2011, Jason will make his German debut at Frankfurt Opera singing Scarpia Tosca. Future engagements also include Baron Jaroslav Vec Makropulos at Opéra National du Rhin and Giorgio Germont La Traviata at Welsh National Opera (2012). Jason’s early recordings include The Student Prince, A Song of Norway, A Little Night Music, Showboat, Calamity Jane and The King & I for TER. He also sang Dr Malatesta in a recording of Don Pasquale for Chandos, which was followed by Mephisto in a recording of Boulanger's Faust et Helene. More recently, he released a solo CD of songs from the classic Hollywood musicals made famous by two early singing heroes, Howard Keel and Gordon MacRae, on Silva Screen Records, titled ‘Make Believe, The Hollywood Baritones’.
--courtesy of Intermusica; www.intermusica.co.uk
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Reviews
"Likewise, Jason Howard is truly commanding as Emile de Becque and his Operatic background elevates these iconic songs to another level."
Glenn Meads, Whatsonstage.com
"With Jason Howard as Scarpia, Antonenkos Cavaradossi had found a vocally worthy opponent. In the first act, Howard allowed his character's potential for violence to seeth under a surface of sinister noblesse and false modesty. Puccini characterised this unscrupulous police chief by constantly changing the nuances of expression in the score. Impossible to perform, one might think, but Howard mastered the subtleties splendidly with his lush baritone voice and a wide range of tonal colour. His 'declaration of love' to Tosca was so convincingly passionate that any tenor would rightly be jealous. He did not portray Scarpia as the usual brute, but rather as a gambler type, and it worked. He could almost be considered cool, if only he wasn't playing with people's lives."
Epoch Times