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Biography 620 words

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Kees Bakels has held numerous titled positions with major orchestras, most recently with the Malaysian Philharmonic Orchestra (MPO) where he was Music Director from 1997 to the end of the 2004/05 season. He was the central artistic force behind the creation of the Orchestra and conducted the inaugural concerts in August 1998 at the new PETRONAS Hall in Kuala Lumpur. The MPO made their first overseas tour in 2001 and toured Australia three years later. His other positions have included Principal Conductor of the Netherlands Radio Symphony Orchestra and Principal Guest Conductor and Artistic Adviser to the Quebec Symphony Orchestra. He was Chief Guest Conductor of the Bournemouth Symphony Orchestra for 10 years until 1999 and still works with the orchestra each season. He also works regularly in France with the Ensemble Orchestral de Paris and Orchestre National de Lille. Kees Bakels has conducted all the major Dutch orchestras, as well as orchestras in Europe, the USA, Australia and Japan. Kees Bakels’ guest-conducting engagements have included the National Arts Centre Orchestra, Ottawa, Melbourne Symphony Orchestra, Netherlands Philharmonic Orchestra, Lausanne Chamber Orchestra, Orquesta Ciudad de Granada, Berne Symphony Orchestra, Het Brabants and the Sao Paulo Symphony Orchestra. From the beginning of his career, Kees Bakels has

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Kees Bakels has held numerous titled positions with major orchestras, most recently with the Malaysian Philharmonic Orchestra (MPO) where he was Music Director from 1997 to the end of the 2004/05 season. He was the central artistic force behind the creation of the Orchestra and conducted the inaugural concerts in August 1998 at the new PETRONAS Hall in Kuala Lumpur. The MPO made their first overseas tour in 2001 and toured Australia three years later. His other positions have included Principal Conductor of the Netherlands Radio Symphony Orchestra and Principal Guest Conductor and Artistic Adviser to the Quebec Symphony Orchestra. He was Chief Guest Conductor of the Bournemouth Symphony Orchestra for 10 years until 1999 and still works with the orchestra each season. He also works regularly in France with the Ensemble Orchestral de Paris and Orchestre National de Lille. Kees Bakels has conducted all the major Dutch orchestras, as well as orchestras in Europe, the USA, Australia and Japan.

Kees Bakels’ guest-conducting engagements have included the National Arts Centre Orchestra, Ottawa, Melbourne Symphony Orchestra, Netherlands Philharmonic Orchestra, Lausanne Chamber Orchestra, Orquesta Ciudad de Granada, Berne Symphony Orchestra, Het Brabants and the Sao Paulo Symphony Orchestra.

From the beginning of his career, Kees Bakels has concentrated as much on opera as on symphonic repertoire and has regularly appeared with the Netherlands Opera and the Vancouver Opera and in the UK has conducted new productions of Aïda and Fidelio at the English National Opera and La Bohème and Carmen at the Welsh National Opera. He has conducted concert performances of opera for the famous VARA Matinee Series at the Concertgebouw in Amsterdam regularly over 25 years, most recently Donizetti’s La Favourita. He has championed the lesser known operas of composers such as Mascagni and Leoncavello including Mascagni’s Zanetto, Amica, Il Piccolo Marat,Isabeau, Iris, Nerone and his Messa di Gloria, and Leoncavello’s La Bohème, Edipo Re and Zaza.

Kees Bakels’ recordings include the complete Vaughan Williams symphonies, recently re-released as a box set and complete Nielsen Concerti with the Bournemouth Symphony Orchestra for Naxos and four recordings with the Netherlands Radio Symphony Orchestra for NM Classics. He has also recorded with the Philharmonia Orchestra for ASV, the Netherlands Chamber Orchestra for Denon, the Polish National Radio Symphony Orchestra and the London Symphony Orchestra. Recordings with the MPO for BIS include a Dvorak disc featuring the cello concerto and the Water Goblin, Sibelius and Khachaturian Violin Concerti, Glazunov The Seasons and a selection of works by Rimsky-Korsakov including the piano concerto,Russian Easter Festival Overture and Capriccio Espagnol. Kees Bakels’ recording of Saint-Saëns Violin Concerto with Jean-Jacques Kantorow and the Tapiola Sinfonietta was nominated in the orchestral category of the BBC Music Magazine Awards. The magazine stated that, “this is a disc of pure delight with stunning performances of a marvellous programme.”

Kees Bakels was born in Amsterdam, beginning his musical career as a violinist. He studied conducting at the Amsterdam Conservatory and at the Academy Chigiana in Siena. During his studies he became Assistant Conductor of the Amsterdam Philharmonic Orchestra and subsequently held the position of Associate Conductor with that orchestra. At that time he also became Principal Guest Conductor of the Netherlands Chamber Orchestra which he took to festivals in England, Finland, Belgium and Spain and on a coast-to-coast tour across the USA.

Recent successes have been with the Norwegian Radio, KBS (Korea), Orchestre Symphonique de Quebec, Netherlands Radio Chamber Philharmonic, Het Brabants and Sao Paulo Symphony Orchestras.

Future highlights include the Bournemouth Symphony Orchestras, the Malaysian Philharmonic Orchestra, Orchestre de Picardie, Tapiola Sinfonietta (with whom he will record for BIS), the South Jutland and Barcelona Symphony Orchestras.


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Photos

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Reviews

"Bakels scales and phrases the music to perfection... Ensemble is always crisp, strings silky smooth, timps taut and clear; the woodwind sound fresh and frisky too. In short, it’s hard to imagine this music better done. "

Dan Morgan, Music Web International

"So who was the real hero of this concert? Pianist John Lill, replacement conductor Kees Bakels or composer Johannes Brahms? Truth is they were all heroes. Bakels belied his veteran status with a high-energy account of the same composer’s second symphony. Maybe he felt Lill’s refusal to rush the concerto demanded something more visceral to follow, and that was certainly delivered. It was partly about tempi, but also about vivid, contrasting colours – most notably, perhaps, in the playing of the BSO trombones. In this sunniest of symphonies, they picked up the composer’s intermittent darker colourings before blazing triumphantly at the finish with their sustained D major triad."

Mike Allen, Portsmouth News

"Kees Bakels and the Bournemouth SO are themselves impressive but their disc also contains the literary extracts with which Vaughan Williams headed each movement, spoken with real feeling by David Timson and sensibly recorded on separate tracks."

Gramophone

"The Malaysian Philharmonic under Kees Bakels plays with real enthusiasm and fire, and as always BIS's sonics represent that last word in brilliance… you have no excuse but to urgently snap up this set."

David Hurwitz, Classics Today

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Discography