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As a conductor of opera and symphonic music, Keri-Lynn Wilson has performed at leading opera houses and has led top orchestras. Ms. Wilson has most recently conducted Pique Dame in Stockholm, Flying Dutchman in Montreal and La Traviata in Salerno. In the coming months she will be conducting Carmen in Nimes, Nabucco in La Coruna, La Traviata in Zurich, Boris Godunov in Tel Aviv, and Eugene Onegin in Warsaw. Ms. Wilson has conducted Tosca, Madama Butterfly and La Traviata at the Vienna State Opera; Lucia di Lammermoor at the Kirov (Mariinsky); La Traviata and Tosca at the Bavarian State Opera Munich; Turandot, Madama Butterfly, Tosca and La Bohème at the Puccini Festival in Torre del Lago; Il Barbiere di Siviglia in Florence; Otello and Tosca in Nice; Aida in Rome; Lucia di Lammermoor in Turin; L’Elisir d’Amore at the Bari Opera; La Bohème and Anna Bolena in Bilbao; Tosca, Madama Butterfly and La Traviata at the Vienna State Opera; Lucia di Lammermoor at the Kirov (Mariinsky); La Traviata and Tosca at the Bavarian State Opera Munich; Turandot, Madama Butterfly, Tosca and La Bohème at the Puccini Festival in Torre del Lago; Il Barbiere di Siviglia in Florence; Otello and Tosca in Nice; Aida in Rome; Lucia di Lammermoor in Turin...

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As a conductor of opera and symphonic music, Keri-Lynn Wilson has performed at leading opera houses and has led top orchestras. Ms. Wilson has most recently conducted Pique Dame in Stockholm, Flying Dutchman in Montreal and La Traviata in Salerno. In the coming months she will be conducting Carmen in Nimes, Nabucco in La Coruna, La Traviata in Zurich, Boris Godunov in Tel Aviv, and Eugene Onegin in Warsaw.

In the past,  Ms. Wilson has conducted Tosca, Madama Butterfly and La Traviata  at the Vienna State Opera;  Lucia di Lammermoor  at the Kirov (Mariinsky); La Traviata and Tosca at the Bavarian State Opera Munich; Turandot, Madama Butterfly, Tosca and La Bohème at the Puccini Festival in Torre del Lago; Il Barbiere di Siviglia in Florence; Otello and Tosca in Nice; Aida in Rome; Lucia di Lammermoor in Turin; L’Elisir d’Amore at the Bari Opera; La Bohème and Anna Bolena in Bilbao; Tosca, Madama Butterfly and La Traviata  at the Vienna State Opera;  Lucia di Lammermoor  at the Kirov (Mariinsky); La Traviata and Tosca at the Bavarian State Opera Munich; Turandot, Madama Butterfly, Tosca and La Bohème at the Puccini Festival in Torre del Lago; Il Barbiere di Siviglia in Florence; Otello and Tosca in Nice; Aida in Rome; Lucia di Lammermoor in Turin; L’Elisir d’Amore at the Bari Opera; La Bohème and Anna Bolena in Bilbao; Tosca, Madama Butterfly and Lucia in the Arena di Verona; Madama Butterfly in Leipzig; Rigoletto in Parma; Don Pasquale in Palermo; Iolanthe, La Bohème and Tosca  at the Bolshoi Opera; Tosca at the Oslo Opera; La Rondine at the Los Angeles Opera;  Pique Dame, La Bohème, and Lady Macbeth of Mtsensk at the Israeli Opera, Falstaff, and L’Heure Espagnole and Gianni Schicchi at the Juilliard Opera in New York; Turandot at the Washington National Opera; Simon Boccanegra and La Fanciulla del West at the Montreal Opera; Boris Godunov and Lucia in Warsaw; and Eugene Onegin and Manon Lescaut in Bucharest.

Ms. Wilson has conducted orchestras in Paris, Los Angeles, Munich, Montreal, Toronto, St. Paul, Houston, Washington, Aachen, Leipzig, Moscow, St. Petersburg, Madrid, Bucharest, Jerusalem, Hong Kong, Ljubljana, and Zagreb, amongst others.

Dorian Records has produced a CD of Ms Wilson conducting the Simn Bolivar Symphony Orchestra of Venezuela playing Danzn and Latin American compositions.

Born in Winnipeg, Canada, Ms. Wilson studied the flute, piano and violin. At the Juilliard School in New York, she was a student of renowned flutist Julius Baker and made her debut at Carnegie Hall at the age of 21. A recipient of the Bruno Walter Scholarship, she continued her studies at Juilliard in the conducting program with Otto-Werner Mueller. Ms. Wilson received her Bachelor and two Masters degrees in both conducting and flute performance from Juilliard in 1994. She made her debut with the National Arts Center Orchestra of Canada at the age of 23. While still a student, she assisted Claudio Abbado at the Salzburg Festival and won a grant from the Tanglewood Music Center. Upon graduation, she was the Associate Conductor at the Dallas Symphony Orchestra until 1998, when she launched her international career as a guest conductor.

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