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Download biography as pdf Download biography as word docAcclaimed for his interpretations of Wagner and Strauss, as well as for his commitment to contemporary music, Marc Albrecht is a regular guest at Europe’s most prestigious opera houses and orchestras. In the early years of his conducting career, Albrecht spent several seasons at the opera houses of Hamburg and Dresden, and also was appointed personal assistant to Claudio Abbado at the Gustav Mahler Youth Orchestra in Vienna. In 1995 he embarked on a highly successful 6 year tenure as Music Director of the Staatstheater Darmstadt, and from 2006-2011, he was Artistic Director and Chief Conductor of the Orchestre Philharmonique de Strasbourg, a partnership that produced several acclaimed recordings, and ended with a critically praised performances of Schoenberg’s Gurrelieder in Strasbourg and Paris. From September 2011 he is the Chief Conductor of both the Netherlands Opera and Netherlands Philharmonic and Chamber Orchestras.
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Acclaimed for his interpretations of Wagner and Strauss, as well as for his commitment to contemporary music, Marc Albrecht is a regular guest at Europe’s most prestigious opera houses and orchestras. In the early years of his conducting career, Albrecht spent several seasons at the opera houses of Hamburg and Dresden, and also was appointed personal assistant to Claudio Abbado at the Gustav Mahler Youth Orchestra in Vienna. In 1995 he embarked on a highly successful 6 year tenure as Music Director of the Staatstheater Darmstadt, and from 2006-2011, he was Artistic Director and Chief Conductor of the Orchestre Philharmonique de Strasbourg, a partnership that produced several acclaimed recordings, and ended with a critically praised performances of Schoenberg’s Gurrelieder in Strasbourg and Paris. From September 2011 he is the Chief Conductor of both the Netherlands Opera and Netherlands Philharmonic and Chamber Orchestras.
Marc Albrecht has appeared with many key orchestras in Europe including the Berlin Philharmonic Orchestra, Royal Concertgebouw Orchestra, City of Birmingham Symphony Orchestra, the Accademia di Santa Cecilia in Rome, Chamber Orchestra of Europe, Staatskapelle Dresden, Munich Philharmonic, and the Orchestre National de Lyon. In 2006 he made his BBC Proms debut in London with the BBC Scottish Symphony Orchestra.
Recent successes have included his US debut with the Saint Louis Symphony Orchestra, return visits to the Hallé Orchestra, Vienna Symphony Orchestra and the Radio-Sinfonieorchester Berlin and debut performances with the Netherlands Philharmonic Orchestra, Oslo Philharmonic, Royal Stockholm Philharmonic, Residentie Orkest (The Hague), Orchestre National de France, Maggio Musicale Firenze and the SWR Sinfonieorchester Stuttgart. Future highlights include debuts with the Gothenburg Symphony, Bergen Philharmonic, Dallas Symphony, and performances with the Filarmonia della Scala, and the Orchestre Nazionale Sinfonica della RAI Torino.
In the opera house, Marc Albrecht’s highly acclaimed work during the past seasons has included a new production of Der fliegende Holländer at the Bayreuth Festival (2003 – 2006), Die Bacchantinnen by Wellesz at the Salzburg Festival (2003) as well as Janacek’s From the House of the Dead at the Opéra National de Paris (2005). From 2001-2004 he was Principal Guest Conductor at the Deutsche Oper Berlin, leading successful productions such as Messiaen’s Saint Francois d’Assise, and he also maintains a close relationship with the Semperoper Dresden, where amongst others he has conducted La Damnation de Faust, Die Frau ohne Schatten and Elektra.
Recent highlights include Henze’s Die Bassariden at the Bavarian State Opera, Fidelio and Carmen at the Netherlands Opera (the latter with the Royal Concertgebouw Orchestra) his debut at the Royal Opera House Covent Garden with Der fliegende Holländer (with Bryn Terfel in the title role), Henze’s Der Prinz von Homburg at Vienna’s Theater an der Wien, and Lulu at the Geneva Opera and at the Salzburg Festival (with the Vienna Philharmonic). Forthcoming productions include a double bill of Zemlinsky’s Eine Florentinische Tragödie and Der Zwerg at the Teatro Liceu in Barcelona, and Tannhauser and Die Soldaten at Zurich Opera, and in 2011/12, his first season as Chief Conductor of the Netherlands Opera, he will conduct Elektra, The Legend of the Invisible City of Kitezh and the world premiere of Manfred Trojahn’s Orest.
Marc Albrecht has made a sequence of acclaimed Pentatone recordings with the Orchestre Philharmonique de Strasbourg, including discs of Strauss tone poems, the piano concertos of Dvorak and Schumann with Martin Helmchen, a disc of French works by Dukas, Koechlin and Ravel, and the orchestral music of Berg.
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Reviews
"Albrecht [unleashed] a surging and ebbing journey of well-defined musical moments that melded perfectly into one mighty, arching whole. Bravo, Mr. Albrecht."
James Sohre, Opera Today, February 2012
"Albrecht provides unparalleled transparency, detail, dramatic silences and delicate contrast between the lyrical, the angry and the euphoric sides of Beethoven's score."
Kasper Jansen, NRC Handelsblad
"Two hours of magnificent excess. Under the calm, precise and incisive conducting of Marc Albrecht, the greatly-expanded orchestra gave their all to this gigantic all-enveloping score.The Strasbourg Philharmonic brought epic instrumental weight, but also refined their sound right down to the solo desks. […] Marc Albrecht infused the epic drama with a transparency that gave life to the theatrical dimension in all the story’s variety: almost a true opera in concert."
Claude Helleu, Altamusica
"This is, hands down, the best-engineered performance of Korngold's masterful symphony yet released [...] Happily, the performances also stand among the finest available. [...] Albrecht has a real feel for the structure of the music. The first movement and finale seldom have sounded so cogently paced, as well as expressively powerful. What matters is the internal relationship between formal sections, and it is here that Albrecht really excels. "
David Hurwitz, www.classicstoday.com
"The Vienna Philharmonic was outstanding. The sickness, the decadence, the beauty and the bite: all of these were there. This is of course the orchestra for which Lulu has always cried out. [...] Not only were there colour and depth; there was, crucially, iron-clad structure, on the micro- and macro-levels. Berg’s intricate writing needs to be projected in a way that relishes, is even seduced by, his formal games and turns them to dramatic ends. Orchestra and conductor were here the brightest stars of all."
Mark Berry, www.musicweb-international.com
"The conductor Marc Albrecht makes a great success in his Covent Garden debut, sustaining a long (two and a half hours, without an interval) but deeply rewarding evening. Refusing to rush things or whip up excitement with empty fortissimo, he establishes a firm underpinning dramatic pulse and relishes the passages where Wagner lets his hair down and pays tribute to Weber's folksy charm with a catchy, lilting tune. […] A performance of the grandest Wagnerian stature. The orchestra plays quite gloriously throughout. "
Rupert Christiansen, The Telegraph
Discography
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Korngold - Symphony in F Sharp, Much Ado About Nothing Op.11 2010
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The Sorcerer's Apprentice/Mother Goose/Jungle Book 2010
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Alban Berg - Drei Orchesterstucke Op.6 Alternberg Lieder Op. 4 - Sieben frühe Liede (Christiane Iven, soprano) 2009
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Shostakovich - Cello Concerto No 2, Sonata for Cello and Piano 2008
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Richard Strauss - Till Eulenspiegel - Don Juan 2008
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