Acclaimed for his interpretations of Wagner and Strauss, as well as for his commitment to contemporary music, Marc Albrecht holds the position of Chief Conductor of both the Netherlands Opera and Netherlands Philharmonic and Chamber Orchestras, and is.a regular guest at Europe’s most prestigious opera houses and orchestras. In the early years of his conducting career, Albrecht spent several seasons at the opera houses of Hamburg and Dresden, and also was appointed personal assistant to Claudio Abbado at the Gustav Mahler Youth Orchestra in Vienna. In 1995 he embarked on a highly successful 6 year tenure as Music Director of the Staatstheater Darmstadt, and from 2006-2011, he was Artistic Director and Chief Conductor of the Orchestre Philharmonique de Strasbourg.
A dynamic and accomplished presence both on the orchestra podium and in the opera pit, and a regular guest at Europe’s most prestigious opera houses and orchestras, Marc Albrecht is particularly acclaimed for his interpretations of Wagner and Strauss, as well as for his commitment to contemporary music. He holds the position of Chief Conductor of both the Netherlands Opera and the Netherlands Philharmonic Orchestra/Netherlands Chamber Orchestra, and in 2013 both contracts were extended until 2018. In the early years of his conducting career, Albrecht spent several seasons at the opera houses of Hamburg and Dresden, and also was appointed personal assistant to Claudio Abbado at the Gustav Mahler Youth Orchestra in Vienna. In 1995 he embarked on a highly successful 6 year tenure as Music Director of the Staatstheater Darmstadt, and from 2006-2011, he was Artistic Director and Chief Conductor of the Orchestre Philharmonique de Strasbourg.
Marc Albrecht has appeared with many key orchestras in Europe including the Berlin Philharmonic Orchestra, Royal Concertgebouw Orchestra, City of Birmingham Symphony Orchestra, Chamber Orchestra of Europe, Staatskapelle Dresden, Munich Philharmonic, the Hallé Orchestra, Vienna Symphony Orchestra and the SWR Sinfonieorchester Stuttgart. He has appeared at the BBC Proms with the BBC Scottish Symphony Orchestra, and worked in the US with the Saint Louis and Dallas Symphony Orchestras. Recent successes have included his debuts with the Cleveland Orchestra, Tokyo Metropolitan Symphony Orchestra, Danish National Symphony and the Oslo, Bergen and Royal Stockholm Philharmonic Orchestras, and visits to the Orchestre National de France, the Filarmonica della Scala, and the Rundfunk-Sinfonieorchester Berlin. Future highlights include returns to the Orchestra Nazionale Sinfonica della RAI Torino, the Accademia Nazionale di Santa Cecilia,
In the opera house, Marc Albrecht’s highly acclaimed work during the past seasons has included a new production of Der fliegende Holländer at the Bayreuth Festival (2003–2006), Die Bacchantinnen by Wellesz at the Salzburg Festival (2003) as well as Janacek’s From the House of the Dead at the Opera National de Paris (2005). From 2001-2004 he was Principal Guest Conductor at the Deutsche Oper Berlin, leading successful productions such as Messiaen’s Saint Francois d’Assise, and he also maintains a close relationship with the Semperoper Dresden, where amongst others he has conducted La Damnation de Faust, Die Frau ohne Schatten and Elektra. Recent highlights include Tannhaüser and Die Soldaten at Zurich Opera, Henze’s Die Bassariden at the Bavarian State Opera, his debut at the Royal Opera House Covent Garden with Der fliegende Holländer, Henze’s Der Prinz von Homburg at Vienna’s Theater an der Wien, Lulu at the Geneva Opera and at the Salzburg Festival (with the Vienna Philharmonic), and a notable success standing in at short notice in 2012 to make his debut at Teatro alla Scala with Die Frau ohne Schatten.
At the Netherlands Opera he has conducted productions of Die Frau ohne Schatten, Fidelio, Carmen, and since his appointment as Music Director, Elektra, The Legend of the Invisible City of Kitezh, Der Schatzgräber, Die Zauberflöte, Die Meistersinger von Nurnberg, the world premiere of Manfred Trojahn’s Orest, Prokofiev’s The Gambler, and Strauss’ Arabella, and in their 2014/15 season he conducted new productions of Gurrelieder, Lohengrin and Verdi’s Macbeth.The 15/16 sees him leading productions of Der Rosenkavalier, Hansel und Gretel and Don Giovanni.
Marc Albrecht has made a sequence of acclaimed recordings for PentaTone records with the Orchestre Philharmonique de Strasbourg, including discs of Strauss tone poems, the piano concertos of Dvorak and Schumann with Martin Helmchen, Korngold’s Symphony in F sharp and the orchestral music of Berg, Dukas, Koechlin and Ravel. He has continued his association with PentaTone with the Netherlands Philharmonic, and their recordings of Mahler’s Das Lied von der Erde and Symphony No. 4 have been released to strong critical reviews. The Netherlands Opera has also released live CD recordings of his performances of Elektra, Orest and Der Schatzgräber on the Challenge Classics label, and DVD of The Legend of the Invisible City of Kitezh on Opus Arte.
"Marc Albrecht and his Netherlands Philharmonic Orchestra demonstrated their magic at the Concertgebouw. Albrecht produced a thundering rendition of Bruckner’s Symphony no. 6 in A major, producing penetrating crescendos and a remarkable transparency…"David Pinedo, Bachtrack
"This is, hands down, the best-engineered performance of Korngold’s masterful symphony yet released, and that means a lot. […] Happily, the performances also stand among the finest available. Marc Albrecht has the strings playing with virtuoso abandon, […] More importantly, Albrecht has a real feel for the structure of the music. The first movement and finale seldom have sounded so cogently paced, as well as expressively powerful. […] What matters is the internal relationship between formal sections, and it is here that Albrecht really excels. This, plus the clarity of his bass lines and incisive feeling for rhythm, gives the music an urgency and vitality that are the very opposite of the tired, late-Romantic decadence that Korngold stereotypically represents. The result is tremendously beautiful, moving (try that perfectly flowing Adagio!), and satisfying. "David Hurwitz, ClassicsToday
"Compelling though Audi’s visual translation of Schoenberg’s score is, the evening’s overwhelming power owes at least as much to Marc Albrecht. He directs the Netherlands Philharmonic with gossamer transparency, never losing the narrative thread, shaping the whole with an arresting combination of vision and modesty. More than in any standard opera, the orchestra here is a key protagonist, and Albrecht paints a dazzling spectrum of colours with his multitude of musicians in a semi-raised pit, always drawing back to let his singers shine. "Shirley Apthorp, Financial Times
"[Herlitzius' Elektra] is helped by the extraordinary transparency of sound that Albrecht teases out of the Netherlands Philharmonic - Strauss enjoined conductors to play this notoriously noisy score like Mendelssohn's fairy music - though they pull out all the stops when voices don't need to be heard. A must for Straussians."Hugh Canning, Sunday Times 'CD of the week'
"Yesterday evening, a miracle occurred in a full Concertgebouw with the Netherlands Philharmonic Orchestra: Marc Albrecht conducted an a-ma-zing La Mer. The most beautiful I have ever heard, after Van Beinum’s performance. But I only know Van Beinum from the recording. Albrecht was live, alive, present. I felt a strong urge to walk on the stage and embrace him. "Eric Voermans, Het Parool
"Marc Albrecht in Amsterdam gives us the new benchmark for the work [Schreker’s Der Schatzgraeber]. … The most masterful work here comes from the orchestra. Marc Albrecht, a past master in this repertoire, unleashes and yet controls the waves of sound, balances the textures, plays with the colours and maintains great rhythmic subtlety."Didier Van Moere, Diapason
"The orchestral playing simply leaves its rivals lying in the dust. … The strings, full and romantic in tone, play the glorious melodies with ecstasy; and Marc Albrecht paces the score with understanding and passion, making one realise how advanced the supposedly ‘conservative’ Rimsky-Korsakov - at the end of his career - could be when he had something to get his teeth into. Sections of Fevronia’s final vision even pre-echo the final scenes of Strauss’s Die Frau ohne Schatten. In short, this is quite simply the best recording of the music of this opera to be had in any medium."Paul Corfield Godfrey, Music Web International
"Well, well! After three decades, we finally have another great recording of Das Lied. … Marc Albrecht’s conducting is both exciting when called for and sensitive in turn. He never lets the music slacken to the point where it appears to be falling apart, yet he achieves a tenderness and transparency in certain sections that beggar the imagination. There are passages in [the] long final movement where Albrecht creates moments of not only profound beauty but a quiet sound that can only be described as interminable depths … there is just something about this performance that grabs you and will not let go. … This is a performance for the ages. Make room for it next to whatever other Das Lieds you already own."Lynn René Bayley, Fanfare Magazine
Trojahn: Orest 2013
Mahler: Das Lied von der Erde (Song of the Earth) 2013
Schreker: Der Schatzgräber (Live) 2013
Elektra (Live) 2012
Korngold: Symphony in F Sharp, Much Ado About Nothing Op.11 2010
The Sorcerer's Apprentice/Mother Goose/Jungle Book 2010
Alban Berg: Drei Orchesterstücke Op.6 Alternberg Lieder Op. 4 - Sieben frühe Lieder 2009
Schumann and Dvorak: Piano Concertos 2009
Richard Strauss: Till Eulenspiegel, Don Juan 2008