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Marco Berti is the Italian tenor currently most sought-after by the world’s major opera houses, where he is appreciated for the splendid quality of his voice, his timbre “all’italiana”, the force of his high register, his innate musicality, his stage presence and artistic accomplishment. Born in Como, he got his singing diploma at the “Conservatorio Giuseppe Verdi” in Milan in 1989 under the guidance of Giovanna Canetti, he then continued to perfect his vocal technique with Adelaide Saraceni, Pier Miranda Ferraro and GianFranca Ostini. After winning the Concorso Internationale Giacomantonio, he made his debut in 1990 as Pinkerton in Madama Butterfly in Cosenza. Since then Marco Berti’s artistic ascent has continued and the brilliance of his career is constantly being consolidated in Italy’s main theatres as well as abroad, where he is unanimously acclaimed by the public and the critics. His interpretations underline his clear phrasing, the magnificent quality of his voice, both mellow and powerful, and by many considered among the most beautiful in Italian opera. Marco Berti’s extraordinary vocal qualities and scenic mastery have recently allowed him to count among his successes one of the most

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Marco Berti is the Italian tenor currently most sought-after by the world’s major opera houses, where he is appreciated for the splendid quality of his voice, his timbre “all’italiana”, the force of his high register, his innate musicality, his stage presence and artistic accomplishment.

Born in Como, he got his singing diploma at the “Conservatorio Giuseppe Verdi” in Milan in 1989 under the guidance of Giovanna Canetti, he then continued to perfect his vocal technique with Adelaide Saraceni, Pier Miranda Ferraro and GianFranca Ostini.

After winning the Concorso Internationale Giacomantonio, he made his debut in 1990 as Pinkerton in Madama Butterfly in Cosenza.

Since then Marco Berti’s artistic ascent has continued and the brilliance of his career is constantly being consolidated in Italy’s main theatres as well as abroad, where he is unanimously acclaimed by the public and the critics. His interpretations underline his clear phrasing, the magnificent quality of his voice, both mellow and powerful, and by many considered among the most beautiful in Italian opera.

Marco Berti’s extraordinary vocal qualities and scenic mastery have recently allowed him to count among his successes one of the most demanding and complex roles in the Verdian repertoire: Otello. The Spanish critic, Alonzo Gonzales of “La Razón”, who heard his debut in this role at the “Festival de Opera de La Coruna” in September 2010, named him “ The Otello of the coming years, of the future”.

Berti is in great demand as the Artistic Directors’ preferred artist at major theatres and festivals, where he is seen as the ideal interpreter, capable of taking on an ample and multifaceted repertoire of roles that in the past were performed by legendary names, such as Corelli, Del Monaco, Bergonzi, Domingo and Pavarotti.

While Radamés, Riccardo, Adorno, Manrico, Ernani and Otello are his most admired in the Verdian repertoire, it is just as important to mention his Puccinian roles, which have brought him equal acclaim and appreciation for his vocal elegance and unrestrained scenic presence: Calaf, Des Grieux, Pinkerton, Cavaradossi and Edgar in the eponymous opera.

Great successes are also Marco Berti’s interpretations of Don José in Bizet’s Carmen and Canio in Leoncavalli’s Pagliacci.

Marco Berti has worked with many of the world’s great conductors, such as: Gianandrea Gavazzeni, Zubin Metha, Lorin Maazel, Riccardo Muti, Antonio Pappano, Daniel Oren, James Conlon and Nicola Luisotti and world renowned stage directors like: Franco Zeffirelli, Pier Luigi Pizzi, Pier’Alli and Liliana Cavani, Luc Bondy, Ferzan Ozpetek and many more.

Spanning more than two decades, Marco Berti’s career consists of an unbroken string of successes in the major opera houses around the world, from Covent Garden to The Metropolitan in New York, from Teatro alla Scala in Milan to the Arena of Verona, from Liceu in Barcelona to l’Opéra de Paris, and as far as the grand Oriental stages of Beijing and Tokyo.

In September 2011 "STYLE",the prestigious supplement of Corriere della Sera, has consecrated Marco Berti in the top four better tenors in the world, he is  there described as the Italian quality tenor  disputed between the major theaters of the world.

Marco Berti’s 2014 is dense of important news: he will be Cavaradossi in Turin and Paris, then he will performance at the Semperoper in Dresden in Turandot and at Memorial in San Francisco in Norma, in Neaples with Otello.

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Reviews

"The superb Italian tenor Marco Berti [...] is the physical and vocal embodiment of implacability, reinforcing his resolve with such astonishing volume you fear for his vocal cords – and the crockery. [...] And what of Nessun Dorma, the opera's most enduring aria? It's difficult to separate it from Pavarotti – and Berti doesn't try; he's in the same mould. It's a glorious sound. Go and hear it."

Stephen Pritchard, The Observer

"Marco Berti, starring as Manrico, lends his powerful and shimmering tenor instrument with pristine clarity to the score. He sweeps his way through the score and completely enriches the performance with his incredible and commanding voice. His rendition of "Di quella pira l'orrendo foco" is simply astonishing, especially in the final notes."

David Clarke, Broadway World

"[...]his sense ofstyle is impeccable and the tone on the top notes is radiant, while it's a pleasure to hear the language sung by a native Italian."

Dominic McHugh, Musical Criticism