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Maurizio Barbacini is one of today’s most sought-after opera conductors. In a distinguished career, he has appeared with many of the world’s great opera companies, including the Metropolitan Opera New York, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin and the Komische Oper Berlin.  In addition, he has held positions as Principal Conductor of the Finnish National Opera, Principal Guest Conductor of the Stockholm Opera and Principal Conductor of the Opera Company of Philadelphia. Upcoming engagements for the 2013/14 seasion include Tosca with Vlaamse Opera and Werther with Frankfurt Opera, while recent engagements have included Spoleto Festival USA with Le Villi and Il Mese Mariano, and Otello at Teatro Comunale Luciano Pavarotti in Modena and at Teatri Comunali in Piacenza. He has conducted numerous operas in recent years, including Madama Butterfly (Dresden Semper Oper); Il Turco in Italia, Madama Butterfly, Don Pasquale and Un Ballo in Maschera (Bavarian State Opera); La Traviata, Don Pasquale (Komische Oper Berlin); Turandot (Opera Company of Philadelphia); La bohème, Carmen  (New National Theatre Tokyo); The Rape of Lucretia, Lucia di Lammermoor  (Frankfurt Opera); IlTrovatore (Teatro Verdi Trieste); Manon Lescaut and La bohème  (Paris

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Maurizio Barbacini is one of today’s most sought-after opera conductors. In a distinguished career, he has appeared with many of the world’s great opera companies, including the Metropolitan Opera New York, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin and the Komische Oper Berlin.  In addition, he has held positions as Principal Conductor of the Finnish National Opera, Principal Guest Conductor of the Stockholm Opera and Principal Conductor of the Opera Company of Philadelphia.


Upcoming engagements for the 2013/14 seasion include Tosca with Vlaamse Opera and Werther with Frankfurt Opera, while recent engagements have included Spoleto Festival USA with Le Villi and Il Mese Mariano, and Otello at Teatro Comunale Luciano Pavarotti in Modena and at Teatri Comunali in Piacenza.


He has conducted numerous operas in recent years, including Madama Butterfly (Dresden Semper Oper); Il Turco in Italia, Madama Butterfly, Don Pasquale and Un Ballo in Maschera (Bavarian State Opera); La Traviata, Don Pasquale (Komische Oper Berlin); Turandot (Opera Company of Philadelphia); La bohème, Carmen  (New National Theatre Tokyo); The Rape of Lucretia, Lucia di Lammermoor  (Frankfurt Opera); IlTrovatore (Teatro Verdi Trieste); Manon Lescaut and La bohème  (Paris Opera); La traviata and Aida (Deutsche Oper Berlin); Tosca (Vienna State Opera); La traviata and L’elisir d’amore (Metropolitan Opera New York); Tosca, L’elisir d’amore, Il barbiere di Siviglia and Madama Butterfly (San Francisco Opera); Manon Lescaut and Falstaff (Cincinnati Opera); Il Turco in Italia (Bayerische Staatsoper); La bohème (New National Theatre); The Rape of Lucretia (Frankfurt Opera); Rigoletto (Deutsche Oper am Rhein) , La bohème and Aida (Basel), La traviata (Theater St. Gallen) and Anna Bolena (Dortmund and Düsseldorf).


Maurizio Barbacini has made a number of recordings, including opera arias with Denyce Graves and the Munich Radio Orchestra (RCA Red Seal) and Gallardo¬-Domâs, also with the Munich Radio Orchestra (Teldec). He has also featured on DVD recordings of Francesca da Rimini in Macerata with Orchestra Filarmonica Marchigiana, The Barber of Seville with Teatro Regio di Parma, and Rossini’s La Gazzetta with Gran Teatre del Liceu Barcelona.


Before becoming a conductor he enjoyed a successful career as a singer, and sung the role of Gaston in Franco Zeffirelli’s film of La Traviata.


Oct 2013.  Please do not use any previously dated biographies.  Please contact IMG Artists if you wish to edit this biography.


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Photos

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Reviews

"Maurizio Barbacini conducted the orchestral forces with strong impulsion… the orchestral performance was admirably energetic, and brought out Massenet's repeated themes to strong dramatic effect. [Frankfurt Oper/Werther]"

Opera Obsession

"The Symphony Orchestra of the Flemish Opera displayed a full, cohesion… sustained by Maurizio Barbacini, revealing all the modernity and dramatic force of the score. [Vlaamse Opera/Tosca]"

Classical Music Network

"Conductor Maurizio Barbacini is a real conductor for singers. He was flexible with the pace, carries the singers and gives them space. [Vlaamse Opera/Tosca]"

DMorgen.be

"Maurizio Barbacini, who conducts both operas, [Giordano’s Mese Mariano and Puccini’s Le villi] responds handsomely to the freshness of Puccini’s music, which includes an aria for each principal and a splendid wedding ensemble."

Financial Times

"The Spoleto Festival USA Orchestra sounded robust and vivid under the direction of Maurizio Barbacini."

Wall Street Journal

"Conductor Maurizio Barbacini's deft baton kept the music under firm yet emotionally potent control. "

Charleston City Paper

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Discography

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Repertoire