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Born in Ukraine, Oksana Dyka graduated at Kiev Conservatory in 2004, and from 2003 to 2007 she was the main soloist at Ukraine National Opera of Kiev. In 2003 she won the prize of the Marseilles International Opera competition, which landed her the part of Tosca at  National Opera of Montpellier in March 2005. Also in 2005, Oksana was higly acclaimed as Tosca at Estonian National Opera in Tallinn and at Dalhalla Opera Festival in Sweden (same production), and she made her debut as Desdemona in Verdi's Otello at Estonian National Opera. A very much appreciated intepreter of symphonic and chamber music, she made her Canadian debut in Montreal as a soloist in Shostakovich's Symphony n. 14, with "I Musici" Orchestra. The success she enjoyed led her to also sing the same program in Italy with Orchestra Sinfonica di Padova, and in Denmark with Odense Symphony Orchestra in Denmark, in 2007. Early highlights include Don Carlo (Elisabetta) at Teatro Regio in Turin, Il Trovatore (Leonora) at Circuito Lombardo, Madama Butterfly at Queensland Opera in Brisbane. On the concert platform, she performed with Orchestra Sinfonica Verdi conducted by M° Slatkin in New Year’s concerts (Verdi's arias), with San Francisco Symphony conducted by

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Born in Ukraine, Oksana Dyka graduated at Kiev Conservatory in 2004, and from 2003 to 2007 she was the main soloist at Ukraine National Opera of Kiev.

In 2003 she won the prize of the Marseilles International Opera competition, which landed her the part of Tosca at  National Opera of Montpellier in March 2005.
Also in 2005, Oksana was higly acclaimed as Tosca at Estonian National Opera in Tallinn and at Dalhalla Opera Festival in Sweden (same production), and she made her debut as Desdemona in Verdi's Otello at Estonian National Opera.

A very much appreciated intepreter of symphonic and chamber music, she made her Canadian debut in Montreal as a soloist in Shostakovich's Symphony n. 14, with "I Musici" Orchestra. The success she enjoyed led her to also sing the same program in Italy with Orchestra Sinfonica di Padova, and in Denmark with Odense Symphony Orchestra in Denmark, in 2007.

Early highlights include Don Carlo (Elisabetta) at Teatro Regio in Turin, Il Trovatore (Leonora) at Circuito Lombardo, Madama Butterfly at Queensland Opera in Brisbane. On the concert platform, she performed with Orchestra Sinfonica Verdi conducted by M° Slatkin in New Year’s concerts (Verdi's arias), with San Francisco Symphony conducted by Micheal Tilson Thomas in Shostakovich's ring cycle from Jewish Folk Poetry, and with Ljubljana Symphony Orchestra in Verdi's Requiem.

During the following years, she appeared on the main stages worlwide, with Tosca at Teatro dell'Opera in Rome directed by Franco Zeffirelli, a scenic version of Verdi's Requiem at Tampere Opera in Finland, the debut as Amelia (Simon Boccanegra) at Estonian National Opera in Tallinn. Further highlights were Ariadne auf Naxos in Genoa, Il Trittico (Georgetta) in Frankfurt, Madama Butterfly in Bologna, Graz and Valencia, Aida in Buenos Aires in tournée with La Scala under the baton of M° Barenboim, Il Tabarro at Opéra Bastille in Paris, Pagliacci and Tosca at La Scala in Milan, Tosca in Dresden, in Valencia under the baton of M° Mehta, at Arena di Verona and in Pompei with Teatro San Carlo di Napoli.

In recent seasons, she obtained great reviews from public and critics singing a new production of Eugene Onegin in Los Angeles under the baton of James Conlon, Mefistofele in Montecarlo, Tosca in Frankfurt, Dresden and Valencia, Aida and Tosca at La Scala, Un Ballo in Maschera in Turin.

Most recently, Tosca at Festival Puccini in Torre del Lago, Berlin Staatsoper and Royal Opera House in London Madama Butterfly in Los Angeles and in Munich, Un Ballo in Maschera at La Scala and in Tokyo in tournée with Teatro Regio di Torino, Aida at Arena di Verona and at Opéra Bastille, a new production of Prince Igor at the Metropolitan under the baton of M° Gergiev, Prince Igor and Tosca at Mariinsky Theatre.

Future engagements include: Tosca at Deutsche Oper in Berlin, Aida, Tosca and Jenufa at the Metropolitan, Tosca and Madama Butterfly at Opéra Bastille, Britten’s War Requiem at Bregenzer Festspiele.

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Reviews

"[...] the young Ukrainian soprano Oksana Dyka, is nothing less than sensational."

Göran Forsling, Seen and Heard

"Dyka credibly transforms Tatiana from a shy, bookish young girl with a soon-to-be adolescent infatuation into a blossomed mature, dignified and honorable woman. The native Ukranian nicely commingles Russian textural intricacies alongside a voice searing with sharp and distinct radiance."

Christie Grimstad, ConcertoNet.com

"Dyka's Madame Butterfly is a triumph. Her phrasing is dulcet, her power impressive and her knife-edged high notes soar. Her rendition of the plaintive aria, "Un bel di," is as heartbreaking and lyrical as any you will hear live or on recording. Her steadfast commitment to the man who has accepted her love only to abandon her, leaving her with a child he has never claimed, is truly tragic."

Jim Farber, Press-Telegram