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One of the most beloved and celebrated musical ambassadors of our time, soprano Renée Fleming captivates audiences with her sumptuous voice, consummate artistry, and compelling stage presence. Known as “the people’s diva” and named the number one female singer by Salzburger Festspiele Magazin in 2010, she continues to grace the world’s greatest opera stages and concert halls, now extending her reach to include other musical forms and media. Over the past few seasons, Ms. Fleming has hosted a wide variety of television and radio broadcasts, including the Metropolitan Opera’s Live in HD series for movie theaters and television, and Live From Lincoln Center on PBS.   As a musical statesman, Renée Fleming has been sought after on numerous distinguished occasions, from the 2006 Nobel Peace Prize ceremony to performances in Beijing during the 2008 Olympic Games. In January 2009, Ms. Fleming was featured on the televised We Are One: The Obama Inaugural Celebration at the Lincoln Memorial concert for President Obama. She has performed for the United States Supreme Court, HRH The Prince of Wales at Buckingham Palace, and, in November 2009, celebrated the 20th anniversary of the Czech Republic’s &ldquo

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One of the most beloved and celebrated musical ambassadors of our time, soprano Renée Fleming captivates audiences with her sumptuous voice, consummate artistry, and compelling stage presence. Known as “the people’s diva” and named the number one female singer by Salzburger Festspiele Magazin in 2010, she continues to grace the world’s greatest opera stages and concert halls, now extending her reach to include other musical forms and media. Over the past few seasons, Ms. Fleming has hosted a wide variety of television and radio broadcasts, including the Metropolitan Opera’s Live in HD series for movie theaters and television, and Live From Lincoln Center on PBS.  

As a musical statesman, Renée Fleming has been sought after on numerous distinguished occasions, from the 2006 Nobel Peace Prize ceremony to performances in Beijing during the 2008 Olympic Games. In January 2009, Ms. Fleming was featured on the televised We Are One: The Obama Inaugural Celebration at the Lincoln Memorial concert for President Obama. She has performed for the United States Supreme Court, HRH The Prince of Wales at Buckingham Palace, and, in November 2009, celebrated the 20th anniversary of the Czech Republic’s “Velvet Revolution” at the invitation of Václav Havel. An additional distinction was bestowed in 2008, when breaking a precedent, Ms. Fleming became the first woman in the 125-year history of the Metropolitan Opera to solo headline an opening night gala.

In the 2011-12 season, Renée Fleming reprises her celebrated portrayal of the title role in Stephen Wadsworth’s production of Handel’s Rodelinda at the Metropolitan Opera, conducted by Harry Bicket. She begins the season as Donizetti’s Lucrezia Borgia under the baton of Riccardo Frizza at San Francisco Opera; sings Strauss’s Ariadne auf Naxos at Baden-Baden in a new production by Philippe Arlaud, conducted by Christian Thielemann; and appears in title role of Arabella at both the Vienna State Opera, conducted by Franz Welser-Möst, and at the Paris Opera, conducted by Philippe Jordan. In the fall, at the invitation of the Sultan of Oman, Renée Fleming headlines a gala concert celebrating the grand opening of the new Royal Opera House in Muscat. She joins Dmitri Hvorosovky and Sir Andrew Davis in a duo concert at Lyric Opera of Chicago, sings Strauss’s “Four Last Songs” with Christoph Eschenbach and the London Philharmonic, and returns to Carnegie Hall with James Levine and the MET Orchestra in Mahler’s “Rückert-Lieder.” Her concert calendar includes galas at the Providence Performing Arts Center and the New Jersey Performing Arts Center, as well as concert appearances with the Seattle, Vancouver, Oregon, Colorado, and San Antonio symphony orchestras, and with San Diego Opera and Fresno Grand Opera.

A three-time Grammy winner, Ms. Fleming won the 2010 Grammy Award for Best Classical Vocal Performance for Verismo (Decca/September 2009), a CD featuring a collection of rarely heard Italian arias. In June 2010, Decca and Mercury records released the CD Dark Hope, which features Ms. Fleming covering songs by indie-rock and pop artists. Recent DVD releases include Massenet’s Thaïs and Rossini’s Armida, both part of the Metropolitan Opera Live in HD series, and Verdi’s Traviata, filmed at London’s Royal Opera House. Ms. Fleming's 2010 DVD Renée Fleming & Dmitri Hvorostovsky: A Musical Odyssey in St. Petersburg follows Ms. Fleming and baritone Dmitri Hvorostovsky to Russia, where they explore and perform in some of St. Petersburg's most historic locations. In recent years, this twelve-time Grammy nominated artist has recorded everything from Strauss’s complete Daphne to the jazz album Haunted Heart to the movie soundtrack of The Lord of the Rings: The Return of the King. Her recording honors range from the 2009 Echo Award for Strauss’s Four Last Songs to the Prix Maria Callas Orphée d’Or by the Académie du Disque Lyric for TDK’s DVD production of Capriccio.

Renée Fleming’s artistry has been an inspiration to many other prominent artists, such as Chuck Close and Robert Wilson, whose portraits of her were included in the Metropolitan Opera’s 2007 fundraising auction. Two portraits of Ms. Fleming were also created by Francesco Clemente, who revealed one in Salzburg in spring 2007, with the Metropolitan Opera displaying the other in 2008. Photographic portraits include works by Brigitte Lacombe, Annie Leibovitz, and Irving Penn, among others.

Ms. Fleming is a champion of new music and has performed works by a wide range of contemporary composers, including recent compositions by Henri Dutilleux, Brad Mehldau, André Previn, and Wayne Shorter. Among her numerous awards are the Fulbright Lifetime Achievement Medal (2011); Sweden’s Polar Prize (2008); the Chevalier de la Légion d’Honneur from the French government (2005); Honorary Membership in the Royal Academy of Music (2003); and Honorary Doctorates from the Eastman School of Music (2011) and The Juilliard School (2003), where she was also commencement speaker.

An advocate for literacy, Renée Fleming has been featured in promotional campaigns for the Association of American Publishers (Get Caught Reading), and the Magazine Publishers of America’s READ poster campaign for the American Library Association. She was honored by The New York Public Library as a “Library Lion.” Her book, The Inner Voice, was published by Viking Penguin in 2004, and released in paperback by Penguin the following year. An intimate account of her career and creative process, the book is also published in France by Fayard Editions, in the United Kingdom by Virgin Books, by Henschel Verlag in Germany, Shunjusha in Japan, and by Fantom Press in Russia.

In addition to her work on stage and in recordings, Renée Fleming has represented Rolex timepieces in print advertising since 2001. In 2008, she launched La Voce by Renée Fleming, a fragrance designed for her, with the proceeds benefiting the Metropolitan Opera. Master Chef Daniel Boulud created the dessert “La Diva Renée” (1999) in her honor, and she inspired the “Renée Fleming Iris” (2004), which has been replicated in porcelain by Boehm. Having been added to Mr. Blackwell’s best dressed list, her concert gowns have been designed by Reem Acra, Gianfranco Ferré, John Galliano for Dior, Douglas Hannant, Christian Lacroix, Oscar de la Renta, Angel Sanchez and Vivienne Westwood. In addition to serving as the face of opera for two public transit campaigns in New York and London, Ms. Fleming has appeared on The Martha Stewart Show, Spectacle: Elvis Costello with…, The View and Prairie Home Companion as “Renata Flambé,” among numerous other media outlets.

Ms. Fleming is currently a member of the Board of Trustees of the Carnegie Hall Corporation, the Board of Sing for Hope, and the Advisory Board of the White Nights Foundation of America. In 2010, she was named the first ever Creative Consultant at Lyric Opera of Chicago.

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Photos

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Reviews

"The Beautiful Voice soared, swelled and glistened at the Kennedy Center on Saturday night. Renee Fleming, the soprano possessed of this sobriquet, gave a recital at the Concert Hall, courtesy of the Washington Performing Arts Society, to a large and appreciative crowd; she brought her A-game, and everyone was happy...Fleming has been America's reigning diva for more than a decade now...on Saturday [she] offered some of the shining freshness that grabbed everyone's attention when she was just coming onto the scene: gleaming high notes arcing downwards like wires of gold."

Anne Midgette, Washington Post

"Renée Fleming is a true diva du jour. Her sumptuous soprano, dazzling technique and glamorous persona make her the complete package. Resplendently gowned, she cut an elegant figure at her Schubert Club recital Thursday at the Ordway. But she was utterly natural in the way she addressed the audience with eager enthusiasm about the program…Fleming unleashed her luxurious voice in an over-the-top rendering of the death scene from Umberto Giordano's Fedora. Especially thrilling was 'The Book of Hours: Love Poems to God,' a cycle that jazz musician Brad Mehldau wrote for Fleming using poems by Rainer Maria Rilke…she sang the challenging music with emotional commitment. Equally successful was 'Jane Grey' an Arnold Schoenberg song about the nine-day queen of England. Fleming embraced this post-Romantic monologue as a great dramatic scene and told a deeply felt story. This was also true of three songs by Erich Wolfgang Korngold, which seemed particularly suited to her. She poured her heart into them, bringing some exquisite floated pianissimos expressively to bear."

William Randall Beard, St. Paul Star Tribune

"She came, she sang, she conquered: Soprano Renée Fleming triumphed at the St. Louis Symphony Orchestra gala concert on Saturday night at Powell Hall. Fleming has presence and glamour (enhanced by her spectacular form-fitting strapless violet dress, with a floor-sweeping black tulle stole, diamond necklace and big hair), and made the audience feel like old friends. Most of all, she was in excellent voice…She sang ['Song to the Moon,' from Dvorák's opera Rusalka] ravishingly, her voice like rose gold… her final number, 'O mio babbino caro,' from Puccini's Gianni Schicchi, was sung flawlessly, and made the perfect ending to the evening."

Sarah Bryan Miller, St. Louis Post Dispatch

"Renée Fleming has always made very particular and personal choices of operatic roles. Over the years, the managers of the Metropolitan Opera, fully appreciative of Ms. Fleming’s vocal artistry and star power, have been ready to accommodate her. The company has mounted house premiere productions of three strikingly diverse operas — Carlisle Floyd’s 'Susannah,' Bellini’s 'Pirata' and Handel’s 'Rodelinda' — specifically for Ms. Fleming. On Monday night the Met obliged Ms. Fleming with another house premiere, Rossini’s 'Armida,' in a fanciful production by the director Mary Zimmerman. In requesting this fantastical, infrequently heard 1817 work, which, with two intermissions, lasted nearly four hours, Ms. Fleming was hardly playing it safe. Armida is an alluring, conniving sorceress, the niece of the cagey King of Damascus during the crusades. The role is a tour de force for a soprano who can combine alluring long-spun lyrical singing with dazzling, sometimes demonic, coloratura flights. ... This was Ms. Fleming’s show, and she was impressive over all. She first sang the role at the Rossini Festival in Pesaro, Italy, in 1993, a performance recorded live for a Sony release. In 1996 she triumphed as Armida in a concert performance with the Opera Orchestra of New York at Carnegie Hall, conducted by Eve Queler. ... 'Armida' belongs at the Met. And the company has the right star in place."

Anthony Tommasini, The New York Times

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Discography