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Since his professional debut in 2003 at the age of 20, Robert Treviño has become an emerging force on the international music scene and is currently the Associate Conductor of the Cincinnati Symphony.  He has conducted numerous orchestras across North America, Europe, and Asia including the Cleveland Orchestra, New York City Opera Orchestra, Philadelphia Orchestra, New World Symphony, Cincinnati Symphony, Baltimore Symphony, Charlotte Symphony, Memphis Symphony, Chicago Philharmonic, Louisiana Philharmonic, Napa Valley Symphony, Tanglewood Music Center Orchestra, Aspen Music Festival Orchestra, Suwon Philharmonic of South Korea, Wuppertal Symphony of Germany, Montpellier National Orchestra of France and Universidad Nacional Autonoma De Mexico Philharmonic of Mexico. Formerly the Associate Conductor and Guest Conductor for the New York City Opera at Lincoln Center, Robert Treviño has led the world premieres of five operas as part of the annual VOX: American Opera Series.  Recent and upcoming highlights include Recent and upcoming highlights include a production of Tosca at the Bolshoi Theatre (Moscow, Russia), Music Director Candidacy with the East Texas Symphony Orchestra, Macon Symphony, and the Tallahassee Symphony Orchestra, and performances with the Ensemble Modern Academy Orchestra at the Klangspuren Festival (Schwaz, Austria), the Millennium Chamber Players at the Jusqu

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Since his professional debut in 2003 at the age of 20, Robert Treviño has become an emerging force on the international music scene and is currently the Associate Conductor of the Cincinnati Symphony.  He has conducted numerous orchestras across North America, Europe, and Asia including the Cleveland Orchestra, New York City Opera Orchestra, Philadelphia Orchestra, New World Symphony, Cincinnati Symphony, Baltimore Symphony, Charlotte Symphony, Memphis Symphony, Chicago Philharmonic, Louisiana Philharmonic, Napa Valley Symphony, Tanglewood Music Center Orchestra, Aspen Music Festival Orchestra, Suwon Philharmonic of South Korea, Wuppertal Symphony of Germany, Montpellier National Orchestra of France and Universidad Nacional Autonoma De Mexico Philharmonic of Mexico.

Formerly the Associate Conductor and Guest Conductor for the New York City Opera at Lincoln Center, Robert Treviño has led the world premieres of five operas as part of the annual VOX: American Opera Series.  Recent and upcoming highlights include Recent and upcoming highlights include a production of Tosca at the Bolshoi Theatre (Moscow, Russia), Music Director Candidacy with the East Texas Symphony Orchestra, Macon Symphony, and the Tallahassee Symphony Orchestra, and performances with the Ensemble Modern Academy Orchestra at the Klangspuren Festival (Schwaz, Austria), the Millennium Chamber Players at the Jusqu’aux Oreilles Festival in Montreal, and a month-long residency with the Helsinki Philharmonic where he has assisted Music Director Leif Segerstam on the complete symphonic works of Sibelius.  This past summer, Mr. Treviño was selected by James Levine to be one of three conducting fellows at the Tanglewood Music Festival where he worked with artists such as Mark Morris, Kurt Masur, and Emanuel Ax.

Robert Treviño is a laureate of the 2010 Evgeny Svetlanov International Conducting Competition and was awarded the 2010 James Conlon Prize for Excellence in Conducting at the Aspen Music Festival and School.  He also won a 2010 Career Assistance Award from the Sir George Solti Foundation, and was a featured conductor at the 2011 Bruno Walter National Conductor Preview.  As an avid advocate and performer of contemporary music, the artist has worked closely with many leading composers and has been the recipient of numerous grants from the Foundation for Contemporary Art.

Mr. Treviño has studied with Maestros David Zinman, Leif Segerstam, Michael Tilson Thomas, and Kurt Masur.

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Reviews

"Guest Conductor Robert Treviño – all of 26 years old – left a considerable impression in his CPO debut with incisive and thrilling direction… he is clearly a conductor to watch."

Bryant Manning, Chicago Classical Review

"Under Trevino, the rich and burnished strings were as attractive as ever. Trevino dug in vigorously for the hour-long work and never looked back, shaping a fluid and buoyant account of this sprawling and lyrical opus. Heavy sonorities trumped all and sounded particularly gorgeous."

Bryant Manning, Chicago Classical Review

"...the performance Thursday by the Millennium Chamber Players from Chicago should be remembered as a worthy outing. The big item was Eight Songs for Mad King, an avant-garde classic of 1968 by Peter Maxwell Davies. Never mind "eight songs." …The exhausting piece (with music-hall elements as well as much hardcore "mad" dissonance) made its point. Conductor Robert Treviño paced it with assurance."

Arthur Kaptainis, Montreal Gazette

"Robert Treviño [with the Millennium Chamber Players]...put on a strong and affecting staging of Britten's small-scale The Rape of Lucretia in January and a string of operas by lesser-known composers through the spring, as well as a chamber-music concert that mixed new music in with standard repertoire. Such youthful impudence makes a night at the opera fun - and, at the very least, unpredictable."

Marc Geelhoed, Time Out Chicago Magazine

"…rich, symphonic sounds emanating from the Ohio Light Opera pit under Trevino's baton started with an illuminating reading of the overture, and continued to lift the production to the final chorus"

Thomas Harper, The Alliance Review