News

back to top

Biography 625 words

Download biography as pdf Download biography as word doc

Since 1988 Yuri Temirkanov has been the Artistic Director and Chief Conductor of the St Petersburg Philharmonic Orchestra, with whom he regularly undertakes major international tours and recordings. Other positions he holds include Music Director of the Teatro Regio di Parma, and Music Director Emeritus of the Baltimore Symphony Orchestra. Born in the Caucasus city of Nal'chik, Yuri Temirkanov began his musical studies at the age of nine. When he was thirteen, he attended the Leningrad School for Talented Children where he continued his studies in violin and viola. Upon graduation, he attended the Leningrad Conservatory where he completed his studies in viola and later returned to study conducting, graduating in 1965. After winning the prestigious All-Soviet National Conducting Competition in 1966, Mr. Temirkanov was invited by Kiril Kondrashin to tour Europe and the United States with legendary violinist David Oistrakh and the Moscow Philharmonic Orchestra. Yuri Temirkanov made his debut with the St Petersburg Philharmonic Orchestra (formerly the Leningrad Philharmonic) in early 1967 and was then invited to join the orchestra as Assistant Conductor to Yevgeny Mravinsky. In 1968, he was appointed Principal Conductor of the Leningrad Symphony Orchestra where he remained until his appointment as Music Director of the Kirov Opera and Ballet (now the Mariinsky Theatre) in 1976. He remained in this position until 1988 and his productions of Eugene Onegin and Queen of Spades have become legendary in the theatre’s history. Maestro Temirkanov is a frequent guest conductor of major orchestras in Europe, Asia and the United States. He holds the distinction of being the first Russian artist permitted to perform in the United States after cultural relations were resumed with the Soviet Union at the end of war in Afghanistan in 1988. He has appeared with leading European orchestras including the Berlin Philharmonic, Vienna Philharmonic, Dresden Staatskapelle, London Philharmonic, London Symphony, Philharmonia Orchestra, Royal Concertgebouw Orchestra, Accademia di Santa Cecilia, Rome and La Scala, Milan.

read more...

Since 1988 Yuri Temirkanov has been the Artistic Director and Chief Conductor of the St Petersburg Philharmonic Orchestra, with whom he regularly undertakes major international tours and recordings.

Born in the Caucasus city of Nal'chik, Yuri Temirkanov began his musical studies at the age of nine. When he was thirteen, he attended the Leningrad School for Talented Children where he continued his studies in violin and viola. Upon graduation, he attended the Leningrad Conservatory where he completed his studies in viola and later returned to study conducting, graduating in 1965. After winning the prestigious All-Soviet National Conducting Competition in 1966, Mr. Temirkanov was invited by Kirill Kondrashin to tour Europe and the United States with legendary violinist David Oistrakh and the Moscow Philharmonic Orchestra.

Yuri Temirkanov made his debut with the St Petersburg Philharmonic Orchestra (formerly the Leningrad Philharmonic) in early 1967 and was then invited to join the orchestra as Assistant Conductor to Yevgeny Mravinsky. In 1968, he was appointed Principal Conductor of the Leningrad Symphony Orchestra where he remained until his appointment as Music Director of the Kirov Opera and Ballet (now the Mariinsky Theatre) in 1976. He remained in this position until 1988 and his productions of Eugene Onegin and Queen of Spades have become legendary in the theatre’s history.

Maestro Temirkanov is a frequent guest conductor of major orchestras in Europe, Asia and the United States. He holds the distinction of being the first Russian artist permitted to perform in the United States after cultural relations were resumed with the Soviet Union at the end of war in Afghanistan in 1988. He has appeared with leading European orchestras including the Berlin Philharmonic, Vienna Philharmonic,Dresden Staatskapelle, London Philharmonic, London Symphony, Philharmonia Orchestra, Royal Concertgebouw Orchestra, Accademia di Santa Cecilia, Rome and La Scala, Milan and others.

After making his London debut with the Royal Philharmonic Orchestra in 1977, he was appointed Principal Guest Conductor, and then in 1992 named Principal Conductor, a position he held until 1998. From 1992 to 1997 he was also the Principal Guest Conductor of the Dresden Philharmonic Orchestra and from 1998 to 2008 Principal Guest Conductor of the Danish National Radio Symphony Orchestra. A regular visitor to the USA, he conducts the major orchestras of New York, Philadelphia, Boston, Chicago, Cleveland, San Francisco and Los Angeles. He was the Music Director of the Baltimore Symphony Orchestra from 2000 till 2006, and Principal Guest Conductor of the Bolshoi Theatre until 2009. 2010 – 2012 Music Director of Teatro Regio di Parma.

His numerous recordings include collaborations with the St Petersburg Philharmonic, New York Philharmonic and Danish National Radio Symphony Orchestras, and the Royal Philharmonic Orchestra with whom he recorded the complete Stravinsky ballets and Tchaikovsky symphonies.

For ten days over the Christmas holiday, Maestro Temirkanov hosts the annual International Winter Festival Arts Square in St Petersburg, Russia. Unique in its concept, the festival gathers artists of the highest caliber in our city, confirming the status of St. Petersburg as one of the cultural capitals of Europe. The focal point of the – 14th Festival – is the celebration of Temirkanov’s 75th birthday and the 25th anniversary of his leadership of the St Petersburg Philharmonic. The grand opening, conducted by Mariss Jansons and Nikolai Alexeev, is in honor of the maestro, with a grand gala concert featuring Yuri Bashmet, Paata Burchuladze, Elisso Virsaladze, Natalia Gutman, Yevgeny Kissin, Denis Matsuev, Vadim Repin, Sayaka Shoji and Viktoria Yastrebova.

Maestro Temirkanov has received many distinguished awards in Russia. In 2003, President Vladimir Putin bestowed the President’s Medal on Maestro Temirkanov. In 2002, he received the Abbiati Prize for Best Conductor, and in 2003 was named Conductor of the Year in Italy. Recently, he was made an Honorary Accademician of Santa Cecilia. In 2012 he was awarded “The Commander of the Order of the Star of Italy”.

back to top

Photos

back to top

Reviews

"Temirkanov and his players told stories in music. Everything was direct, vivid and full of character, [...] the playing was visceral, breathless and cinematic."

Anthony Tommasini, New York Times

"Temirkanov is the last of the older-generation Russian master conductors currently to be seen in the UK. And no one has such authority in inspiring the players to feats of full-blooded Tchaikovskyan suppleness. [...] He's a conductor for whom the injunction tempo rubato - that art of stealing time and giving it back even in a single bar - might have been written. The onward trudge of destiny after the dark, clarinet-led opening theme of fate-as-providence advanced in velvet slippers, quickening towards handsome climaxes [...] ballasted by the peculiarly weighty sound Temirkanov always carries with him: you could no longer talk of a Philharmonia personality, only of a kind of Temirkanov Philharmonic. [...] this is as great as Tchaikovsky gets."

David Nice, The Arts Desk

"Yuri Temirkanov's version of the popular ballet score [is] played stupendously, including (to cite just two examples) an excitingly frantic Trepak and a beautifully flowing Waltz of the Flowers. [...] Kijé is lively and extremely colorful, with especially atmospheric offstage trumpet calls. The Dukas also is very brilliantly played, and precisely too (this is a very difficult work to handle rhythmically). Temirkanov shows himself aptly sensitive to the music's cinematic narrative, whipping the orchestra to a fine fury and then slamming on the brakes at the climactic return of the sorcerer with a rhetorical flourish. "

David Hurwitz, classicstoday.com

"Symphonic Dances, meanwhile, Rachmaninov's final score, is a bitter work, haunted by terrors of mortality. The narrow range of its melodies hint at constriction while the dense orchestration gives the impression that Rachmaninov's dancers, despite their vigour, are fastened unwillingly to the earth. Brass fanfares stop the central waltz in its tracks, while the final movement, like Berlioz's Symphonie Fantastique, is harried to its close by the Dies Irae. Temirkanov's approach was unsparing. Unlike most conductors, he refused to sentimentalise Rachmaninov and what we were left with was nostalgia without self-pity, and fear without the solace of morbidity. By turns bleak and thrilling, it was an outstanding achievement, and one of the finest performances of the work you are ever likely to hear."

Tim Ashley, The Guardian.

"To hear this performance of Tchaikovsky’s Fifth Symphony felt like uncorking a fruity vintage wine laid down decades earlier. As for Glinka’s Valse-Fantaisie, it was like tapping directly into the fount of all Russian music: wistful elegance, sighing melancholy, gorgeously interwined. But Temirkanov also has a quality, hovering between the sardonic and the stoic, that gives his interpretations unexpected tension. Tempos may be stretched like elastic, cadences rapped out with caricature insistence. But he never loses sight of the bigger line, which is cogent, taut and remarkably unsentimental. Fascinating. "

Richard Morrison, The Times

back to top

Discography