Baritone

  • Aris Argiris

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    Aris Argiris

    "Aris Argiris’s performance as Escamillo is terrific [...]."Classical Source by Andrew Morris (Carmen, Royal Opera House).

  • Lado Ataneli

    Lado Ataneli

  • Elchin Azizov

    Elchin Azizov

  • Michael Bachtadze

    Michael Bachtadze

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    Michael Bachtadze

    "Michael Bachtadze ha dato sfogo ad una partecipata e versatile verve interpretativa, proponendo un Mercutio elegante, misurato e dal gradevole timbro, (…)"ROMEO ET JULIETTE, Gounod, Arena Di Verona, 2013

  • Jean-Luc Ballestra

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    Jean-Luc Ballestra

    "Ballestra’s Marcello vocally dominates the rest of the cast, and although it’s his debut in the role, his portrayal of the character is already..."José Pons, Opéra magazine

  • Dwayne Croft

    Dwayne Croft

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    Dwayne Croft

    "Baritone Dwayne Croft is magnificent, his imposing voice and bearing creating a general of dignity and fairness"Examiner San Francisco

  • Michel de Souza

    videoMichel de Souza

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    Michel de Souza

    "Credit must also be given to Michel de Souza’s very finely sung Mandarin. An attractive baritone voice that promises much, he is another Jette Parker..."Turandot - Antony Lias, Opera Britannia

  • Stéphane Degout

    videoStéphane Degout

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    Stéphane Degout

    "Sur un plan musical, sa performance (Pelléas) est tout simplement époustouflante d'intensité dramatique, de bout en bout. La voix au timbre de plus en plus..."Claude Jottrand, Forum Opéra

  • Christopher Feigum

    Christopher Feigum

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    Christopher Feigum

    "As his alter ego, Figaro, Christopher Feigum offered sure understanding and solid singing. He was hilarious in his turn as a Turkish hootchy-kootchy dancer."St. Louis Post Dispatch

  • Norman Garrett

    Norman Garrett

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    Norman Garrett

    "Norman Garrett, an alumnus of [Washington National Opera's] Domingo-Cafritz program… was imposing both vocally and physically as Ford, the husband of one of the women Falstaff..."Anne Midgette – The Washington Post

  • Vasil Garvanliev

    Vasil Garvanliev

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    Vasil Garvanliev

    "I would say that Vasil Garvanliev’s Leporello stole the show, but that implies making too much out of one’s role, whereas this incredibly skilled..."Richard Ouzounian, Toronto.com

  • Joshua Hopkins

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    Joshua Hopkins

    "He owns a gorgeous voice, a voice with gold in it. I am not talking about its bankability, but rather its tone...this young Hopkins is..."Jay Nordlinger, The New Criterion

  • Jason Howard

    Jason Howard

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    Jason Howard

    "Jason Howard created a king who was in fact deranged and criminal, an immense source of evil through his use of his authority and his willed..."New York Arts, Michael Miller

  • George Humphreys

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    George Humphreys

    "The dominant performance comes, as it should, from George Humphreys's Duke, wonderfully convincing as the handsome sensualist whose passions gradually coalesce into obsession. He's in superb..."The Guardian by Tim Ashley (Duke in The Killing Flower, Music Theatre Wales)

  • Brian Leerhuber

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    Brian Leerhuber

    "Just as arresting was baritone Brian Leerhuber as Mercutio, matching his sexy, menacing swagger with robust and magnificently tuned singing. The ‘Queen Mab’ aria was the..."San Francisco Chronicle

  • Andrew Love

    Andrew Love

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    Andrew Love

    "Baritone Andrew Love made a first-rate Papageno, his tonal robustness and skills in physical comedy and improvisation making his interpretation a delight."Dawn Martens - Opera Canada

  • Zeljko Lucic

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    Zeljko Lucic

    "Baritone Zeljko Lucic [...] sang with a power and elegance revealing the innate nobility of Verdi’s score."James Jorden, New York Post

  • Alexey Markov

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    Alexey Markov

    "The young Russian baritone Alexey Markov was a standout as Count Tomsky."Anthony Tommasini, The New York Times

  • Tim Mix

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    Tim Mix

    "Baritone Tim Mix gets things just right in both operas: the solid, stolid Michele, driven to violence only in desperation; Pagliacci’s damaged, mocking Tonio—but..." Scott Cantrell, Dallas Morning News

  • Brian Mulligan

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    Brian Mulligan

    "A third newcomer to the production was baritone Brian Mulligan as Marguerite's unforgiving brother, Valentin. He brought burnished tone and deep feeling to his famous..."Faust, Metropolitan Opera, MusicalAmerica.com

  • Alan Opie

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    Alan Opie

    "Alan Opie offered a richly nuanced portrayal of the title role [of Falstaff], at once blustery and terribly vulnerable, and he was attuned to every subtlety..."Tim Smith, The Baltimore Sun

  • Artur Ruciński

    videoArtur Ruciński

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    Artur Ruciński

    "Artur Rucinski’s warm and dark baritone suggested a handsome and elegant Onegin. This Polish singer gave us a stylish and firm-toned performance."rml, I Hear Voices

  • Wolfgang Schoene

    Wolfgang Schoene

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    Wolfgang Schoene

    "Wolfgang Schöne qui se réapproprie une fois de plus le personnage : acteur épatant et qui chante encore avec art un rôle qu’il ..."Concertclassique.com, Jean-Charles Hoffele

  • Claudio Sgura

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    Claudio Sgura

    "My favourite singer on the night was Claudio Sgura’s Iago, who was outstanding throughout. His Brindisi demonstrated not only strong vocal projection but also very..."David Larkin, Bachtrack

  • Dimitris Tiliakos

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    Dimitris Tiliakos

    "Quant au grec Dimitris Tiliakos, non seulement il est parfaitement crédible en « père noble », mais il joue d’une autorité naturelle qui se marie..."Jean-Marcel Humbert, Forum Opéra

  • Gabriele Viviani

    Gabriele Viviani

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    Gabriele Viviani

    "Gabriele Viviani made a strong impression as Marcello, his Italian enunciation refreshingly clear and distinct, his tone warmly burnished and well-projected. He introduced a dash of..."John E. De Wald, Opera Britannia

  • Michael Volle

    videoMichael Volle

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    Michael Volle

    "Michael Volle is one of the finest German baritones. At 51 he is in full vocal and artistic maturity, with a wide and well-modulated voice, very homogeneous..."Seen and Heard International, José MªIrurzun

  • Marco Vratogna

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    Marco Vratogna

    "[...] once again Marco Vratogna offered one of the great performances that the San Francisco audience learned to appreciate after his company debut as Iago in the..."Marina Romani, MusicalCriticism.com