"Patrick Carfizzi (HGO fans will remember his stunning performance as Swallow in Peter Grimes), a Figaro who is simultaneously animated and confident. There has to be..."Theodore Bale, CultureMap Houston
"En distinction de chant, en précision d’expression, en simple beauté de voix, le jeune Edwin Crossley-Mercer nous fait renouer avec la grande école des..."Concert Classique, Jean-Charles Hoffelé
"D’Arcangelo (Guglielmo), a draw in recent years in Salzburg’s Mozart productions, is the best known of the singers…he sings with tremendous command of..."Mark Swed, Los Angeles Times
"Mr. Finley has long been recognized as a recitalist of rare versatility, a concert artist of the first rank and an opera singer of distinction in..."The New York Times
"The bass-baritone soloist was Kyle Ketelsen, whose crackling declamations and caramel-rich voice was the heart of the third movement ("Lord, make me to know that there..."Richard Scheinin, Mercury News
"Mr. Owens quickly established his ability to wrap his deep voice around a text and create a distinct sense of character. You had to admire not..."Allan Kozinn, The New York Times
"Dominating the show, at least in this reviewer’s opinion, is David Pittsinger as Emile de Becque. Emile is in many ways the most operatic role..."Terry Ponick, The Washington Times
"As the faithless Garibaldo, bass-baritone Shenyang...is an important voice in the making, and he made a vocal flourish in Di Cupido a thing both mellifluous..."Marion Lignana Rosenberg, Classical Review
"The standout among them was bass-baritone Michael Sumuel, who brought luminous tone and theatrical presence to the roles of a Rhodesian barkeep and a Vietnam medic."San Francisco Chronicle
"Pity anyone who appears on the same platform as baritone Willard White. He has so much presence he can eclipse an entire symphony orchestra and chorus..."Stephen Pritchard - The Guardian.