• Raymond Aceto

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    Raymond Aceto

    "Raymond Aceto gestaltet die Partie der einzigen historisch belegten Figur in dieser Geschichte mit fulminantem Bass und macht die Kompromisslosigkeit dieses Widerstandskämpfers auch darstellerisch glaubhaft. ..."Online Musik Magazin von Thomas Molke (Les Vêpres Siciliennes at Oper Frankfurt)

  • Clive Bayley

    audioClive Bayley

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    Clive Bayley

    "Clive Bayley is the four villains, demonstrating once again that he is a versatile and imposing a bass as any in the world at present."The Tales of Hoffmann, Michael Tanner, The Specator

  • Gábor Bretz

    videoaudioGábor Bretz

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    Gábor Bretz

    "The evening's surprise-new to me and making his New York Philharmonic debut-was the marvellous Hungarian bass Gábor Bretz. In the opening scene, there were times..."Bruce Hodges, MusicWeb International

  • Carlo Cigni

    Carlo Cigni

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    Carlo Cigni

    "Carlo Cigni sobresalió por su entrega y autenticidad interpretativa"Mundo Clàsico

  • Patrick Guetti

    Patrick Guetti

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    Patrick Guetti

    "Patrick Guetti ... seemed completely at home on the Met stage, especially in his gravely compelling account of “Il lacerato spirito,” from Verdi’s “Simon Boccanegra,” a..."Anthony Tommasini - The New York Times

  • Eric Halfvarson

    Eric Halfvarson

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    Eric Halfvarson

    ""Eric Halfvarson's powerful Hagen splurges potently but refined - his Hagen intrigues in unwholy darkness." "Das Opernglas

  • Soloman Howard

    videoSoloman Howard

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    Soloman Howard

    "Howard has a superhuman ability to reach low, and then lower still, while maintaining a rich and bright tone to his voice. As his notes dropped..."The Denver Post

  • François Lis

    François Lis

  • Andrea Mastroni

    videoAndrea Mastroni

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    Andrea Mastroni

    "Andrea Mastroni was an excellent Sparafucile, with the knell of death in his dark, deep voice: the totally cynical, fatally unimaginative man; it was an engrossing..."Nicola Lischi, Opera Britannia

  • René Pape

    René Pape

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    René Pape

    "The devil may not always get the best tunes via Gounod’s pen, but René Pape dominated proceedings from the off. His gentleman-devil was the suave,..."Opera Britannia by Mark Pullinger

  • Robert Pomakov

    Robert Pomakov

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    Robert Pomakov

    "This young Canadian is clearly a talent to watch. Embodying the melancholy heft and gloomy conviction of the classic Russian bass voice."Washington Post

  • Franz-Josef Selig

    videoFranz-Josef Selig

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    Franz-Josef Selig

    "La soirée a vu le triomphe du couple protagoniste, mais aussi celui de Franz-Josef Selig, en Arkel ; une voix profonde et pleine de vigueur dont...", Santiago Martin Bermudez

  • Rafał Siwek

    Rafał Siwek

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    Rafał Siwek

    "Enfin, saluons la performance impeccable de Rafal Siwek en Commandeur, dont le timbre abyssal et le charisme terrible portent la scène du jugement à un climax..."Tancrède Scherf, Avant-Scène Opéra

  • Deyan Vatchkov

    videoDeyan Vatchkov

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    Deyan Vatchkov

    "Voce sicura e uguale nei registri era quella del basso Deyan Vatchkov in Ferrando." Andrea Zepponi, GBOPERA