• Varduhi Abrahamyan

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    Varduhi Abrahamyan

    "The young Armenian mezzo Varduhi Abrahamyan was the star surprise of the evening: her Adalgisa was beautifully sung, both in ensembles and solos, and her duet..."Roberto Herrscher, Opera News

  • Avery Amereau

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    Avery Amereau

    "With her sensual mezzo-soprano voice, Avery Amereau is achingly perfect as Lucretia."The New York Times, Anthony Tomassini

  • Tanja Ariane Baumgartner

    Tanja Ariane Baumgartner

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    Tanja Ariane Baumgartner

    "Tanja Ariane Baumgartner performed the Princess of Bouillon with phenomenal stage presence and unfailing vocal power and sonority. An absolutely sensational role debut, vigorously applauded by..."Adriane Lecouvrer at Oper Frankfurt: Hans-Klaus Jungheinrich, Opernwelt

  • Julie Boulianne

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    Julie Boulianne

    "But it’s French-Canadian mezzo-soprano Boulianne who is the one to watch – Rossini’s endless coloratura is a killer, yet she rips through ornamentation like a..."Paula Citron, Toronto Globe and Mail

  • Grace Bumbry

    videoGrace Bumbry

  • Jenny Carlstedt

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    Jenny Carlstedt


    "The fresh-voiced Finnish-Swedish mezzo-soprano Jenny Carlstedt was making her U.S debuted as the mysterious lost soul, Melisande"John von Rhein, Chicago tribune

  • Loriana Castellano

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  • Roxana Constantinescu

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    Roxana Constantinescu

    "Making her American stage debut, Romanian mezzo-soprano Roxana Constantinescu is unforgettable in the lead role of Angelina. Gifted with a luxurious timbre, Constantinescu mesmerizes with evocative..."Brad Richason, Examiner Minneapolis

  • Sasha Cooke

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    Sasha Cooke

    "The splendid mezzo-soprano Sasha Cooke brought dark colorings and penetrating richness to her solos. "Anthony Tommasini. The New York Times

  • Alice Coote

    Alice Coote

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    Alice Coote

    "In Ariodante, that astonishing quality of singing begins with the two leads, Briton Alice Coote (in a trouser role – in other words, playing a man) as..."Robert Harris, The Globe and Mail

  • Marianne Crebassa

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    Marianne Crebassa

    "Marianne Crebassa is splendidly charismatic as Cecilio. "George Loomis, The New York Times

  • Julia Dawson

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    Julia Dawson

    "Julia Dawson...can release roulades of coloratura with a torrent of shimmering sound."LA Times - Mark Swed

  • Tara Erraught

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    Tara Erraught

    "Erraught showed she has the X factor...she came, she sang, she conquered."Irish Times

  • Sara Fulgoni

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    Sara Fulgoni

    "Sara Fulgoni’s luxurious performance of Dalila, fatal seduction oozing out of her beautiful mezzo. Her singing caressed the life out of Samson in ‘Mon coeur..."Samson and Delilah - Peter Reed Classical Source

  • Susan Graham

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    Susan Graham

    "Susan Graham was a joy to watch and to hear: she delivered her lines with boldness, majesty and precision, highlighting both the most delicate and the..."Marina Romani,

  • Denyce Graves-Montgomery

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    Denyce Graves-Montgomery

    "If the human voice has the power to move you, you will be touched by Denyce Graves."Atlanta Journal-Constitution

  • Anna Grevelius

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    Anna Grevelius

    "Anna Grevelius's Siébel the most attractive and sympathetic of a fine cast (English National Opera, Faust)"The Independent

  • Justina Gringyte

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    Justina Gringyte

    mezzo soprano

    "Gringyte's mezzo was so good as to make one wish she had even more to sing"Rian Evans, Guardian

  • Hanna Hipp

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    Hanna Hipp

    "Hanna Hipp's ultra-randy (and gorgeously sung) Cherubino"Thom Dibdin,

  • Jennifer Johnson Cano

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    Jennifer Johnson Cano

    "An honesty and assurance so impressive that you want to call it bravery. "New York Times

  • Sophie Koch

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    Sophie Koch

    "Sophie Koch was quite magnificent as Venus: probably the best I have ever heard: tonally (and physically) alluring, sweetly seductive and increasingly unhinged, dramatically truthful at..."Mark Berry, Seen and Heard International

  • Agunda Kulaeva

    Agunda Kulaeva

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    Agunda Kulaeva

    Principal singer of the Bolshoi Theatre

    "Grande Carmen, grande Kulaeva (recita del 26 Agosto 2016) L’aspetto musicale; novità nel cast per quello che riguarda questa serata di fine agosto e in questo mio..." written by Simone Tomei

  • Maya Lahyani

    Maya Lahyani

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    Maya Lahyani

    "Maya Lahyani is a born Carmen. The demands of the role lie smoothly on her voice and she has strong resonance all across its range. Most..."Maria Nockin, Opera Today

  • Jennifer Larmore

    Jennifer Larmore

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    Jennifer Larmore

    "Jennifer Larmore, a wonderful interpreter of " bel canto ", now more and more oriented to decidedly more dramatic roles, is an exceptionally generous and technically confident artist..."Jenufa, Deutsche Oper Berlin - Lorenzo Bassi, GB Opera Magazine

  • Christel Loetzsch

    videoChristel Loetzsch

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    Christel Loetzsch

    "Christel Lötzsch was the surprise of the evening. Her song was a musical listening pleasure and her performance very natural, but insistent. It was a..."Dresden / Semperoper

  • Michèle Losier

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    Michèle Losier

    "Michèle Losier (Phoebe) has an impeccable technique, which ensures a remarkable fluidity; the game scene [in Castor et Pollux] was quite expressive (especially in the..."Muse Baroque - Bruno Maury

  • Nancy Maultsby

    Nancy Maultsby

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    Nancy Maultsby

    "Nancy Maultsby's huge, rich mezzo-soprano made a remarkable impact as Judith."Bluebeard's Castle, Seattle Symphony, Seattle Times

  • Meow Meow

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    Meow Meow

    "Meow Meow grabs the audience like a fistful of putty and moulds us into whatever she wants. We are her playthings and she is our mistress. "Kate Herbert, Herald Sun

  • Sheila Nadler

    Sheila Nadler

  • Veta Pilipenko

    Veta Pilipenko

  • Alla Pozniak

    Alla Pozniak

  • Ekaterina Semenchuk

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    Ekaterina Semenchuk

    "The anti-heroine is interpreted by the Russian singer Ekaterina Semenchuck. This gorgeous mezzo-soprano is gifted with an amazing voice; able to sing wonderful mezzo-voce with a..."Matteo Melis, Operaclick

  • Zanda Švēde

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    Zanda Švēde

    "The evening's most unforgettable showing was mezzo-soprano Zanda Svede's resplendent account of "O ma lyre immortelle" from Gounod's "Sapho" - full throated, luxuriantly phrased and capped..."SF Gate - Joshua Kosman

  • Tichina Vaughn

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    Tichina Vaughn

    "[...] the "black Venus" Tichina Vaughn bewitched her minstrel with her charmingly sensual, powerful mezzo and her personal charisma. Even in her short appearance in the third..."Der Neue Merker - February 2008

  • Frederica von Stade

    Frederica von Stade

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    Frederica von Stade

    "During the past three decades, Frederica von Stade has gathered legions of admirers worldwide. They're a fiercely loyal company, and it's easy to understand why. Her..."Donald Spoto, Opera News