• Joshua Bell

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    Joshua Bell

    Music Director, Academy of Saint Martin in the Fields

    "Mr. Bell doesn’t stand in anyone’s shadow."The New York Times

  • Nikita Boriso-Glebsky

    videoNikita Boriso-Glebsky

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    Nikita Boriso-Glebsky

    "Nikita Boriso-Glebsky distinguishes himself with the depth of musical thinking, impeccable technique and a rare combination of elegance, naturalness and uncompromising severity of performance."La Libre Belgique

  • Boris Brovtsyn

    Boris Brovtsyn

  • Sarah Chang

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    Sarah Chang

    "Chang is a complete package as a player -- technically assured, colorfully expansive, subtly probing, boldly commanding."Jeffrey Kaczmarczyk, Grand Rapids Press

  • Ye-Eun Choi

    Ye-Eun Choi

  • Julia Fischer

    Julia Fischer

  • Michael Guttman

    Michael Guttman

  • Hilary Hahn

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    Hilary Hahn

    "Hilary Hahn was and is the epitome of violinist perfection."Egon Bezold, Nürnberger Nachrichten

  • Chad Hoopes

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    Chad Hoopes

    "This young man has a sense of musical drama far beyond his years."Arts Sarasota

  • Anatol Karaev

    videoAnatol Karaev

  • Simone Lamsma

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    Simone Lamsma

    "She’s not only a technical wizard, but plays with the kind of artistry and maturity that makes one wonder if she started playing before she...", Janelle Gelfand

  • Daniel Lozakovitj

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    Daniel Lozakovitj

    Managed in association with Enticott Music Management

  • Nemanja Radulović

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    Nemanja Radulović

    "The young Serb Nemanja Radulovic was the star of the night... a soloistic firework."Aachener Zeitung

  • Dmitry Sitkovetsky

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    Dmitry Sitkovetsky

    Music Director, Greensboro Symphony Orchestra

    "Dmitry Sitkovetsky played the work for all it is worth, which is a great deal, despite its relative rarity in the concert repertoire. Intensity and precision..."

  • Arabella Steinbacher

    Arabella Steinbacher

  • Nikolaj Znaider

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    Nikolaj Znaider

    Principal Guest Conductor of the Mariinsky Orchestra

    Managed in association with Enticott Music Management

    "This Mahler Five was spine-shudderingly good... there was also much sumptuous, idiomatically Viennese string playing to admire — and especially the silky deftness, free of cloying over-sentimentality,..."Richard Morrison, The Times