Adela Zaharia

Soprano

Biography

Hailed as a “true revelation” by Euro News, Romanian soprano Adela Zaharia is the 2017 first place winner of Operalia. In the 2018-2019 season, Ms. Zaharia sings Violetta in La traviata conducted by James Conlon at Los Angeles Opera. She makes her role debuts as both Violetta and the title role of Donizetti’s Maria Stuarda at the Deutsche Oper am Rhein, where she will be an ensemble member for her fourth consecutive season. In Dusseldorf, she also sings Konstanze in Die Entführung aus dem Serail, Gilda in Rigoletto, and the title role of Lange’s Schneekönigin. Concert highlights her BBC Proms debut singing the world premiere of Iain Bell’s “Aurora” with the Liverpool Philharmonic, a Mozart arias concert with Placido Domingo in Prague, and tours to Moscow and Barcelona as a soloist with the Deutsche Oper am Rhein.

The prior season saw Ms. Zaharia sing the title role of Lucia di Lammermoor at the Bayerische Staatsoper, where she also starred as Angelica in a new production of Haydn’s Orlando Paladino. She also made her North American opera debut as Gilda in Rigoletto at Los Angeles Opera and returned to the Deutsche Oper am Rhein ensemble where her roles included Lucia, Konstanze in Die Entführung aus dem Serail, and Gilda in Rigoletto. She also sang Pamina with the Komische Oper on tour in Japan. Concert appearances included her debut at the George Enescu Festival, where she sang the mad scene from Iain Bell’s A Harlot’s Progress, a gala concert with Placido Domingo in Guadalajara with the Philharmonic Orchestra of Jalisco, and Beethoven’s Ninth Symphony with her native Arad State Philharmonic.

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Recent News

IMG Artists Welcomes Soprano Adela Zaharia To Its Vocal Roster

IMG Artists is delighted to welcome soprano Adela Zaharia to its roster for General Management. The 2017 Operalia Competition winner, who has been hailed as a "true revelation" (Euro News), will be managed by Jack Mastroianni and Stepan Atamian from the company's New...

Reviews

The voice does not just have an interesting timbre, that is darker and more velvety than what one is used to with coloratura singers, but it also has a larger  middle register that soars to radiant heights. Zaharia’s Lucia Ashton was less steadfast and vocally more vulnerable than [her predecessor’s] in the [Bayerische Staatsoper’s] premiere run of this production, which made Lucia’s hopeless fate all the more touching. As elegant and as effortless as a tightrope walker, the voice moved up into the mad scene’s engrossing glass harmonica stratosphere, and the audience seemed to hold its breath, for fear of breaking the hovering moment. She not only sang flawlessly, but breathed believable life into the character, as well as Lucia’s true madness later on. In her glittering dress, she truly looked as though she were from Hollywood’s golden era.  

Isabella Steppan

Bachtrack

“A True Revelation”

Euro News

“The vocal crown of the night. The soprano sings with such delicacy, illuminating power and brilliance that she is being rightly celebrated by the audience with rapturous applause.”

Opernnetz

“Adela Zaharia masters the role of Elsbeth, the coloratura cleanly intonated at breakneck speed.”

NMZ