Andrew Morstein



American tenor Andrew Morstein is praised for his, “beautiful, expansive” (Kurier) “vocal agility” (San Diego Story) and “baritone-like foundation” (Online Merker Vienna) He received his Bachelor of Music from Indiana University and, in 2020, his Masters of Music at Northwestern University. He is currently a member of the prestigious Junges Ensemble Theater (JET) at Theater an der Wien, and will complete his tenure in the programme in 2022.

The ‘21-22 season marks the return to the Junges Ensemble Theater (JET) at Vienna’s prestigious Theater an der Wien, where he will make six role debuts this year.

His roles include: Officer 1/Sandy (The Lighthouse), Georg (in the 175th anniversary of the original performance of Der Waffenschmied), Camille (in Tobias Picker’s Thérèse Raquin), alongside Kristine Opolais and Jonathan Tetelman as Spoletta in a brand-new production of Tosca, a long-awaited debut as Almaviva (Barbiere di Siviglia), as Don Ottavio in a semi-staged production of Don Giovanni and finally as Klaus/Windmüller in Enoch Arden.

In the truncated 20-21 season, Morstein performed Andronico in Bajazet (Vivaldi), an evening of Russian song at the Wiener Kammeroper, and the Amalekite in Saul (Händel) in a much-celebrated production by Claus Guth, which was filmed for Austrian public television and transmitted by ORF Austria. Due to COVID-19, his performances as Egeo in Il Giasone were cancelled.

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“Prince Andronico was American tenor Andrew Morstein. On a solid, almost baritone foundation, it goes on to the second third, and fourth floor with bombproof heights and infallible security, even with the wildest interval jumps. One of these American tenors who seem to have no nerve at all: a successful test of talent”

Online Merker Vienna

“Andrew Morstein shows beautiful, expansive tenor material”


“Andrew Morstein stands out for his thick tone. The power of the vocals brings the warmth of his voice forward, which easily covers even the most demanding transitions between registers. His acting is completely committed … constantly singing at the top of his voice, his vocal virtuosity is evident”