While in Vienna, appearances included Almaviva, Don Ottavio in Don Giovanni, Spoletta in Tosca, Camille in Tobias Pickers Thérèse Raquin, Officer 1/Sandy in The Lighthouse, Georg in the 175th anniversary of the original performance of Der Waffenschmied, and finally Klas/Windmüller in Enoch Arden.

Other notable performances include Andronico in Bajazet (Vivaldi), an evening of Russian song at the Wiener Kammeroper, and the Amalekite in Saul (Händel) in a much-celebrated production by Claus Guth, which was filmed for Austrian public television and transmitted by ORF Austria, Telemachus/City Man in Patrick Morganelli’s Hercules vs. Vampires with Nashville Opera, and Ramiro in La Cenerentola with Opera NEO.

While a graduate student at Northwestern University, Mr. Morstein performed Peter Quint in Britten’s The Turn of the Screw, Tom Rakewell in Stravinsky’s The Rake’s Progress, Bénédict in Berlioz’s Béatrice et Bénédict, and Alfred in Die Fledermaus. In concert, he performed Beethoven’s Symphony No. 9 and the tenor solos in Janaček’s The Diary of One Who Disappeared. Before opera became a full-time career, Andrew was part of two critically acclaimed acapella groups “Straight no Chaser” and Gentleman’s Rule” both of which toured internationally. Andrew resides in Chicago with his wife.