Elena Stikhina



(Under Management from 7 July 2017)

Following her graduation from The Moscow State Conservatory in 2012, where she studied with Larisa Rudakova, Elena Stikhina went on to win first prize in the Competizione dell’Opera in Linz, Austria in October 2014 and in 2016 was a finalist in Placido Domingo’s Opera Competition ‘Operalia’, winning the Audience Prize and Culturarte Prize.

During her studies, Elena performed the roles of Tatyana in Eugene Onegin, Iolanta in Iolanta, Mimi in La Boheme, and the Countess in Le Nozze di Figaro. She also participated in masterclasses of Eugene Onegin in Moscow, directed by Vasily Barkhatov, and Aida at “Operawerkstatt” in Switzerland, directed by Peter Konwitschny.

In 2014 she was engaged as the soloist at the Primorsky Stage of the Mariinsky Theatre in Vladivostok, where she performs such roles as Tosca in Tosca (Puccini), Nedda in I Pagliacci (Leonkavallo), Tatiana in Eugene Onegin (Tchaikovsky), Micaela in Carmen (Bizet) and Lara in Doctor Zhivago (Lubchenko). 2016 saw her widen her repertoire with debuts there as Lisa in Queen of Spades (Tchaikovsky) and Violetta Valeri in La Traviata (Verdi).

European invitations include her 2015 debut in the title role of Tosca at the Gut Immling Opera Festival and Micaela in Bizet’s Carmen at the Landestheater Salzburg. In 2016 she sang in Wolf-Ferrari’s I Gioelli della Madonna at the Theater Freiburg.

Season 2016/17 included performances as Leonora in La Forza del Destino in Basel, Tatyana in Finnish National Opera’s production of Eugene Onegin, Leonora in Il Trovatore at Theater Erfurt and her debut at the Paris Opera as Tatyana, a performance fêted by the public and the critics alike.

Spring 2018 will see her return at the Paris Opera as Leonora in Il Trovatore.


“It is worth seeing BLO’s “Tosca” if only to hear Russian soprano Elena Stikhina make her American debut as Floria Tosca… Stikhina captures this gradual unfolding of her character through the power of song, which poured from the stage and rushed over the audience in a wave of pure bliss. Her technical mastery was evident, but harder to pinpoint was the source of her voice’s timbre as it filled the hall with a warm glow.”

Silvia Curry

The Tufts Daily

“In the title role on Friday was a gifted young Russian soprano named Elena Stikhina making her American debut. Signing her up was a good move by BLO. Stikhina’s voice has unusual allure, catching the ear with its combination of glow and penetration, lightness and strength, at times floating above the orchestra, at times slicing through it.”

Jeremy Eichler

Boston Globe

“The Russian Soprano Elena Stikhina, making her American debut, is a beauty endowed with a beautiful voice and real acting ability. What I admired most were her graceful movements, and her totally credible erotically charged embraces and long, passionate kisses with Cavaradossi. She was completely convincing in the role… One hopes to hear Stikhina again, soon.”

Susan Miron

Boston Music Intelligencer