The Grand Prize Winner of the OSM Standard Life Competition (2011) and First Prize and People’s Choice Award recipient of the Canadian Opera Company Ensemble Studio Competition (2012), Canadian Bass-Baritone Gordon Bintner appears internationally in a wide-range of operatic and concert repertoire.
Highlights of the 2016/17 season include Il Conte in Le Nozze di Figaro with Milwaukee Symphony Orchestra, Don Giovanni in Don Giovanni with Opéra de Montréal and Festival de Beaune, Christus in Matthäus Passion with Montreal Symphony Orchestra, Chorèbe in Les Troyens with Oper Frankfurt, Junior in Bernstein’s A Quiet Place with Montreal Symphony Orchestra and Astolfo in Lucrezia Borgia with Salzburger Festspiele.
In 2015/16, Bintner made debuts at Osterfestspiele Salzburg as Araldo in Otello with Christian Thielemann, Michigan Opera Theatre as Papageno in The Magic Flute, Manitoba Opera as Figaro in Le Nozze di Figaro and Milwaukee Symphony Orchestra as Guglielmo in Così fan tutte. He also made appearances with the COC Ensemble Studio, including Il Conte in Le Nozze di Figaro.
He has previously worked with Kent Nagano as Junior in A Quiet Place with Montreal Symphony Orchestra, and made his role debuts as Lescaut in Manon at Opéra de Montréal, Nardo in La Finta Giardiniera at San Francisco Opera’s Merola Opera Program, Bill in A Quiet Place with Ensemble Modern and Herr Basilio in Der Barbier von Sevilla with Salzburger Festpiele’s Young Singers Project. Concert appearances include Handel’s Messiah with New Jersey Symphony Orchestra and Bach’s Christmas Oratorio and Cantatas BWV 147, 75 and 164 with Montreal Symphony Orchestra.
A graduate of the Canadian Opera Company’s Ensemble Studio, Mr Bintner recently joined the company of Oper Frankfurt.
UPDATED April 2017
“The riveting and imperious Argante of bass-baritone Gordon Bintner dominated the largely uniform cast. Physically alluring, his acting was both organic and expressive, his characterization compelling and layered and his command of musical idiom, phrasing and Italian diction exemplary. He also produced a vocal performance of awe-inspiring beauty (as in ‘Vieni o cara’) and effortless power and accuracy (as in ‘Sibillar gli angui d’Aletto’).”
“This is a major singer and is clearly the best in this competition. He is tall, slim, handsome, moves well on stage, musicality and charisma to burn, has a glorious baritone that is sturdy yet expressive. In other words, this guy has the complete package. His Figaro aria was acted with flair and sung with firm, manly tone – bravo. His Rinaldo aria – a role he sang at McGill – was fabulous with excellent agility for such a big voice. It is clear Mr. Bintner is enormously talented.”
“Gordon Bintner, recent grand prize winner of the OSM competition, is the star of the show. Tall, blond, seductive, he has everything a Don Giovanni needs, and better yet, he acts well and he sings well. This man will certainly have a big career.”
– La Presse, Montreal
“By far the most finished was the baritone of Gordon Bintner, first-prize winner in this season’s OSM Competition. Warmly coloured from top to bottom, his singing boasted the twin virtues of natural phrasing and dead centre pitch.”
– The Gazette, Montreal