Jakub Józef Orliński

 

Counter Tenor

 

Biography

Polish countertenor Jakub Józef Orliński, Grand Finals winner of the 2016 Metropolitan Opera National Council Auditions and winner of the 2015 Marcella Sembrich International Vocal Competition, is quickly gaining a reputation as a singer of striking vocal beauty and daring stage craft.

The 2016-17 season includes performances of Handel’s Messiah at Carnegie Hall with both Musica Sacra and Oratorio Society of New York, and for his debut with the Houston Symphony. Mr. Orlinsky performs in Flight, Jonathan Dove’s modern-day comedy, with Juilliard Opera. He also sings the role of Ottone in Handel’s Agrippina with Juilliard Opera in conjunction with Carnegie Hall’s La Serenissima: Music and Arts From the Venetian Republic festival. He will join the Karlsruhe Handel Festival to sing Vivaldi’s Nisi Dominus and excerpts from Handel’s Dixit Dominus. He makes his debut with the Festival d’Aix-en-Provence in Cavalli’s opera Erismena, and appears for the first time with Oper Frankfurt this season.

While in Poland, Mr. Orliński performed the roles of Cupid in Venus & Adonis by Blow and Narciso in Agrippina by Handel. While in Germany, he performed the role of Ruggiero in Handel’s Alcina in Aachen and Cottbus, performed select Purcell songs with ballet at the Leipzig Opera House, and Philippus in Telemann’s Der Misslungene Braut-Wechsel oder Richardus I (based on Handel’s Riccardo Primo, Re d’Inghilterra) in Gießen.

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Reviews

“The Polish countertenor Jakub Józef Orliński combined beauty of tone and an uncommon unity of color and polish across his range in selections by Britten and Handel.”

Corinna da Fonseca-Wollheim

The New York Times

“The Endimione, Polish countertenor Jakub Józef Orliński, was the most striking singer in the eager young cast. A skillful actor with a handsome face and figure, Orlinski has a congenially boyish presence; the role of the shepherd who pines for the goddess Diana gave Orlinski few opportunities for the florid music that is evidently his specialty, but he phrases with professional-quality musicality and intelligence… He is clearly an artist to watch.”

F. Paul Driscoll

OPERA NEWS