Tenor Joel Prieto has become one of the most sought-after and exciting artists of his generation. After being awarded the highly coveted distinction of first prize in Plácido Domingo’s Operalia Competition, he has performed in some of the most prestigious opera and concert venues around the world. The Spanish-born tenor, raised in Puerto Rico, continually captivates audiences, bringing depth and subtlety to leading roles, infusing characters with vitality, elegance and beauty. Joel Prieto’s 2018-2019 season includes house debuts at Opéra de Lausanne as Ferrando in Così fan tutte and La Monnaie / De Munt National Opera as Ernesto in Don Pasquale. Mr. Prieto also returns to Teatro Real as Fenton in Falstaff, and to Gran Teatre del Liceu for his role debut as Grimoaldo in Rodelinda.
Mr. Prieto’s 2017-2018 season started with Les Troyens at Semperoper Dresden and a Christmas Concert at Puerto Rico’s Centro de Bellas Artes with the San Juan Bautista Choir and the Puerto Rico Symphony Orchestra. He returned to the Teatro Real for Kurt Weill’s Street Scene and gave a concert at the Casals Festival in Puerto Rico in which he sang Mozart’s Requiem, as well as West Side Story Suite No. 1 with the Puerto Rico Symphony. Finally, he returned to the Teatro Municipal de Santiago as Don Ottavio in Don Giovanni.
Highlights of Joel Prieto’s 2016-2017 season include a return to the Théâtre du Capitole de Toulouse in a role debut as Bénédict in a new production of Berlioz’ Béatrice et Bénédict, and a debut at Los Angeles Opera with James Conlon, for his role debut of Belmonte in Die entfuhrüng aus dem Serail, a role he later reprised at Semperoper Dresden.
In the 2015-2016 season, Joel Prieto debuted at Teatro Real in Madrid as Tamino in Die Zauberflöte, returned to the Staatsoper Berlin in a role debut as Steuermann in Der fliegende Holländer, debuted with Aix-en-Provence Festival as Ferrando in a new production of Così fan tutte, with remounts of the production at the BBC Proms, and the Mostly Mozart Festival at Lincoln Center in New York City. Orchestral highlights included a house debut as Narraboth in Salome in concert with the Orchestre National de Lyon. In the 2014-2015 season, Joel Prieto returned to the Gran Teatre del Liceu in Barcelona and debuted with the Spoleto Festival under the baton of James Conlon as Ferrando, and sang Tamino in a new production with Teatro Municipal in Santiago, Chile. He also performed as Fernando as a role debut in the zarzuela Doña Francisquitaat the Théâtre du Capitole de Toulouse and returned to Opera de Puerto Rico as Ernesto in Don Pasquale. In an exciting debut at Santa Fe Opera, Mr. Prieto reprised the role of Belfiore in a new production of Mozart’s La finta giardiniera, conducted by Harry Bicket. On the concert and recital stage, Joel traveled to Moscow for his recital debut in Russia at the Dom Muzyki Chamber Hall, collaborating with pianist Semjon Skigin. He also sang his first Mozart Requiem with the Houston Symphony conducted by their new music director, Andrés Orozco-Estrada.
In past seasons, Joel Prieto has performed Fenton at Royal Opera House, Covent Garden, Gran Teatre del Liceu, Théâtre du Capitole de Toulouse; Don Ottavio at the Salzburg Festival and Houston Grand Opera; Ferrando at the Bayerische Staatsoper, Palau de les Arts Reina Sofia, Valencia, Washington National Opera, the Grand Théâtre de Luxembourg and Palm Beach Opera; Tamino at Deutsche Oper Berlin and Staatsoper Berlin; Tybalt in Romeo et Juliette at Deutsche Oper Berlin and in concert at the Concertgebouw in Amsterdam; Ernesto at Teatro dell’Opera in Rome; and Almaviva in Il barbiere di Siviglia at Opera Puerto Rico.
Joel Prieto has collaborated with conductors such as Fabio Luisi, Yannick Nézet-Séguin, Trevor Pinnock, Robin Ticcati, Daniele Gatti, Roberto Abbado, Ivor Bolton, Ottavio Dantone, Daniele Callegari, Zubin Mehta, Bruno Campanella, and Adam Fischer; and stage directors Sir David McVicar, Robert Carsen, Claus Guth, Christof Loy, Francisco Negrin, Stephen Lawless, Daniel Satler, Emilio Sagi, Harry Kupfer, Frederic Wake-Walker and Hans Neuenfels.
On the concert stage, Joel performed Mozart’s Mass in C Minor at the Salzburg Festival, Haydn’s Stabat Mater at the Mozarteum in Salzburg, Haydn’s Creation at the Teatro de la Maestranza in Seville and the Evangelist in Herzogenberg’s Die Geburt Christi at the Monastery of Wolhusen in Switzerland. He also participated in a benefit for Pakistan with Anna Netrebko, Erwin Schrott, Anna Prohaska and Piotr Bezcala, at the Bergen Nasjonale Opera gala with Barbara Frittoli in Norway, and the Bad Kissingen Music Festival gala. On the recital stage, Joel has performed in Wigmore Hall with pianist Ian Burnside, and in the Rosenblatt Recital Series, to great acclaim.
Joel Prieto was born in Madrid; his mother is Puerto Rican and his father is Spanish. At the age of four he moved to Puerto Rico and currently splits his time between Berlin and Paris. A graduate of the Manhattan School of Music, he moved to Europe for professional training, first as a member of the Atelier Lyrique at Opéra National de Paris, and then the Salzburg Festival for the inaugural Young Singers Project. He was part of the ensemble at Deutsche Oper Berlin from 2006-2008, launching himself to international status after joining Plácido Domingo in the zarzuela Luisa Fernanda at the Theater an der Wien in 2008. On the competition circuit, Joel swept Plácido Domingo’s Operalia competition: First Prize, Zarzuela Prize and Culturate Prize as well as receiving the distinction of being the Best Male Singer by the Association of Lyric Singers in Spain.
“Prieto’s firm and dramatically warm voice, which reaches incredible highs of beauty and magnificence, has that perfectly balanced blend of inner ardor and great musical heritage’s mighty brightness. A truly enriching night of majesty and cultural satisfaction even for the hardest to please.”