Kirill Gerstein

Piano

Artists Management in association with Enticott Music Management

Biography

“This is the kind of serious, intelligent and virtuosic music-making that keeps classical music alive.” – The Observer

Pianist Kirill Gerstein’s heritage combines the traditions of Russian, American and Central European music-making with an insatiable curiosity. These qualities and the relationships that he has developed with orchestras, conductors, instrumentalists, singers and composers, have led him to explore a huge spectrum of repertoire both new and old. From Bach to Adès, Gerstein’s playing is distinguished by a ferocious technique and discerning intelligence, matched with an energetic, imaginative musical presence that places him at the top of his profession.

Born in the former Soviet Union, Gerstein is an American citizen based in Berlin. His career is similarly international, with solo and concerto engagements taking him from Europe to the United States, China and Australia. Highlights of the 2021-22 season include performances of Kurtág, Beethoven, Strauss and Rachmaninov with Royal Concertgebouw and NDR Elbphilharmonie under Alan Gilbert; Mozart with Camerata Salzburg and Andrew Manze; Schumann with Chicago Symphony and Karina Canellakis; Ravel and Schönberg with the Bayerischer Rundfunk Symphonieorchester and François-Xavier Roth; Tchaikovsky’s First Piano Concerto in the urtext version with the Yomiuri Nippon Symphony Orchestra and Sebastian Weigle; both of Ravel’s Piano Concertos with City of Birmingham Symphony Orchestra; Brahms’s First and Second Piano Concertos with Helsinki Philharmonic; and all five Beethoven Piano Concertos over two nights with the Grand Rapids Symphony. In recital, Gerstein will be heard at London’s Wigmore Hall; with his student Mao Fujita on tour in Japan; with Garrick Ohlsson on tour across America; and at Budapest’s Liszt Ferenc Academy of Music and the Kölner Philharmonie with his close colleagues the Hagen Quartet.

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Over the last year, Gerstein’s decade long relationship with Thomas Adès came to fruition with the release of two recordings: the world première of Adès’s Concerto for Piano and Orchestra written expressly for Gerstein and released by Deutsche Grammophon; and a compendium of Thomas Adès’s works for piano on myrios classics. Both discs garnered an impressive series of accolades which included a 2021 International Classical Music Award, a 2020 Gramophone Award and three GRAMMY Award nominations. During the new season, Gerstein will give Adès’s Piano Concerto its French, Belgium and Russian premières with the composer, its Italian première with Sir Antonio Pappano and Accademia Nazionale di Santa Cecilia, and South American première with Thierry Fischer and São Paulo Symphony Orchestra.

Alongside the international premières of Adès’s Piano Concerto, Kirill Gerstein will give the Danish, Norwegian and German premières of Thomas Larcher’s Piano Concerto which was also commissioned especially for him. A co-commission from the Berlin, Czech and Netherlands Radio Philharmonic Orchestras and the Vienna Konzerthaus, Kirill Gerstein gave the world première of Larcher’s Piano Concerto in May 2021 with the Netherlands Radio Philharmonic under Karina Canellakis. In Copenhagen, he will première the concerto with the Danish National Symphony and Alondra de la Parra; in Bergen, with the Bergen Filharmonie Orkester and Edward Gardner; and in Berlin, with the Berliner Philharmoniker and Semyon Bychkov who initiated the commission.

A long-time believer in the role of teaching in the life of a musician, Kirill Gerstein is currently on the faculty of Kronberg Academy and Professor of Piano at Berlin’s Hanns Eisler Hochschule. Under the auspices of Kronberg Academy, his series of free and open online seminars entitled Kirill Gerstein invites is now in its third season. Featuring conversations with leading artistic minds guest speakers have included Andreas Staier, Brad Melhdau, Thomas Adès, Iván Fischer, Alex Ross, Matthew Aucoin – who has also written a new work for Gerstein to be premièred in the new season – Kirill Serebrennikov, Elizabeth Wilson, Simon & Gerard McBurney, Robert Levin, Reinhard Goebel, Simon Callow. Emma Smith, Deborah Borda, Rafael Viñoly, Sir Antonio Pappano and Samuel Jay Keyser.

Kirill Gerstein’s latest release is a recording of Mozart Four-Hand Piano Sonatas with his mentor of 17-years, Ferenc Rados on myrios classics. His first collaboration with myrios classics was 10 years ago and, through the partnership has been able to realise many thoughtfully curated projects: Strauss’s Enoch Arden with the late Bruno Ganz (Wings of Desire; Downfall); Busoni’s monumental Piano Concerto with the Boston Symphony Orchestra and Sakari Oramo; The Gershwin Moment with the St Louis Symphony and David Robertson, including special appearances from Storm Large and Gerstein’s former mentor Gary Burton; Liszt’s Transcendental Études which was picked by The New Yorker as one of 2016’s notable recordings; and Tchaikovsky’s First Piano Concerto in the composer’s own final version from 1879. Earlier recordings on the label include Imaginary Pictures coupling Mussorgsky’s Pictures at an Exhibition with Schumann’s Carnaval; two discs of sonatas for viola and piano by Brahms, Schubert, Franck, Clarke and Vieuxtemps recorded with Tabea Zimmerman; and a recital disc of works by Schumann, Liszt and Knussen. Gerstein has additionally recorded Scriabin with the Oslo Philharmonic and Vasily Petrenko for LAWO Classics; and Tchaikovsky with Semyon Bychkov and the Czech Philharmonic as part of The Tchaikovsky Project released by Decca Classics.

Born in 1979 in Voronezh, Russia, Kirill Gerstein attended one of the country’s special music schools for gifted children and taught himself to play jazz at home by listening to his parents’ record collection. Following a chance encounter with jazz legend Gary Burton in St. Petersburg when he was 14, he was invited as the youngest student to attend the Berklee College of Music in Boston, where he studied jazz piano in tandem with his classical piano studies. At the age of 16, Gerstein decided to focus on classical music completing his undergraduate and graduate degrees with Solomon Mikowsky at New York’s Manhattan School of Music, followed by further studies with Dmitri Bashkirov in Madrid and Ferenc Rados in Budapest. Gerstein is the sixth recipient of the prestigious Gilmore Artist Award – enabling him to commission new works from Timo Andres, Chick Corea, Alexander Goehr, Oliver Knussen and Brad Mehldau – First Prize winner at the 10th Arthur Rubinstein Competition and an Avery Fisher Career Grant holder. In May 2021, he was awarded an Honorary Doctor of Musical Arts degree from the Manhattan School of Music.

www.kirillgerstein.com

September 2021

Reviews

“the soloist Kirill Gerstein found a gentle silvery tone, and in the yearning melody of the first movement, he anticipated the beat by a fraction to seize its heart-fluttering quality.” (Schumann Piano Concerto with BBC Symphony Orchestra and Semyon Bychkov at BBC Proms 2021)

Ivan Hewett

The Telegraph

“The real highlight of the night, however, was the Schumann Piano Concerto that separated overture and symphony. Perhaps best known for muscular, virtuosic works, the pianist Kirill Gerstein rippled through the music with quicksilver grace, practically dancing up and down the keyboard… Gerstein’s impetuous encore — a fiendish Busoni transcription of a Bach chorale — was, in a word, breathtaking.” (Schumann Piano Concerto with BBC Symphony Orchestra and Semyon Bychkov at BBC Proms 2021)

Neil Fisher

The Times ****

“How often is it that a piano disc comes along consisting entirely of new music as technically exhilarating in its modern way as any disc of Chopin or Liszt? There is life in the virtuoso concert pianist yet. This collection of pieces by Thomas Adès includes works for solo piano, for two pianos, and for piano and orchestra. The pianist who is common to all is Kirill Gerstein…. Gerstein is a virtuoso and his brilliance pays dividends here.”

Financial Times (June 2020)

“Kirill Gerstein now belongs to the class of the most renowned classical pianists thanks to the idiosyncratic sound worlds he creates and his profoundly universal understanding of music”

Süddeutsche Zeitung