Laura Wilde

Soprano

Biography

A 2019 Richard Tucker Foundation career grant recipient, American soprano Laura Wilde has been praised by Opera News for having “a ravishingly beautiful sound, [and] a fine sense of style and character.”

In the 2020-2021 season, Ms. Wilde makes house debuts at Seattle Opera as Donna Elvira in Don Giovanni and at Chicago Opera Theatre as Phyllis in the world premiere of Matthew Recio’s The Puppy Episode. She was also scheduled to make house debuts at the Metropolitan Opera as the Guardian of the Threshold in Die Frau ohne Schatten and at Washington National Opera as Fiordiligi in Così fan tutte, and in concert, to sing Beethoven’s Symphony No. 9 with the Memphis Symphony Orchestra.

In the 2019-2020 season, Ms. Wilde returned to Staatstheater Stuttgart as Agathe in Der Freischütz and to Arizona Opera as Mamah Cheney in the world premiere of Daron Hagen’s Shining Brow. Previously scheduled engagements included a return to Lyric Opera of Chicago as Sieglinde in Die Walküre as well as Freia, Ortlinde, and the Third Norn for the full Ring Cycle under the baton of Sir Andrew Davis, her role debut as Marguerite in Faust at Staatstheater Stuttgart, and her role debut as Donna Anna in Don Giovanni at the Berkshire Opera Festival. In concert, she made her Australian debut as Gretel in Hänsel und Gretel with Sir Andrew Davis and the Melbourne Symphony, and gave a solo recital with Craig Terry at the Marcus Center in Milwaukee.

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Reviews

“Young Laura Wilde makes a heartrending transition from a spirited, pretty girl in Marian blue to drugged, pale and facially disfigured young mother and on, in Act Three, to a wise woman who’s learnt too much too soon about the disappointments and horrors of life. Throughout, her delivery and body language are truthful, her upper register flawlessly radiant.”

David Nice

The Arts Desk

“Of the first-year apprentices, I was most taken with Laura Wilde, an Indiana University alumna who has sung supporting roles in Santa Fe, N.M., and St. Louis. She brought unforced charm and a peaches-and-creamy lyric soprano to the Jewel Song from Gounod’s “Faust.” The sound opened out to a full, steady top, and she has fine stage presence too. Wilde is definitely one to watch.”

John von Rhein

Chicago Tribune

More Reviews

“Making her European debut, Laura Wilde is a touchingly clear-voiced forlorn Jenůfa”

Cara Chanteau, The Independent

“The cast is never less than superb. Laura Wilde excelled as Jenůfa, capturing all the wistful beauty of the young, naïve country girl in the first act in a way that was deeply poignant. Her tone is bright and warm, lit by an upper register that is clear and glorious; her second act prayer succeeded in being both incredibly beautiful and intensely sad. She sang with nuance, and transitioned credibly from youthful optimism into the more knowing woman in the second act who is physically scarred and loses both her lover and her child. The change was heartrending to watch, as it ought to be.”

– John E.de Wald, Opera Brittania

“In the title role [of Jenufa], American soprano Laura Wilde was a revelation. Making her European debut, Wilde sang with a radiant, richly textured soprano and displayed considerable acting skills. “

Claire Seymour, Opera Today

“I also thoroughly enjoyed soprano Laura Wilde singing “Jewel Song: O Dieu! Que de bijoux!” from Faust. Wilde’s light, airy soprano voice was perfect for Marguerite, who girlishly adorns herself in jewelry left to her by her admirer, Faust.”

Jennifer Lunz, Splash Magazine

“…Ms. Wilde sang Marguerite’s aria, “Oh Dieu! Que de bijoux!,” [“O God! What jewels!”] from Gounod’s Faust; Wilde was careful in observing textual import, so that her decorations on the “princesse,” whom she fantasized at becoming, were especially well chosen. Her final notes showed an emotional outburst that spoke more of the character’s naïveté than of her entrancement with the jewels produced by Mephistopheles.”

Salvatore Calomino, Opera Today

“Above all, Laura Wilde, making her London debut as Jenufa, was stunning. A young, emerging American singer, this was a perfect showcase for her beautiful, flexible voice and also her strong acting abilities. She drew us into Jenufa’s world; convinced us of her obsessive love for Steva and her forgiveness of the Kostelnicka; and finally she and Peter Hoare convincingly portrayed the redemptive and musically powerful ending.”

Mel Cooper, Plays to See

“The cast is never less than superb. Laura Wilde excelled as Jenůfa, capturing all the wistful beauty of the young, naïve country girl in the first act in a way that was deeply poignant. Her tone is bright and warm, lit by an upper register that is clear and glorious; her second act prayer succeeded in being both incredibly beautiful and intensely sad. She sang with nuance, and transitioned credibly from youthful optimism into the more knowing woman in the second act who is physically scarred and loses both her lover and her child. The change was heartrending to watch, as it ought to be.”

John E.de Wald, Opera Brittania

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