Mihhail Gerts

Conductor

Biography

„…with astonishing precision, highly expressives gestures and warmth, his conducting was captivating from the first to the last note. Gerts rose completely above the technical challenges of conducting which he solved without easing up on the tension for one second“ (RPonline.de)

After recent debuts with the NHK Symphony Orchestra, Osaka Philharmonic Orchestra, Helsinki Philharmonic, Stavanger Symphony, Orchestre National de Lille and Staatskapelle Weimar, highlights of Mihhail Gerts‘ past seasons have included performances of Wagner’s opera The Flying Dutchman at the Estonian National Opera and concerts with the National Philharmonic of Russia, Orchestre Philharmonique de Monte-Carlo, Bremer Philharmoniker, Beethoven Orchester Bonn, Orchestre Regional de Cannes, and the Göttinger Symphonieorchester, among others.

Gerts started the 2018/2019 season with concerts of Beethoven’s Missa Solemnis in Estonia, followed by his debut with Oulu Sinfonia, conducting Hans Rott’s rarely-performed First Symphony. He also made a return to Nantes‘ 2019 Folle Journée to conduct a series of concerts alongside Sinfonia Varsovia, as well as making his debut with the Wuppertal Symphony Orchestra, and touring Germany and Switzerland with the National Philharmonic Orchestra of Russia. Upcoming highlights for the rest of the season include a new production of the opera Dante by Benjamin Godard at Opera Saint-Etienne, performances across the Czech Republich with the Janacek Philharmonic Orchestra Ostrava, and continuing collaboration with the Estonian National Symphony Orchestra.

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Recent News

Mihhail Gerts Jumps In At Short Notice To Make Helsinki Debut

Conductor Mihhail Gerts has stepped in at short notice to make his debut with the Helsinki Philharmonic Orchestra tomorrow night, November 3rd. The Estonian conductor, praised for his "astonishing precision, highly expressive gestures and warmth" (RPOnline) will...

Reviews

“Immediately Mihhail Gerts delves into the music. His ability to push his ensemble forward, towards a sound density, and a magmatic strength is extraordinary. Behind his expressive and graceful gestures, under his baton, he holds his ensemble with suppple authority.

To summarise, next to the classical music stars who jump from festival to concert until exhaustion, often leaving the audience hungry, Mihhail Gerts provides a happy relief. A name to remember, an artist to follow absolutely.”

Jacques Schmitt

ResMusica

„…with astonishing precision, highly expressive gestures and warmth, his conducting was captivating from the first to the last note. Gerts rose completely above the technical challenges of conducting which he solved without easing up on the tension for one second“

 

RPonline.de

More Reviews

“Mihhail Gerts and the orchestra were truly magical … I was in awe watching Mihhail Gerts’ conducting.”

Ben Lunn, DELFI Kultüra Nov 27th 2018

 

“His energy and clarity impressed, contact with the orchestra was also noticeably good.”

Klaus Günther, Solinger Tageblatt 

“In terms of belcanto, Gerts led the Philharmonic in the pit with precision and delicacy.”

IOCO 

“Under the direction of Gerts, the Georgian Chamber Orchestra played sensitively, with agility and dedication.”

Jesko Schulze-Reimpell, Donaukurier 

“The orchestra under Mihhail Gerts brought the highly emotional music of Donizetti brilliantly out of the pit and by doing so also inspired the acting of the singers.”

Fritz Gerwinn, Deianira

“The applause applied essentially to the conductor Mihhail Gerts, who conveyed the music of Donizetti sensitively, without neglecting the drama.”

Christopf Zimmermann, theater:pur 

“Gerts knows how to conduct a big opera, has a flair for tempi and worked with the Hagen Philharmonic Orchestra in a very precise way.”

OMM, Stefan Schmöe 

“Conducting a highly motivated Hagen Philharmonic Orchestra, Gerts conveyed the multifacet [of the opera], which were missing from the staging. He allowed the orchestra to explode, but the sound stayed very transparent and subtle.”

Monika Willer, Westfalenpost 

“The applause for the conductor should have, by rights, been even stronger.”

Christopf Zimmermann, theater:pur