Nicolai Elsberg

Bass

Biography

Danish bass Nicolai Elsberg (b. 1989) holds a Bachelor in contemporary music from The Rhythmic Music Conservatory in Copenhagen (2014). Back then he was lead singer of the critically acclaimed Danish band, Spillemændene, and collaborated and toured with the world-famous indie-group, Efterklang. With the feeling that the microphone was limiting his voice, Elsberg moved from rhythmic music into the world of classical singing and opera. From 2016 he studied classical singing at The Royal Danish Academy of Music with the renowned Susanna Eken as voice teacher.

Among his future engagements are “Sarastro” at Opéra National du Rhin, Royal Opera Copenhagen, Teatro Nacional de Sao Carlos, “Oroveso” at Opéra de Lausanne, “Masetto” at the Malmö Opera and “Il Commendatore” at Opéra de Rouen Normandie.

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Reviews

“The Great-singing, sky-tall bass Nicolai Elsberg, needs to be highlighted for eminent presence as arrogant Newspaper Clerk in wheelchair and decorative Doctor, as a take-off from the Russian country-aristocracy.”

Information, May 2022

Talent spotters may already have caught sight and sound of Nicolai Elsberg, a Danish basso profundo who in 2021 represented his country at both Cardiff Singer of the World and Operalia in Moscow. He has swept the board of opera prizes at home in Denmark, where in 2020 he joined the ensemble of the Royal Danish Opera. His voice has extraordinary presence. And as the former frontman of a Danish pop group, he knows how to hold the stage.”

Opera Now, March 2022

“The sky-tall new Danish Bass Nicolai Elsberg was outstanding as the Commendatore.”

Politiken, Jan 2022

More Reviews

Elsberg mediates with immense authority and timbre Sarastro’s composite ethos.”

Nordjyske, Aug 2021 

“An elegant performer and a very exciting voice!”

Jeffrey Lloyd-Roberts, BBC Cardiff Singer of the World, June 2021

“Elsberg’s coat aria is the best interpretation I have yet heard – maybe helped by that his bass voice was more beautiful than any.”

Ascolta Opera Magazine, Dec. 2019

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