Rod Gilfry

Baritone

Biography

American baritone Rod Gilfry, whom The New York Times describes as “a tour-de-force…[who] sings every phrase with crisp diction and dramatic point, delivering phrases with virile energy, sudden bluster, or, during vulnerable moments, an aching confusion that takes you by surprise…” is a two-time Grammy award nominee, singer and actor, has performed in all of the world’s music capitals. His most recent Grammy award nomination was for his performance in the title role of Messiaen’s monumental opera Saint François d’Assise in Amsterdam. Best-known as an opera singer, he is also an acclaimed recitalist and concert artist, and appears frequently in musical theater classics. His discography of 28 audio and video recordings includes the DVD and CD of his one-man show My Heart is So Full of You. His radio program, Opera Notes on Air, aired on K-Mozart 105.1 FM in Los Angeles for over three years.

With over 80 roles in his repertoire, Mr. Gilfry sings music from the Baroque to that composed expressly for him. He was brought to worldwide attention when he created the role of Stanley Kowalski in the 1998 premiere of André Previn’s A Streetcar Named Desire at the San Francisco Opera, opposite Renée Fleming. Other world premieres include Nicholas in Deborah Drattel’s Nicholas and Alexandra (Los Angeles, opposite Placido Domingo); Nathan in Nicholas Maw’s Sophie’s Choice (London, Washington D.C.); Jack London in Libby Larsen’s Every Man Jack (Sonoma, CA); Edward Gaines in Richard Danielpour’s Margaret Garner (Detroit, Cincinnati, Philadelphia), the title role in Marc-André Dalbavie’s Gesualdo (Zurich), and Master Chen in Christian Jost’s Die Rote Laterne (Zurich). Recently, he originated the role of Walt Whitman in Matthew Aucoin’s Crossing in Boston, Los Angeles and San Diego, the Father in Matthew Aucoin’s Eurydice with Los Angeles Opera, Alfred Stieglitz in Kevin Puts’ The Brightness of Light, opposite Renée Fleming, Claudius in Brett Dean’s Hamlet with the MET, Bayerische Staatsoper, Glyndebourne Festival, and Adelaide Festival, Mr. Potter in Jake Heggie’s It’s a Wonderful Life in Houston and San Francisco, and David Lang’s the loser in New York City and Los Angeles.

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Reviews

“Rod Gilfry in a tour-de-force performance. Gilfry sings every phrase with crisp diction and dramatic point, delivering phrases with virile energy, sudden bluster, or, during vulnerable moments, an aching confusion that takes you by surprise. He is becoming the singer of choice for new American operas.”

Anthony Tommasini

New York Times