Alabama-born soprano Susanna Phillips is one of today’s most sought-after singing actors and recitalists. Ms. Phillips is a recipient of The Metropolitan Opera’s 2010 Beverly Sills Artist Award. Known for her sparkling portrayal of Musetta in La bohème, Ms. Phillips has sung at the Met as Musetta, Pamina, Donna Anna, Rosalinde, Antonia/Stella, Micaëla, Donna Elvira, and most recently in her role debut as Mimi. Role highlights at the Met under James Levine include Fiordigili, which The New York Times called a “breakthrough night”, and Clémence in the Met premiere of Kaija Saariaho’s L’amour de Loin. Ms. Phillips was also a featured artist in the Met’s Summer Recital Series.

In 2005 Ms. Phillips won four of the world’s leading vocal competitions: Operalia (both First Place and the Audience Prize), the Metropolitan Opera National Council Auditions, the MacAllister Awards, and the George London Foundation Awards Competition. She has also claimed the top honor at the Marilyn Horne Foundation Competition, and has won first prizes from the American Opera Society Competition and the Musicians Club of Women in Chicago. Ms. Phillips has received grants from the Santa Fe Opera and the Sullivan Foundation, and is a graduate of Lyric Opera of Chicago’s Ryan Opera Center. She holds both a Bachelor of Music and Master of Music degree from The Juilliard School.

The start of Ms. Phillips’s career found her at the Zürich Opera as Donna Anna in Don Giovanni, Sante Fe Opera as Pamina in Die Zauberflöte, and Arminda in La finta giardiniera. As a member of the Ryan Opera Center, Ms. Phillips sang the female leads in Roméo et Juliette and Die fledermaus. Additional roles include Elmira in Reinhard Keiser’s The Fortunes of King Croesus and the title roles in Lucia di Lammermoor and Agrippina. Ms. Phillips paid tribute to Clara Schumann at the Library of Congress and collaborated with Jane Glover for Handel’s Messiah and Rival Divas program with Music of the Baroque. Ms. Phillips performed in a concert staging as Stella in Previn’s A Streetcar Named Desire at Carnegie Hall opposite Renée Fleming – a role Ms. Phillips went on to perform, to rave reviews, at Lyric Opera of Chicago. Ms. Phillips has also performed with the Gran Teatro del liceu as Pamina, Cincinnati Opera as Countess Almaviva, and the Opera Theatre of Saint Louis in her role and company debut as Birdie in Blitzstein’s Regina with Susan Graham. She sang Ellen Orford in Peter Grimes with the St.

Louis Symphony in St. Louis and Carnegie Hall. Ms. Phillips gave a recital at the Collaborative Arts Institute of Chicago and sang alongside Eric Owens at the Washington Performing Arts in a program co-curated by Justice Ruth Bader Ginsburg. Ms. Phillips has made appearances at Oper Frankfurt, Dallas Opera, Minnesota Opera, Fort Worth Opera Festival, Boston Lyric Opera, and Opera Birmingham.

Highly in demand by the world’s most prestigious orchestras, Ms. Phillips has appeared with the Royal Stockholm Philharmonic under Alan Gilbert, Baltimore Symphony Orchestra, Chicago Symphony Orchestra, San Francisco Symphony, Philadelphia Orchestra, Philadelphia Chamber Music Society, Santa Fe Symphony, Santa Barbara Symphony, Milwaukee Symphony, St. Louis Symphony, Gulbenkian Orchestra, Orchestra of St. Luke’s, Atlanta Symphony, Santa Fe Concert Association, La Jolla Music Society’s SummerFest, Boston Baroque, Chamber Music Society of Lincoln Center, and her native Huntsville Symphony where she celebrated the bicentennial of Alabama performing Strauss’s Vier Letzte Lieder.

Ms. Phillips is dedicated to oratorio works with credits including Beethoven’s Ninth Symphony, Mahler’s Second and Fourth Symphonies, Mozart’s Coronation Mass, the Fauré and Mozart Requiems, and Carmina Burana. An avid chamber music collaborator, Ms. Phillips has worked frequently with pianists Craig Terry and Myra Huang. Together they have performed solo recitals all over the United States. Ms. Phillips also co-founded Twickenham Fest, a chamber music festival in her native Huntsville, Alabama alongside bassoonist and Huntsville native, Matthew McDonald. In 2019, the festival celebrated its 10th Anniversary of chamber music with over ten concerts ranging from a children’s concert, to a late night Bach concert, and Philip Lasser’s Colors of Feeling.

In the current season, Ms. Phillips joins Boston Baroque for Donna Anna in Don Giovanni and the NDR Elbphilharmonie Orchestra for Beethoven 9. She joins both Music of the Baroque and Oratorio Society of New York for the Mozart Requiem and Bach Magnificat, and returns to OSNY later in the season for Beethoven 9 and Mahler 2. In addition, she presents recitals with Myra Huang, Gloria Chein and Anthony McGill at Dallas Chamber Music Society, Philadelphia Chamber Music Society, Spivey Hall in Atlanta, and other venues and dates to be announced.

Last season, Ms. Phillips returned to the Metropolitan Opera for role debut as Mimi in La Bohème. She joined the Dallas Symphony for Mendelssohn’s Lobgesang and the Utah Symphony for Elijah with the Mormon Tabernacle Choir. Other concert and recital engagements included Strauss’s Vier letzte Lieder with the Amarillo Symphony, a recital with True Concord at the Tuscon Desert Song Festival, Vaughan Williams’s Sea Symphony with Oregon Bach Festival, and a recital with Chamber Music Northwest.

The 2021-22 season saw Ms. Phillips’s return to her native Huntsville, engagements with OSNY and the Chamber Music Society of Lincoln Center, the Celebrity Boston Series, Bravo! Vail, and a world premiere of Picker’s Awakenings at OTSL. A native of Huntsville, Alabama, over 400 people traveled from her hometown to New York City in December 2008 for Ms. Phillips’s Met Opera debut in La Bohème. She returns frequently to her native state for recitals and orchestral appearances.

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