Nelly
Akopian-
Tamarina
PIANO
Nelly Akopian-Tamarina
PIANO
ABOUT
Born in Moscow, the Russian pianist Nelly Akopian-Tamarina carries on an illustrious line of Russian Romanticism going back to Anton Rubinstein and Liszt. A connoisseurs’ artist from a bygone era, excelling in repertory for which she has received the highest international recognition.
At the Moscow Conservatoire she was one of the last students of the legendary Alexander Goldenweiser, continuing with Dmitri Bashkirov. In 1963 she won the Gold Medal at the Zwickau Schumann International Competition. In 1974, succeeding Richter and Gilels, she was awarded the coveted Robert Schumann Prize. Formerly Soloist of the Moscow State Philharmonie, her early Soviet recordings for Melodiya – including Chopin’s Preludes Op 28 and the Schumann Piano Concerto with the Moscow Philharmonic Orchestra – are collectors’ items. Subsequently effaced from public life, obstructed in the Soviet Union from giving concerts, she turned to painting, her watercolours being exhibited in Moscow.
In 1983 Nelly Akopian-Tamarina made her London début at the Queen Elizabeth Hall, playing Schumann and Chopin. During the nineties her commitments included an artistic consultancy at the Prague Conservatory, together with masterclasses at the Pálffy Palace. In October 2002, following an absence of twenty-five years, she was invited back to Russia, appearing in the Bolshoi Hall of the Moscow Conservatory. Between 2008 and 2010 she gave an admired trilogy of recitals at the Wigmore Hall, dedicated to Brahms, Schumann, Janáček and Chopin.
Her post-Soviet accounts of the Schumann Fantasy and Brahms Op 117 Intermezzi are available in Brilliant Classics’ Legendary Russian Pianists collection. Recorded in Snape Maltings, Aldeburgh, a Brahms CD, featuring the Handel Variations and Ballades, was released by Pentatone in 2017, drawing exceptional critical praise. Her new CD, Slavonic Reflections – a live recording from Wigmore Hall of works by Chopin, Janáček, Medtner and Liadov – has recently been released on the Pentatone label.
RECENT PRAISE
THE GUARDIAN
ERICA JEAL
Enchanting, intimate and irresistible.
THE SUNDAY TIMES
PAUL DRIVER
The piano sound made by the Moscow-born Nelly Akopian-Tamarina was not only distinctive, but almost tangible, like a new thing in the room. Or, rather, an old thing – a sound one associates with … intense performer liberty, with a playing tradition going back to the giants of the past, to Rachmaninov, Moiseiwitsch, Scriabin and what we imagine of Liszt … a fragile, poetic creation in every fold of her dress and with each flick of the wrist.
BBC MUSIC MAGAZINE
DAVID NICE
ntrospection and mystery reign here: Moscow-trained pianist Nelly Akopian-Tamarina seeds her own very singular mists out of which real faces loom from time to time … the height of enigmatic poetry.
INTERNATIONAL PIANO MAGAZINE
MICHAEL CHURCH
An album that carries us into a realm of gentle enchantment … The Janáček suite becomes an effusion of quintessentially Slavic lyricism, the Medtner the most languidly graceful of reveries, and the Liadov a closing bonne bouche.
BBC MUSIC MAGAZINE
MICHAEL CHURCH
Revelatory Brahms from another age … I’ve never heard Brahms’s Handel Variations played like this. The music seems to come from a distant place and time … It’s partly the singing line and the pearlised glow she puts on the notes, and partly the fact that she lets each variation unfold in a natural and unhurried way, as though she and we have all the time in the world.
INTERNATIONAL PIANO MAGAZINE
BRYCE MORRISON
Nelly Akopian-Tamarina’s Brahms recital is so personal, distinctive and musicianly, that it makes one think again, erasing all pre-conceptions. This is Brahms as you never previously knew him. Time and time again she brings a near Mozartian clarity to music… a pianist of rare poetic empathy … inspirational and enlightening.