Andrew Owens



American tenor Andrew Owens has quickly built a reputation as a promising singer of his generation, exhibiting a beautiful Italianate timbre, soaring top notes, and effortless agility. In the 2019-2020 season, Andrew will debut with the Irish National Opera as Don Ramiro in La Cenerentola, return to Theater an der Wien for role debuts as Jakob Glock in Der feurige Engel and the Vierter Jude in Salome. Mr. Owens will also sing the tenor solos in Handel’s Messiah with the North Carolina Symphony.

In the 2018-2019 season, Andrew Owens made his Opera Philadelphia debut as Arturo in Lucia di Lammermoor, performed Count Almaviva in Il barbiere di Siviglia with Manitoba Opera and covered the role with Glyndebourne Festival. He also returned to the Kammeroper Wien and performed Beethoven’s Symphony No. 9 with the Fort Wayne Philharmonic.

In the 2017-2018 season, Mr. Owens returned to Seattle Opera, first as Count Almaviva, then as Bénédict in Béatrice et Bénédict, a role debut. He also performed Almaviva at Greensboro Opera, returned to Theater an der Wien for A Midsummer Night’s Dream and debuted at Cincinnati Opera in L’incoronazione di Poppea. Concert highlights included tenor solos in Handel’s Messiah with the United States Naval Academy in Annapolis, Maryland and the Eugene Symphony in Oregon.

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“Andrew Owens, bushy of beard and bouncy of demeanor, sings Bénédict’s busy, declarative music with brio; he has a sharp comic sense which enlivens his every scene.”

Roger Downey

Opera Today

“Andrew Owens performed so effortlessly that his high notes sounded routine. If there was a highlight among his continually breathtaking performance, it would be the famous aria “Si, ritrovarla io giuro.””

Greensboro News & Record

More Reviews

“Andrew Owens’ facile tenor and marvelous range of expressions keep his Almaviva constantly amusing.”

The News & Observer 

“Andrew Owens possessed a powerful, yet supple, tenor voice capable of tossing off the Rossini high notes with ease.”

Der Neue Merker

“Andrew Owens, as Don Ramiro, served up classic Italian lyricism and attacked the high-D fearlessly.”

Der Standard

“So brilliantly did he shine in excerpts from Guillaume Tell and L’Italiana in Algeri as a secure, high Rossini tenor – wow! – such tenors are in demand.”

Der Neue Merker

“As Rodolfo, Andrew Owens let out such radiant high notes that the garret shook.”

Wiener Zeitung

“Above all, Andrew Owens as Tito masterfully made use of his beautiful tenor voice, delicate in lyrical reflection and passionate in dramatic outbursts.”

Der Neue Merker

“It didn’t take long for the tenor Andrew Owens to catch his stride as Rodolfo and spin his own handsomely lyrical phrases and a fine high C.”

The New York Times