Gabriele is a master of synchronising an orchestra’s live performance to the unforgiving fixed demands of a movie screening and his coaxing the aural beauty of the Philharmonia’s talent, opened up new layers of nuance to this wonderful fable

he Philharmonia are of course world-class, and their delivery of William’s score [for E.T. the Extra-Terrestrial] was flawless … This combination of a classic film, projected over the heads of the players and instruments of one of the finest orchestras around and all helmed under Gabriele’s masterful baton, created an evening that that was simply out of this world!

Conductor Anthony Gabriele, invited to Liège for two evenings, and a master of the art of synchronisation, succeeded in instilling in his troops the necessary rigour, but also lyricism, infectious enthusiasm and love of a score that is exceptional in many respects …  much to the delight of a packed house, highly attentive and moved as never before by the thwarted loves of Maria and Tony.

Backed by a [65]-piece orchestra, led brilliantly by conductor Anthony Gabriele … Ronan Keating basked in the glow of a standing ovation at the Royal Albert Hall in London last night after one of the most spectacular performances of his career to date. Giving pop hits the full orchestral treatment was a genius move and when Keating embraced the energetic Maestro Gabriele at the end the crowd rose to their feet and applauded.

A Truly Immersive and Satisfying Treat! An indefatigable Anthony Gabriele shows his wealth of experience in these concerts. He gracefully conducts a sparkling Royal Philharmonic Orchestra, who bring truly elegant strings, resonant drums and slick brass to the music. . . . There is also nuance in the score along with the tension and drama and Gabriele dips the pace beautifully with the deceptively simple piano in Vesper’s shower scene.