Biography
Barry Wordsworth is Principal Guest Conductor of The Royal Ballet, having previously served as the company’s Music Director from 1990 to 1995 and from 2007 to 2015. He is also Conductor Laureate of the BBC Concert Orchestra, Conductor Laureate of the Brighton Philharmonic and Music Director Laureate of Birmingham Royal Ballet.
He has appeared with many of the world’s leading orchestras both in the UK and overseas, including the Philharmonia Orchestra, London Symphony Orchestra, Royal Philharmonic Orchestra, the Ulster Orchestra, the Royal Concertgebouw Orchestra, Toronto Symphony, Sydney Symphony, New Zealand Symphony, Rotterdam Philharmonic, and the Seoul Philharmonic.
In a long and distinguished career with the BBC, he has made many appearances at the BBC Proms, and in 1993 he conducted the Last Night of the Proms with the BBC Symphony Orchestra. In his 17 years as Principal Conductor of the BBC Concert Orchestra, he toured extensively with the group, including to Japan, the United States, and China.
Recent News
Barry Wordsworth Brings Delight and Drama to The Nutcracker at Covent Garden
The Royal Ballet ignited a “superb” (The Arts Desk) start to the festive season with a wonderful Christmas adventure danced to Tchaikovsky’s magnificent score. The opening night of The Nutcracker, beamed live to hundreds of cinemas around the UK and many more around...
Reviews
“The first night of the season…marked the Australian Ballet’s 96th performance of the ballet, and one enhanced by the guest conductor, the empathetic, Barry Wordsworth”
“…the New York City Ballet orchestra, which under the British conductor Barry Wordsworth, one of the world’s most experienced ballet conductors, has been playing generally better than it does for its home company.”
More Reviews
“… practically perfect in every way … Barry Wordsworth is outstanding … the definitive production of The Sleeping Beauty.”
London Theatre 1 January 17th 2020
“The gala concert this year came from the BBC Concert Orchestra under Barry Wordsworth, and I’ve rarely heard them sound quite so on-point.”
The Spectator October 19th 2019
“Under the baton of British Guest Conductor Barry Wordsworth, the always-amazing Sarasota Orchestra never sounded better.”
Broadway World May 4th 2019
“Conductor Barry Wordsworth brings out both the delight and the drama of Tchaikovsky’s score.”
The Independent Dec 7th 2017
“… perfection – the exuberant atmosphere was captured precisely with fnely shaped phrasing which never lost balance or control … Exhilarating and unforgettable; a rare afternoon of music.”
The Argus Dec 4th 2017
“…a performance brimming with vigour, depth of tone, subtlety, colour, detail, dynamic range, flexibility, security of pitch and tempo, and a hugely touching sincerity.”
“The first night of the season…marked the Australian Ballet’s 96th performance of the ballet, and one enhanced by the guest conductor, the empathetic, Barry Wordsworth”
“…the New York City Ballet orchestra, which under the British conductor Barry Wordsworth, one of the world’s most experienced ballet conductors, has been playing generally better than it does for its home company.”
“Driving it all was Tchaikovsky’s marvellous music, given a bright and speedy performance by the Australian Opera and Ballet Orchestra, directed by guest conductor Barry Wordsworth.”
“As he did throughout, Barry Wordsworth conducted with fervour and dedication…”
“The brave orchestral playing under Barry Wordsworth, brought honour to the company.”
Financial Times – Review for Triple Bill, Royal Ballet
“Pierrot of the Minute proved a charming and lucid concert opener… Wordsworth kept the textures light and the ending elusive… performed with verve and obvious enjoyment by Barry Wordsworth and the BBC Concert Orchestra… Gordon Langford’s Say it with Music, harnessing a bewildering number of theme- and show-tunes into a seven-minute medley that positively dripped with nostalgia but humour, too… The audience giggled when ‘The Archers’ turned up… and there was charm aplenty…It was a reminder that the best light music requires a very different skill on the part of the composer, and is deceptively difficult to bring off when performed. Barry Wordsworth and the BBC Concert Orchestra, well versed in this discipline, took to it naturally.”
“But the real engine powering the show is Joby Talbot’s score, a storming piece of work spiced with exotic woodwind, James Bond brass, and an ironmongers-worth of percussion, deployed with thrilling climactic control, wonderfully played under Barry Wordsworth.”
The Independent – Review for Alice’s Adventures in Wonderland, Royal Ballet
“The Royal Opera House orchestra under Barry Wordsworth also deserve bouquets for their infectiously bouncy delivery.”
The Arts Desk – Review for Alice’s Adventures in Wonderland, Royal Ballet
Contact
Alexander Monsey - Worldwide General Management
[email protected]
+44 (0) 20 7957 5851
Jan Masera - Associate Artist Manager
[email protected]
+44 (0)20 7957 5838
