Brian Mulligan



Baritone Brian Mulligan is equally renowned as an interpreter of classic works by Verdi, Wagner and Strauss as well as of the most challenging twentieth and twenty-first century operas.  His striking stage portrayals have taken him to leading opera houses throughout Europe and North America.  He makes regular appearances with the leading US orchestras and in recital.

Brian Mulligan begins the 2018/9 season in recital with the Vocal Arts DC at the Kennedy Center with pianist Timothy Long.  He presents the world premiere of Walden by Gregory Spears, a work written for him based on texts by iconic American writer Henry David Thoreau.  The recital also features From the Diary of Virginia Woolf by Domenick Argento which Mulligan recently recorded on an acclaimed disc for Naxos.

His operatic season includes a role debut as Mandryka in Arabella in a return to San Francisco Opera conducted by Marc Albrecht.  He records Guglielmo in Puccini’s Le Villi for Opera Rara and performs the work in concert in London under the baton of Sir Mark Elder.  He returns to Zurich Opera as Zurga in Les Pecheurs de Perles.  He makes a double debut with Dutch National Opera, Amsterdam, first as Sharpless in Madama Butterfly and then as Golaud in a new production of Pelleas et Melisande.  A further season highlight is the release on Bridge Records of his second solo CD Old Fashioned which features beloved songs of the early twentieth century made popular by great American baritones of the past.

In the 2017-2018 season, Brian Mulligan made role debuts as Gunther and Donner in the Francesca Zambello production of the Ring at the San Francisco Opera, conducted by Donald Runnicles. He returned to Oper Frankfurt to sing Count di Luna in David Bösch’s new production Il trovatore, and Nélusko in Meyerbeer’s L’Africaine in Tobias Kratzer’s new production. He also sang Sharpless in Madama Butterfly at Opernhaus Zürich in a new production by Ted Huffman.

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“A third newcomer to the production was baritone Brian Mulligan as Marguerite’s unforgiving brother, Valentin. He brought burnished tone and deep feeling to his famous aria, “Avant de quitter ces lieux”; then came close to stealing the entire show with a death scene that was riveting in its raw intensity”

“Brian Mulligan offers a wonderful baritone as Enrico, Lucia’s controlling brother.”

Betty Mohr

Chicago Sun Times

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“Baritone Brian Mulligan was a forceful Enrico; singing with dark-hued authority, he played Lucia’s manipulative brother as a kind of blunt, iron-fisted CEO. Mulligan has had repeated successes in San Francisco this year — he sang the role of Chorebe in the company’s “The Trojans” this summer, then returned last month to sing the title role in “Sweeney Todd.” With this role, he delivered once again.”

Mercury News, Georgia Rowe 

“Mulligan necessarily adopted a weightier approach to the title role, striding about the stage with terrifying vigor, and fulminating with power and precision. His characterization made room for some of the saturnine charisma that draws in Mrs. Lovett, but primarily this was a growling, gut-churning account.”

SF Gate, Joshua Kosman 

“As Jack Torrance, Brian Mulligan does the seemingly impossible—he actually makes you forget Jack Nicholson. Possessed of an imposing build and a rugged, perfectly articulated baritone, Mulligan lets us see that Jack is fighting forces beyond his control.”

Opera News, Joshua Rosenblum 

“Baritone Brian Mulligan … commanded the stage with [an] exceptional account of the wronged barber. Mulligan delivered an arresting performance as Sweeney Todd, dispatching his arias such as ‘The Barber and His Wife’ and ‘My Friends’ as effortlessly as he did his barber chair victims. He was as chilling while going through the motions of slitting throats as he was warmly moving vocally.”

San Francisco Examiner, James Ambroff-Tahan 

“Brian Mulligan’s Nixon was vocally, dramatically, and comically ideal.”

San Francisco Examiner 

“But the real dramatic power on stage emanated, however, from Brian Mulligan’s Enrico, Lucia’s brother who hates Edgardo, and sets up her eventually disastrous marriage to Arturo who he thinks will solidify the Lammermoor fortunes. Mulligan was ferocious, angry, intense and captivating all night.”

The Globe and Mail 

“Brian Mulligan is riveting…a fine, strong, open baritone.”

The Financial Times of London