Calidore String Quartet
Chamber Music & Orchestras
The Calidore String Quartet’s “deep reserves of virtuosity and irrepressible dramatic instinct” (New York Times) and “balance of intellect and expression” (Los Angeles Times) has won them accolades across the globe and firmly established them as one of the finest chamber music ensembles performing today.
The Calidore String Quartet have garnered the most prestigious prizes for chamber music in North America and Europe including their most recent 2018 Avery Fisher Career Grant and, in 2017, the Lincoln Center Emerging Artist Award. They made international headlines as the winner of the $100,000 Grand-Prize of the 2016 and inaugural M-Prize International Chamber Music Competition, the largest prize for chamber music in the world. Also in 2016, the quartet became the first North American ensemble to win the Borletti-Buitoni Trust Fellowship and was named BBC Radio 3 New Generation Artists. Within two years of their founding, the Calidore String Quartet won grand prizes in virtually all the major U.S. chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions and captured top prizes at the 2012 ARD Munich International String Quartet Competition and Hamburg International Chamber Music Competition.
The Calidore String Quartet regularly performs in the most prestigious venues such as Carnegie Hall, Lincoln Center, Wigmore Hall, Berlin Konzerthaus, Cologne Philharmonie, Seoul’s Kumho Arts Hall and at many significant festivals, including Verbier, Ravinia, Mostly Mozart, Music@Menlo, Rheingau, East Neuk and Festspiele Mecklenburg-Vorpommern. The Quartet has collaborated with many esteemed artists and ensembles, including Jean-Yves Thibaudet, Joshua Bell, David Shifrin and the Emerson String Quartet to name a few. Strong advocates of contemporary composers, in the 2016-17 season the Calidore gave world-premieres of works by Pulitzer-prize winner Caroline Shaw in New York, Berlin, Los Angeles, Washington D.C., Portland, Detroit and Belfast, as well as works by Hannah Lash and Benjamin Dean Taylor.
Highlights of the 2017-18 season include debuts at the BBC Proms, Kennedy Center and Allice Tully Hall, presented by Chamber Music Society of Lincoln Center, as well as returns to Wigmore Hall, the Verbier and Music@Menlo Festivals. As protégés of the Emerson Quartet, the Calidore String Quartet will perform a joint program with the Emersons at the Ravinia Festival as well as major series in Portland, Ann Arbor and Southern California. In addition to their Emerson collaboration, the Calidore will also perform with cellist David Finckel, pianists Wu Han and Alessio Bax and violist Roberto Diaz. The 2017-18 season continues the Calidore’s three-year residency with the Chamber Music Society of Lincoln Center’s CMS Two program.Read more
The Calidore String Quartet’s debut album for Signum Records, including quartets by Mendelssohn, Prokofiev, Janacek and Golijov, will be released in October 2018. Additionally, the Calidore String Quartet has produced three commercial recordings: quartets by Tchaikovsky and Mendelssohn recorded live in concert at the 2016 Music@Menlo Festival, Serenade: Music from the Great War, featuring music for String Quartet by Hindemith, Milhaud and Stravinsky, along with the world-premiere recording of Jacques de la Presle’s Suite en sol and the second recording ever of Ernst Toch’s Serenade for French label Editions Hortus, and, in February 2015, critically-acclaimed debut recording of quartets by Mendelssohn and Haydn for which Gramophone dubbed the Calidore String Quartet “the epitome of confidence and finesse”.
As a passionate supporter of music education, the Calidore String Quartet is committed to mentoring and educating young musicians, students and audiences. Since 2016 the Calidore serves as Visiting Guest Artists at the University of Delaware and Guest Artists in Residence at the University of Michigan. From 2014-16 the Calidore served as Artists-in-Residence at Stony Brook University. The Calidore has conducted master classes and residencies at Princeton, Stanford, the University of Michigan, UCLA and Mercer University. Previously, the Calidore served on the faculty of the Ed and Mari Edelman Chamber Music Institute at the Colburn School.
Using an amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents a reverence for the diversity of culture and the strong support it received from its home of origin, Los Angeles, California, the “golden state.” The Calidore String Quartet aims to present performances that share the passion and joy of the string quartet chamber music repertoire.
IMG Artists is delighted to announce the signing of the Calidore String Quartet for European Management. The Quartet will be managed by Elena Kostova and Agnieszka Mikus out of company’s London office. The Calidore String Quartet, formed of violinists Jeffrey Myers...
“The Calidore players performed it [Ligeti Quartet No 1, “Métamorphoses Nocturnes”] with synergistic brilliance and ferocious commitment.”
Corinna da Fonseca-Wollheim
“…the Calidore players are the epitome of confidence and finesse…The players are as touching in the tender lines of the second movement [Mendelssohn String Quartet No 2 op 13] as they are expressive and urgent in its fugal phrases…”
“From start to finish, violinists Jeffrey Myers and Ryan Meehan, violist Jeremy Berry, and cellist Estelle Choi proved themselves worthy of every accolade that has been bestowed upon them…. First violinist Jeffrey Myers’ performance…was mesmerizing. Estelle Choi’s cello lines in the “Valse: Allegro” were downright spooky. Violist Jeremy Berry dramatically introduced the concluding “Theme and Variations: Adagio.” Combined with the spot-on playing by second violinist Ryan Meehan, the young ensemble “owned” Shostakovich’s quartet.”
– Mike Telin, Cleveland Classical
“In Mendelssohn’s early Op12 Quartet, and in the final, tormented Op80, they unleashed a sunburst of emotions, from the capricious delicacy of the Op12 Cazonetta to the whirlwind apotheosis and subsiding calm of the later work. This is an ensemble as capable of whipping up storms as enchanting us with breathless moments of utter magic.”
– Ken Walton, The Scotsman