Calidore String Quartet
Chamber Music & Orchestras
The Calidore String Quartet
Jeffrey Myers, violin
Ryan Meehan, violin
Jeremy Berry, viola
Estelle Choi, cello
The Calidore String Quartet has been praised by the New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct” and by the Los Angeles Times for its balance of “intellect and expression.” The Washington Post has said that “Four more individual musicians are unimaginable, yet these speak, breathe, think and feel as one.”
Recipient of a 2018 Avery Fisher Career Grant, and the 2017 Lincoln Center Emerging Artist Award, the Calidore String Quartet first made international headlines as winner of the $100,000 Grand-Prize of the 2016 M-Prize International Chamber Music Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, was a BBC Radio 3 New Generation Artist and just completed its third year in residence with the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two).
In the 2019-20 season, the Calidore String Quartet celebrates its tenth anniversary and the 250th anniversary of Beethoven’s birth by presenting cycles of the Beethoven String Quartets in New York, Los Angeles, Buffalo, Toronto, the University of Delaware, Antwerp and Dresden. Additionally, the Calidore will premiere a new work by composer Anna Clyne inspired by Beethoven’s Grosse Fuge and commissioned by Music Accord in performances at Lincoln Center, Princeton, Penn State, Caramoor, San Francisco Performances and Boston’s Celebrity Series. The Quartet will also make their debuts at Strathmore and with the Kansas City Friends of Chamber Music. In Europe, the Calidore perform on important series in the Netherlands, Belgium, Germany, Italy, Denmark, Poland, Spain and Switzerland. The Quartet will continue to collaborate with artists such as the pianists Marc-Andre Hamelin, Pavel Kolesnikov, Yeol Eum Son, Sophiko Simisive and Henry Kramer, violists Lawrence Power and Matthew Lipman, cellist Clive Greensmith, bassist Xavier Foley, guitarist Sharon Isbin, and oboist Cristina Gómez Godoy.Read more
Highlights of recent seasons have included performances in major venues throughout North America, Europe and Asia such as Carnegie Hall, Wigmore Hall, Kennedy Center, Berlin Konzerthaus, Brussels BOZAR, Cologne Philharmonie, Seoul’s Kumho Arts Hall and at significant festivals, including the BBC Proms, Verbier, Ravinia, Mostly Mozart, Music@Menlo, Rheingau, East Neuk and Festspiele Mecklenburg-Vorpommern.
On Resilience, the Calidore String Quartet’s 2018 Signum release, the Calidore “present an impressive sense of ensemble” in a “cleverly devised selection of quartets” (Strad) by Mendelssohn, Prokofiev, Janáček and Golijov. The Calidore’s other commercial recordings include two albums recorded live in concert at the Music@Menlo Festival; Serenade: Music from the Great War, featuring music for String Quartet by Hindemith, Milhaud and Stravinsky, Ernst Toch and Jacques de la Presle on the French label Editions Hortus; and the quartet’s 2015 debut recording of quartets by Mendelssohn and Haydn which prompted Gramophone to dub the Calidore String Quartet “the epitome of confidence and finesse.” The Calidore were featured as Young Artists-in-Residence on American Public Media’s Performance Today and their performances have been broadcast on NPR, BBC, CBC, SiriusXM Satellite Radio, Korean Broadcasting Corporation, Bayerischer Rundfunk (Munich), Norddeutscher Rundfunk (Hamburg), and were featured on German national television as part of a documentary produced by ARD public broadcasting.
The Calidore have given world-premieres of works by Caroline Shaw, Hannah Lash, Mark Anthony Turnage and Benjamin Dean Taylor. The Calidore has collaborated with many esteemed artists and ensembles, including Jean-Yves Thibaudet, Joshua Bell, David Shifrin, Inon Barnatan, Paul Coletti, David Finckel, Wu Han, Paul Neubauer, Ronald Leonard, Paul Watkins, and the Emerson and Ebène Quartets, among others. The Calidore has studied closely with such luminaries as the Emerson Quartet, David Finckel, Andre Roy, Arnold Steinhardt, Günther Pichler, Guillaume Sutre, Paul Coletti, Ronald Leonard and the Quatuor Ebène.
As a passionate supporter of music education, the Calidore String Quartet is committed to mentoring and educating young musicians, students and audiences. The Calidore serves as Quartet-in-Residence at the University of Delaware and the University of Toronto. The Calidore has conducted master classes and residencies at Princeton, Stanford, University of Michigan, the Colburn School, Stony Brook University, UCLA and Mercer University.
The Calidore String Quartet was founded at the Colburn School in Los Angeles in 2010. Within two years the Quartet won grand prizes in virtually all the major U.S. chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions and captured top prizes at the 2012 ARD Munich International String Quartet Competition and Hamburg International Chamber Music Competition. Using an amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents a reverence for the diversity of culture and the strong support it received from its home of origin, Los Angeles, California, the “golden state.”
The Calidore String Quartet will perform the world premiere of Anna Clyne’s Breathing Statues as part of a program entitled “The Great Fugues” at Princeton University on February 20, 2020. Clyne’s work is inspired in part by Rainer Maria Rilke’s poem On Music, as well...
The award-winning Calidore Quartet reaches another musical milestone performing complete Beethoven Quartets throughout North America and Europe this season. After the Colburn School in Los Angeles, where they have just kicked off the Beethoven celebrations with...
IMG Artists is proud to welcome the multiple award-winning Calidore String Quartet to its roster for worldwide general management. Calidore (Jeffrey Myers, Ryan Meehan, Jeremy Berry and Estelle Choi) joined IMG Artists for European management in 2018, and will...
This quartet, formed by students at Colburn nine years ago and now taking the world by storm, is astonishing. Its performances of two of late Beethoven quartets Wednesday, some of the most utterly profound chamber music in existence, were shockingly deep. I’ve never heard a quartet so young get so inside this ultimately inscrutable music… The essence of the Calidore is just how centered it is. It does not give the impression of risk-taking but risk-absorbing… the Calidore approached the kind of sublimity other quartets spend a lifetime seeking.
“The Quartets sound is warm and vibrant, and their hand-in-glove ensemble playing leaves plenty of room for individuality. Most important, every note is filled with character… The Calidore brought every playful and profound moment of “Essays” to life. I’ve never experienced a new piece of music (this was only its third public performance since the Calidore premiered it last summer in London) that kept a room full of people on the edge of their seats, rapt throughout. But this one did.”
“…the Calidore players are the epitome of confidence and finesse…The players are as touching in the tender lines of the second movement [Mendelssohn String Quartet No 2 op 13] as they are expressive and urgent in its fugal phrases…”
“The Quartet exudes confidence and care: their attention to detail is untiring, but never mannered or extreme. They produce a warm sound, in which the four voices are beautifully blended….. elegance, authority and charisma in equal measure.”
– Seen and Heard International
“The deep sense of communicative rapport these young musicians exude bodes well for future projects…we look forward to hearing whatever comes next.”
– Gramophone “One to Watch”
“Everything here has a clarity and an underlying rhythmic energy… These lively, intelligent performances of an attractive and thought-provoking programme offer compelling proof.”
– Richard Bratby, Gramophone
“…hearing Fifth String Quartet [Bartók] in a pointedly fierce account by the Calidore String Quartet, came as a welcome reminder of how deftly he folded those folk sources into the quartet tradition of Haydn, Beethoven and Brahms.The breathless figuration and jabbing dissonances of the first movement pointed in both directions at once, as did the buoyant, asymmetric dance rhythms of the central scherzo…The ensemble pointed up all these contrasts with playing that was vigorous, sharp-edged and tender.
– Joshua Kosman, San Francisco Chronicle
“The Calidore String Quartet is as good as one can get. The musicians’ quality of performance, interaction, self-listening and response could not be faulted. The attention and nuancing they accorded Shaw’s work was at a Beethovenian level of intensity and inspiration.”
– Ateş Orga, Classical Source
“…the Calidores lived every moment of these remarkable and original pieces, making a human conversation out of the first and third, hinting at the metaphysical in “Echo”….the Calidors made sure that the lifting of the slow movement’s [Schumann Piano Quintet] austere solemnity, winging clear of the funeral cortege, stayed ethereal. It was so good to hear it…”
– David, Nice, The Arts Desk
“From start to finish, violinists Jeffrey Myers and Ryan Meehan, violist Jeremy Berry, and cellist Estelle Choi proved themselves worthy of every accolade that has been bestowed upon them…. First violinist Jeffrey Myers’ performance…was mesmerizing. Estelle Choi’s cello lines in the “Valse: Allegro” were downright spooky. Violist Jeremy Berry dramatically introduced the concluding “Theme and Variations: Adagio.” Combined with the spot-on playing by second violinist Ryan Meehan, the young ensemble “owned” Shostakovich’s quartet.”
– Mike Telin, Cleveland Classical
“In Mendelssohn’s early Op12 Quartet, and in the final, tormented Op80, they unleashed a sunburst of emotions, from the capricious delicacy of the Op12 Cazonetta to the whirlwind apotheosis and subsiding calm of the later work. This is an ensemble as capable of whipping up storms as enchanting us with breathless moments of utter magic.”
– Ken Walton, The Scotsman