Deanna Breiwick



American soprano Deanna Breiwick, hailed by The New York Times for her “sweet sound and floating high notes” and for being a “vocal trapeze artist,” is enjoying an exciting and diverse career. In the 22/23 season, Ms. Breiwick makes her debut at San Francisco Opera, performing Sister Constance in Dialogues of the Carmelites, conducted by Eun Sun Kim. She will return to Bayerische Staatsoper for Adele in Die Fledermaus, and make debuts at the Gran Teatre del Liceu as Drusilla in L’incoronazione di Poppea, the Atlanta Opera as Cunegonde in Candide and with Philharmonia Baroque Orchestra, Oriana in Amadigi.

As an ensemble member of the Bayerische Staatsoper for the 21/22 season only, Ms. Breiwick performed Nannetta in Falstaff, Oscar in Un ballo in maschera, and the Italian Singer in Capriccio, among others. She also returned to the Metropolitan Opera as Najade in Ariadne auf Naxos, reprised Drusilla with Opernhaus Zürich, debuted with Seattle Opera as Amore in Gluck’s Orfeo ed Euridice, and performed the roles of Bradamante and Pittura in Il Palazzo Incantato by Alarcon with Opéra national de Lorraine and The Royal Opera of Versailles. Finally, she appeared with the Pacific Chorale, performing the soprano solos in Vaughan-Williams’ Don Nobis Pacem. In the 20/21 season, Ms. Breiwick appeared with The Dallas Opera in a series of concerts of opera favorites and made a role and house debut with Opéra di Dijon as Bradamante and Pittura.

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“Headlining the excellent cast of young singers was soprano Deanna Breiwick in the title role. Breiwick has a lyric voice, well suited to Mozart…One hopes to hear much more from her in the future.”

Opera News

“Deanna was a vocal trapeze artist.”

New York Times