Deanna Breiwick



American soprano Deanna Breiwick, hailed by The New York Times for her “sweet sound and floating high notes” and for being a “vocal trapeze artist,” is enjoying an exciting and diverse career. As a new member of the Ensemble of Bayerische Staatsoper in Munich for the 2021-2022 season, Ms. Breiwick will perform Nannetta in Falstaff, Oscar in Un ballo in maschera, Jasmin in Georg Friedrich Haas’ Koma, and the Italian Singer in Capriccio, among others. As a guest artist, she will return to the Metropolitan Opera as Najade in Ariadne auf Naxos, reprise Drusilla in L’incoronazione di Poppea with Opernhaus Zürich, debut with Seattle Opera as Amore in Gluck’s Orfeo ed Euridice, and perform the roles of Bradamante and Pittura in Luigi Rossi’s Il Palazzo Incantato with Opéra national de Lorraine and The Royal Opera of Versailles. In the 2020-2021 season, she debuted with The Dallas Opera in a series of concerts to celebrate the reopening of public performance, and made house and role debuts with Opéra di Dijon as Bradamante and Pittura.

Cancellation due to the Covid-19 pandemic include a debut with Opéra de Monte-Carlo as Isolier in Le comte Ory opposite Cecilia Bartoli, a return to the Metropolitan Opera as Servant #1 in Die Frau ohne Schatten, a debut with the Wexford Festival as Perdita in Karl Goldmark’s Ein Wintermärchen, and a return to Opera Theatre of St. Louis as Adele in Die Fledermaus.

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“Headlining the excellent cast of young singers was soprano Deanna Breiwick in the title role. Breiwick has a lyric voice, well suited to Mozart…One hopes to hear much more from her in the future.”

Opera News

“Deanna was a vocal trapeze artist.”

New York Times