Frank Dupree



Winner of the 2018 Opus Klassik Award for Concerto Recording of the Year (20th/21st century), German pianist Frank Dupree recently came to international attention as the laureate prize winner of the 2014 Deutscher Musikwettbewerb, captivating the judges with his musical maturity, refined technique and ability to draw a wide spectrum of sound and colour from the keyboard. A “sincere, feeling and enormously interesting artist” (Emanuel Ax) who “always amazes” (PZ News) and whose “broad tonal range and sinuous rhythmic technique” (Classical Source) have earned him acclaim amongst his peers on orchestral and chamber stages alike.

Initially trained as a jazz percussionist, Frank celebrates the breadth and depth of the piano repertoire, with a particular enthusiasm for the music of the 20th century as well as the music of living composers, having already been chosen to work closely with Péter Eötvös (Erdenklavier – Himmelklavier, world premiere recording in 2015 for the GENUIN classics label) and Wolfgang Rihm (Con Piano? Certo!, world premiere performance with conductor Justin Brown and the Badische Staatskapelle Karlsruhe in June 2015).

Recent and forthcoming highlights include an exciting new collaboration with the Kurt Weill Festival as artist-in-residence, debuts with the Royal Northern Sinfonia, Trondheim Symfonieorchester and Sinfonieorcheser Liechtenstein, return invitations at London’s Wigmore Hall, Berlin’s Konzerthaus, Brussels BOZAR amongst others as well as ongoing relationships with the Stuttgart Philharmoniker and Theater Plauen-Zwickau. Additional highlights include a collaboration with the Repercussion ensemble at the Cologne Philharmonie, debuts with the Frankfurt Radio Symphony, Ulster Orchestra, recitals at the Heidelberg Spring Festival, Lucerne Festival, London’s LSO St Luke’s, Hamburg’s Elbphilharmonie, and Munich’s Allerheiligen-Hofkirche.

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Dupree embraced the whole spectrum with unfailing insight, authority and an irresistible dash of glamour’

Peter Reed

Classical Source

As soon as the strings and wind instruments stop, he sits down at the piano, playing as clearly as he conducts. This is how he always amazes, reacting to the orchestra with the most delicate tones, chains of trills, brilliant runs’

Anita Molnafr

PZ News