Gerard Schneider



Hailed by the Irish Examiner as possessing “an imposing stage presence and a vivid range of colour and warmth of tone that compels attention,” Austrian-Australian tenor Gerard Schneider is acknowledged as a preeminent singer of opera, operetta and song. Having developed a strong international presence, Mr. Schneider has appeared throughout the world, including major debuts at the Sydney Opera House, Carnegie Hall, Wexford Festival Opera, and the Salzburger Festspiele in repertoire spanning the Bel Canto, Romantic and Verismo styles.

For the 2019/20 season, Gerard Schneider will continue his Ensemble work with Oper Frankfurt, performing the Prince in Rusalka, Lyonel in Martha, Duca in Rigoletto and Narraboth in Salome. Guest appearances include the Prince and Königssohn in Der Königskinder with the Tirol Festival in Erl, Austria, as well as the Prince with Garsington Opera. Concert appearances include Beethoven’s Symphony No. 9 with the Filarmonica Arturo Toscanini in Parma, Italy.

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“The fact that the Prince– famously embodied by Gerard Schneider– is extremely unsettled in issues of love and is ultimately catapulted from this human world to willingly and faithfully die in the arms of Rusalka appeared absolutely logical in this Erl version.

There was also euphoric applause for the performance, which was blended with loud Bravo calls, especially for the leading singers Karen Vuong and Gerard Schneider… “

Original text:

“Auch dass sich der in Liebesfragen äußerst unstete Prinz, famos verkörpert von Gerard Schneider, letztlich aus dieser Menschenwelt katapultiert und bereitwillig und dem Pakt treu in den Armen von Rusalka stirbt, erschien in der Erl-Fassung absolut logisch.

Für die Darbietung gab es dann auch euphorischen Applaus, der sich vor allem bei den Hauptdarstellern Karen Vuong und Gerard Schneider mit lauten Bravo-Rufen vermengte”


Vorarlberg Online

“Opposite her [Karen Voungs] is Gerard Schneider as the Prince, with cover-model good looks and a radiant, gleaming Tenor.”

Original text: 

“Ihr stand mit Gerard Schneider ein Prinz mit Titelbild-Figur und strahlendem Tenor-Glanz gegenüber”



Wolf Dieter Peter


“Gerard Schneider introduced himself as a new ensemble member in the role of the Prince. The young tenor has an elegant and secure voice, with impeccably smooth transition of register. His voice is a beautiful fit for Dvořák’s ‘Rusalka.’ You immediately consider what other roles you would like to hear him sing. The French repertoire would be perfect, Mozart would suit him – as well as the Italian Belcanto. After this compelling debut, hopefully he will stay with the house long enough to gauge all these possibilities.”  

Michael Demel

Der Opernfreund

“But the most memorable portrayal of the evening was Gerard Schneider’s wonderfully Gallic Nicias, brimming with finesse and joie de vivreThe Australian-born tenor, in an auspicious company debut, offered the perfect antidote to Athanaël’s dour lessons in anhedonia; one felt the audience relax—and then smile—en masse

Larry Fuchsberg

Opera News

More Reviews

“Tenor Gérard Schneider played the foil brilliantly, convincingly portraying the sybarite Nicias in way that made you want to forget all about the spiritual and succumb to the pleasures of easy living. Moreover, Schneider managed to make us really care about the character – something that isn’t particularly easy with this role.”

Phillip Nones, Bachtrack

“In the performance, Gerard Schneider was heard as a luminous, fresh and lyrical Rodolfo, who rarely had to force his tone in the upper register.”

Frankfurter Rundschau

   “… Gerard Schneider has a voluminous tenor voice as Rodolfo… he, vocally and dramatically through his interpretation, good-looks and magnificent tenor sound, turns out to be an ideal Rodolfo…”

Ursula Wiegand, Online Merker

Gerard Schneider provided a colorful foil to Meachem as the sybaritic Nicias in his Minnesota Opera debut. Ardent and irreverent where Meachem was straight-laced and sober, Schneider’s ringing tenor made a sharp impression”

Terry Blain, Star Tribune 

“Mr. Schneider brought out Boris’s desperate longing for Katya through his plangent singing during their illicit love scene…”

Anthony Tommasini, The New York Times

“Both tenor Gerard Schneider and bass Daniel Mirosław brought real bel canto virtues to the first scene of Der Kaiser.
Their singing suggested that even in the harshest of realms, beauty can thrive.”

Fred CohnOpera News

“The singing is excellent, led by a thrilling performance from tenor Gerard Schneider, plucked from the relative obscurity of his studies at the JuIlliard to step in for indisposed John Mark Ainsley. Looking like a young Pavarotti, Schneider has an imposing stage presence with a vivid range of colour and warmth of tone that compels attention…”

Cathy Desmond, Irish Examiner 

“Nicias’ Alexandria is the embodiment of sensual excess and wild abandon, and Schneider’s smartly sung Nicias is wholly comfortable in being the leader of an orgiastic following … In addition to his strong vocal performance, Schneider proved to be a commendable dancer as well, briefly joining the dance troupe in a section of the opera’s second act ballet.”

Opera Warhorses

“Dein ist mein ganzes Herz, die arie des Prinzen Sou Chong, interpretieret von Gerard Schneider, setzte den Glanzpunkt zur Gala.
Die grandiosen stimmen wurden mit tobendem applaus, roten Rosen, grossen Blumenbuketts
und beifallsbekundungen des Orchesters belohnt…”

(Dein ist mein ganzes Herz, the aria of Prince Sou Chong , interpreted by Gerard Schneider was the highlight of the gala . The grandiose voices were rewarded with rapturous applause, red roses ,large bouquets of flowers and the applause of the orchestra …)

Marlen News