Biography
Since winning the inaugural Seattle Opera International Wagner competition in 2006, James Rutherford has become renowned for his interpretations of German romantic opera.
His career highlights have included Hans Sachs Die Meistersinger von Nürnberg for the Bayreuth Festival (2010, 2011), Wiener Staatsoper, Hamburgische Staatsoper, Oper Köln, San Francisco Opera, Budapest Wagner Festival and Glyndebourne Festival; Wolfram Tannhäuser for San Francisco Opera and Deutsche Oper Berlin; the title role in Der Fliegende Holländer for the Budapest Wagner Festival, Oper Frankfurt and Oper Stuttgart as well as Kurwenal Tristan und Isolde for Washington National Opera.
This season James sings Hans Sachs in Die Meistersinger von Nürnberg for Oper Leipzig; the title role in Der Fliegende Holländer for Oper Leipzig, Deutsche Oper am Rhein and Oper Köln, and Forester in The Cunning Little Vixen for Opera North.
Read moreReviews
“Above all, James Rutherford shone as Hans Sachs. It is now ten years since he undertook the role at the Bayreuth Festival and at this performance he surpassed himself in the Third Act. He sang a riveting monologue with his powerful, robust baritone voice and was particularly moving at the moment of giving Eva over to Walther. Rutherford was especially masterful and relaxed in the role, identifying closely with it and always attentive to detail. One must also mention his excellent diction and understanding of the role and, after some initial tentativeness, he gave a sophisticated, deeply affecting portrayal.”
“It is this direction that indicates the solid and structured approach of James Rutherford. His homogeneous, legato, silky tone, reminds us of hymns and popular dances, sung in a very natural dynamic with expansive sound. This Winterreise takes us under the ice, in these secret places where, beyond despair, loneliness, the petrification of the cold, the multiple and tiny shivers of life sparkle. Gorgeous. Sound: 10 Record: 10 Repertory: 10 Interpretation: 10″
“James Rutherford’s Wotan sounded finer, more accomplished and more nuanced than ever. He has already sang this role at some large German houses and now seems to have completely embodied and perfected it. He has admirably worked on the role interpretation and was able to convincingly portray every last ounce of Wotan’s inner turmoil. As an angry, furious god of war and immediately afterwards as a loving father, he knew how to utter every word in the most suitable vocal timbre. Rutherford has found the role of a lifetime with Wotan.”