Biography
Nikolaj Szeps-Znaider inaugurates his first season as Music Director of the Orchestre national de Lyon in September 2021. He conducted the Orchestra’s 2019/20 season opening concerts and together they toured Russia in February 2020. Szeps-Znaider is a regular guest conductor of the world’s leading orchestras, including the Chicago Symphony, Cleveland Orchestra, Orchestre Symphonique de Montréal, Bamberg Symphony and the Royal Stockholm Philharmonic Orchestra.
Following an outstandingly successful debut conducting ‘Magic Flute’ at the Dresden Semperoper, Szeps-Znaider was immediately re-invited to conduct ‘Der Rosenkavalier’ at the House in Autumn 2019. This season he returns to Dresden Semperoper for a revival of ‘Der Rosenkavalier’ and makes his debut at the Royal Danish Opera conducting a new production of Magic Flute.
Recent News
Nikolaj Szeps-Znaider Opens First Season as MD in Lyon
Nikolaj Szeps-Znaider commences his first season as Music Director of the Orchestre national de Lyon this week as planned, with a gala concert on 17 September 2020 featuring soloist, Saleem Ashkar, and narrator, Julie Depardieu, broadcast nationally on France Musique....
Praise for Stéphane Denève and Nikolaj Szeps-Znaider North American Brussels Phlharmonic Tour
Stéphane Denève and Nikolaj Szeps-Znaider return from a triumphant 5-date North American tour with the Brussels Philharmonic. Led by their, “formidable music director Stéphane Denève, the orchestra brought both the familiar and the unusual to the hall in a concert of...
Stéphane Denève and Nikolaj Szeps-Znaider Embark on North American Tour with Brussels Philharmonic
Stéphane Denève and Nikolaj Szeps-Znaider embark on a 5-city North American tour with the Brussels Philharmonic in March 2019. Denève, the Brussels Philharmonic’s Music Director, will conduct the orchestra in three programmes: Connesson’s Flammenschrift (2012) and...
Reviews
“This Mahler Five was spine-shudderingly good… there was also much sumptuous, idiomatically Viennese string playing to admire — and especially the silky deftness, free of cloying over-sentimentality, that Znaider encouraged in the Adagietto.”
“You could pick out strands of soloist Nikolaj Znaider’s musical DNA – the sweetness of Fritz Kreisler, the muscularity of Zino Francescatti, and his own exquisite wisdom for setting off the poetic against the prosaic”
More Reviews
“This Mahler Five was spine-shudderingly good… there was also much sumptuous, idiomatically Viennese string playing to admire — and especially the silky deftness, free of cloying over-sentimentality, that Znaider encouraged in the Adagietto.”
“You could pick out strands of soloist Nikolaj Znaider’s musical DNA – the sweetness of Fritz Kreisler, the muscularity of Zino Francescatti, and his own exquisite wisdom for setting off the poetic against the prosaic”
“Znaider is a genial presence on the podium, conducting with the minimum of fuss and very precise gestures… There was no shortage of fireworks throughout the symphony and the Scherzo was particularly brilliant in this respect.”
“…his technique is impeccable and his intonation spot-on… And if any soloist is going to do battle with an orchestra and come out on top, it’s probably going to be Znaider, who can project his sound better than just about any other violinist on the scene today. He tore into the first movement’s double stops and arpeggios with abandon but turned, a few bars later, and delivered a sweet, gentle account of the movement’s opening theme. The rest of his performance revolved around and between those two extremes: focused, polished, straightforward.”
“Znaider is a wonder. His tone is so varied, but always full and rich. His pianissimo passages are very quiet indeed, but miraculously full and present. In speedy virtuoso passages, he articulates every note with hard-edged specificity. Most important, he understands the drama in the music.”
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