Nikolaj Szeps-Znaider

Conductor, Violin

Music Director  – Orchestre national de Lyon
Principal Guest Conductor – Mariinsky Orchestra

Managed in association with Enticott Music Management

Biography

Nikolaj Szeps-Znaider inaugurates his first season as Music Director of the Orchestre national de Lyon in September 2021. He conducted the Orchestra’s 2019/20 season opening concerts and together they toured Russia in February 2020. Szeps-Znaider is a regular guest conductor of the world’s leading orchestras, including the Chicago Symphony, Cleveland Orchestra, Orchestre Symphonique de Montréal, Bamberg Symphony and the Royal Stockholm Philharmonic Orchestra. 

Following an outstandingly successful debut conducting ‘Magic Flute’ at the Dresden Semperoper, Szeps-Znaider was immediately re-invited to conduct ‘Der Rosenkavalier’ at the House in Autumn 2019.   This season he returns to Dresden Semperoper for a revival of ‘Der Rosenkavalier’ and makes his debut at the Royal Danish Opera conducting a new production of Magic Flute.

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Recent News

Nikolaj Szeps-Znaider Opens First Season as MD in Lyon

Nikolaj Szeps-Znaider commences his first season as Music Director of the Orchestre national de Lyon this week as planned, with a gala concert on 17 September 2020 featuring soloist, Saleem Ashkar, and narrator, Julie Depardieu, broadcast nationally on France Musique....

Reviews

“This Mahler Five was spine-shudderingly good… there was also much sumptuous, idiomatically Viennese string playing to admire — and especially the silky deftness, free of cloying over-sentimentality, that Znaider encouraged in the Adagietto.”

Richard Morrison

The Times

“You could pick out strands of soloist Nikolaj Znaider’s musical DNA – the sweetness of Fritz Kreisler, the muscularity of Zino Francescatti, and his own exquisite wisdom for setting off the poetic against the prosaic”

Peter Dobrin

Philly.com

More Reviews

“This Mahler Five was spine-shudderingly good… there was also much sumptuous, idiomatically Viennese string playing to admire — and especially the silky deftness, free of cloying over-sentimentality, that Znaider encouraged in the Adagietto.”

Richard Morrison, The Times 

“You could pick out strands of soloist Nikolaj Znaider’s musical DNA – the sweetness of Fritz Kreisler, the muscularity of Zino Francescatti, and his own exquisite wisdom for setting off the poetic against the prosaic”

Peter Dobrin, Philly.com 

“Znaider is a genial presence on the podium, conducting with the minimum of fuss and very precise gestures… There was no shortage of fireworks throughout the symphony and the Scherzo was particularly brilliant in this respect.”

Peter Marks, Bachtrack 

“…his technique is impeccable and his intonation spot-on… And if any soloist is going to do battle with an orchestra and come out on top, it’s probably going to be Znaider, who can project his sound better than just about any other violinist on the scene today. He tore into the first movement’s double stops and arpeggios with abandon but turned, a few bars later, and delivered a sweet, gentle account of the movement’s opening theme. The rest of his performance revolved around and between those two extremes: focused, polished, straightforward.”

Jonathan Blumhofer, The Arts Fuse 

“Znaider is a wonder. His tone is so varied, but always full and rich. His pianissimo passages are very quiet indeed, but miraculously full and present. In speedy virtuoso passages, he articulates every note with hard-edged specificity. Most important, he understands the drama in the music.”

Tom Strini, Third Coast Digest 

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