RENÉE
FLEMING
SOPRANO
Arts/Health Advocate
Director, SongStudio at Carnegie Hall
ADVISOR FOR SPECIAL PROJECTS, LA OPERA
Co-Director, Aspen Opera Theater and VocalARTS
Artistic Advisor-at-Large, John F. Kennedy Center
for the Performing Arts
RENÉE FLEMING
SOPRANO
Arts/Health Advocate
Director, SongStudio at Carnegie Hall
Advisor for Special Projects, LA Opera
Co-Director, Aspen Opera Theater and VocalARTS
Artistic Advisor-at-Large, John F. Kennedy Center for the Performing Arts
ABOUT
Renée Fleming is one of the most highly acclaimed singers of our time, performing on the stages of the world’s great opera houses and concert halls. A 2023 Kennedy Center Honoree, winner of five Grammy® awards and the US National Medal of Arts, she has sung for momentous occasions from the Nobel Peace Prize ceremony to the Diamond Jubilee for Queen Elizabeth II at Buckingham Palace. A groundbreaking distinction came in 2008 when she became the first woman in the 125-year history of the Metropolitan Opera to solo headline an opening night gala, and in 2014 she became the first classical artist ever to sing the National Anthem at the Super Bowl. In 2023, the World Health Organization appointed her as a Goodwill Ambassador for Arts and Health.
Renée’s latest recital and concert program, Voice of Nature: the Anthropocene, inspired by her 2023 Grammy Award-winning album, includes an original film created by the National Geographic Society to reflect the musical selections. Renée’s current concert calendar includes appearances in London, Vienna, Milan, Los Angeles, and at Carnegie Hall. In May at the Metropolitan Opera, she will reprise her role in The Hours, an opera which premiered last year, based on the Pulitzer Prize-winning novel and award-winning film. Last March, she portrayed Pat Nixon in a new production of Nixon in China at the Opéra de Paris.
Renée’s new anthology, Music and Mind: Harnessing the Arts for Health and Wellness, will be published in spring, 2024. A prominent advocate for research at the intersection of arts, health, and neuroscience, as Artistic Advisor to the Kennedy Center for the Performing Arts, Renée launched the first ongoing collaboration between America’s national cultural center and its largest health research institute, the National Institutes of Health. She created her own program called Music and the Mind, which she has presented in more than fifty cities around the world, earning Research!America’s Rosenfeld Award for Impact on Public Opinion. In 2020, Renée launched Music and Mind LIVE, a weekly web show exploring the connections between arts, human health, and the brain, amassing nearly 700,000 views, from 70 countries. She is now an advisor for major initiatives in this field, including the Sound Health Network at the University of California San Francisco and the NeuroArts Blueprint at Johns Hopkins University.
Renée has recorded everything from complete operas and song recitals to indie rock and jazz. In January, Decca released a special double-length album of live recordings from Renée’s greatest performances at the Metropolitan Opera. In 2023 Renée received the Grammy Award for Best Classical Vocal Solo for her album Voice of Nature: The Anthropocene, with Yannick Nézet-Seguin as pianist. The same year, Decca released a special double-length album of live recordings from Renée’s iconic performances at the Metropolitan Opera, Renée Fleming: Greatest Moments at the Met. Known for bringing new audiences to classical music and opera, Renée has sung not only with Luciano Pavarotti and Andrea Bocelli, but also with Elton John, Paul Simon, Sting, Josh Groban, and Joan Baez. She has hosted a wide variety of television and radio broadcasts, including the Metropolitan Opera’s Live in HD series and Live From Lincoln Center. Renée’s voice is featured on the soundtracks of Best Picture Oscar winners The Shape of Water and The Lord of the Rings.
Fleming’s first book, The Inner Voice, was published by Viking Penguin in 2004 and is now in its 16th printing. It is also published in France, the United Kingdom, Germany, Japan, Poland, Russia and China.Co-Artistic Director of the Aspen Opera Center and VocalArts at the Aspen Music Festival, Renée is also Advisor for Special Projects at LA Opera, and she leads SongStudio at Carnegie Hall. Renée’s other awards include the 2023 Crystal Award from the World Economic Forum in Davos, the Fulbright Lifetime Achievement Medal, Germany’s Cross of the Order of Merit, Sweden’s Polar Music Prize, France’s Chevalier de la Légion d’Honneur, and honorary doctorates from 8 major universities.
RECENT PRAISE
THE WASHINGTON POST
ANNE MIDGETTE
The Beautiful Voice soared, swelled and glistened at the Kennedy Center on Saturday night. Renee Fleming, the soprano possessed of this sobriquet, gave a recital at the Concert Hall, courtesy of the Washington Performing Arts Society, to a large and appreciative crowd; she brought her A-game, and everyone was happy…Fleming has been America’s reigning diva for more than a decade now…on Saturday [she] offered some of the shining freshness that grabbed everyone’s attention when she was just coming onto the scene: gleaming high notes arcing downwards like wires of gold.
ST. PAUL STAR TRIBUNE
William Randall Beard
Renée Fleming is a true diva du jour. Her sumptuous soprano, dazzling technique and glamorous persona make her the complete package. Resplendently gowned, she cut an elegant figure at her Schubert Club recital Thursday at the Ordway. But she was utterly natural in the way she addressed the audience with eager enthusiasm about the program…Fleming unleashed her luxurious voice in an over-the-top rendering of the death scene from Umberto Giordano’s Fedora. Especially thrilling was ‘The Book of Hours: Love Poems to God,’ a cycle that jazz musician Brad Mehldau wrote for Fleming using poems by Rainer Maria Rilke…she sang the challenging music with emotional commitment. Equally successful was ‘Jane Grey’ an Arnold Schoenberg song about the nine-day queen of England. Fleming embraced this post-Romantic monologue as a great dramatic scene and told a deeply felt story. This was also true of three songs by Erich Wolfgang Korngold, which seemed particularly suited to her. She poured her heart into them, bringing some exquisite floated pianissimos expressively to bear.
ST. LOUIS POST DISPATCH
SARAH BRYAN MILLER
She came, she sang, she conquered: Soprano Renée Fleming triumphed at the St. Louis Symphony Orchestra gala concert on Saturday night at Powell Hall. Fleming has presence and glamour (enhanced by her spectacular form-fitting strapless violet dress, with a floor-sweeping black tulle stole, diamond necklace and big hair), and made the audience feel like old friends. Most of all, she was in excellent voice…She sang [‘Song to the Moon,’ from Dvorák’s opera Rusalka] ravishingly, her voice like rose gold… her final number, ‘O mio babbino caro,’ from Puccini’s Gianni Schicchi, was sung flawlessly, and made the perfect ending to the evening.
CONTACT
JOHN STAPLETON
ASSOCIATE ARTIST MANAGER (AMERICAS)
+1 212 994 3545
EMAIL
GEORGINA WILLIAMSON
MANAGERIAL ASSOCIATE (EUROPE / ASIA)
+44 (0)7981 802278
EMAIL