Music Director & Conductor, Eugene Symphony
Music Director & Conductor, Santa Rosa Symphony
Conductor Francesco Lecce-Chong is the Music Director of the Eugene Symphony in Oregon, and the Santa Rosa Symphony, performing at the Green Music Center in Northern California. The press has described him as a “fast rising talent in the music world” with “the real gift” and recognized his dynamic performances, fresh programming, deep commitment to commissioning and performing new music as well as to community outreach. Mr. Lecce-Chong has appeared with orchestras around the world including the San Francisco Symphony, New York Philharmonic, Seattle Symphony, National Symphony, Atlanta Symphony, Pittsburgh Symphony, Toronto Symphony, St. Louis Symphony, and Hong Kong Philharmonic and collaborated with top soloists including Renée Fleming and Itzhak Perlman.
In spring 2019, Mr. Lecce-Chong debuted in subscription concerts with the San Francisco Symphony. The San Francisco Chronicle called his conducting “first rate” praising the “vitality and brilliance of the music-making he drew from members of the San Francisco Symphony.” Other recent subscription debuts include the Seattle Symphony, Colorado Symphony, Louisville Orchestra, Louisiana Philharmonic and Xi’An Symphony Orchestra. Mr. Lecce-Chong’s also returned to conduct the Civic Orchestra of Chicago, Milwaukee and San Diego Symphony. In 2019, he also debuted with the New York Philharmonic as part of the legendary Young People’s Concert Series. The 2020-2021 season will mark his subscription debuts with the Utah and the North Carolina Symphonies.
In the past season, heavily impacted by the pandemic, Mr. Lecce-Chong created and led a series of virtual performances with both the Santa Rosa and the Eugene Symphony. The full season of performances was streamed for free to thousands of enthusiastic viewers around the world. In addition, the Santa Rosa Symphony reached over two million households in the Bay Area through its “Santa Rosa Symphony Presents” TV broadcasts. Mr. Lecce-Chong embraced the digital format, using interviews with members of the ensembles, guest artists, and composers to overcome the challenges of connecting with audiences not physically present in the concert hall. The programming included over 20 works by living composers, including a groundbreaking partnership with the renowned Ellen Taaffe Zwilich – a project which will culminate in a recording of her music by the Santa Rosa Symphony to be commercially released in 2022.
Following the paths of renowned Music Directors of the Eugene and the Santa Rosa Symphonies including Marin Alsop, Giancarlo Guerrero and Jeffrey Kahane, Mr. Lecce-Chong has quickly made his mark with the two orchestras introducing a series of new music and community initiatives. During the 2021-2022 season, both orchestras will continue the four-year “First Symphony Project” that is commissioning a symphony each year from a young American composer including multiple residencies in the community. The Eugene Symphony will embark on a three-part concert presentation of Wagner’s epic opera Tristan und Isolde and the Santa Rosa Symphony will begin a cycle of the large orchestral works of Rachmaninoff paired with legendary film composers entitled “Rachmaninoff and the Hollywood Sound”. Across both orchestras in just a single season, Mr. Lecce-Chong will lead the world premieres of five major orchestral works including an ecology-inspired work by Grammy-winning composer Michael Daugherty, a work for mariachi and orchestra by Enrico Chapela, and a dramatic work with actors based on the life of Olympic athlete Steve Prefontaine by David Schiff.
During his successful tenures as Associate Conductor with the Milwaukee Symphony under Edo de Waart and the Pittsburgh Symphony under Manfred Honeck, Mr. Lecce-Chong also dedicated his time to opera, building his credentials as staff conductor with the Santa Fe Opera and conducted Madama Butterfly at the Florentine Opera with the Milwaukee Symphony.
Mr. Lecce-Chong is the recipient of several distinctions, including the prestigious Solti Foundation Award. Trained also as a pianist and composer, he completed his studies at the Curtis Institute of Music with Otto-Werner Mueller after attending the Mannes College of Music and Accademia Musicale Chigiana in Italy. He has had the privilege of being mentored and supported by celebrated conductors including Bernard Haitink, David Zinman, Edo de Waart, Manfred Honeck, Donald Runnicles and Michael Tilson Thomas.
Conductor Francesco Lecce-Chong will make his Seattle Symphony debut on Thursday, June 17. He will conduct Beethoven’s Symphony No. 6, “Pastoral”. The concert will be streamed live from 7:30 PM PT, and available on demand through June 24. Mr. Lecce-Chong is Music...
Francesco Lecce-Chong will conduct the Santa Rosa Symphony in three performances this fall, specifically created for online audiences. The performances will be streamed free of charge from the Green Music Center and will take a unique form of a cohesive musical...
Francesco Lecce-Chong and the Eugene Symphony Association have extended the Music Director’s contract through at least the 2022/23 season. “Francesco will be one of our great ones,” said Search Committee chair Roger Saydack, referring to the orchestra’s past...
“Francesco Lecce-Chong, the young American conductor…made a first-rate debut with the San Francisco Symphony…There was no mistaking the vitality and brilliance of the music-making he drew from members of the San Francisco Symphony. He’s got a firm but flexible rhythmic control that allows him to shepherd an orchestra at top speed without losing a bit of precision, and he can shape big instrumental textures with a robustness and grace that is inspiring to behold. Perhaps best of all, Lecce-Chong seems to be a resourceful and imaginative programmer.”
“Lecce-Chong has the real gift. He’s going to be a fast-rising talent in the music world.”
“One candidate stands head, shoulders, and baton above the rest… Lecce-Chong’s concern for the Viennese style was particularly important with the last piece, Richard Strauss’s Suite from Der Rosenkavalier. Many American orchestras have difficulty with Viennese phrasing… In 15 years observing the orchestra, I’ve never heard the ESO perform with a true Viennese phrasing, melody somehow joyous and bittersweet, leaning here and there on melodic motives and chromatic lines. But on this night, Lecce-Chong brought Vienna to Eugene. Conducting from memory, he led his musicians with apparent ease, shaping lines, balancing timbres and cuing entrances with precision. There were lovely Viennese moments when he expanded a phrase’s rhythm, then pulled it back in. This was the conductor’s real interpretation of the work, not merely a reading from an orchestra he had just met.”
“Lecce-Chong left no doubt that the magic of his debut [with the Santa Rosa Symphony] was no fluke. Even without a romantic warhorse like Tchaikovsky’s Symphony No. 4, he proved his mettle by pouring new life into Mozart’s tragic Symphony No. 40 and artfully molding the pacing and phrasing of Mahler’s idyllic Symphony No. 4.”