During the 2021/22 season, Ms. Cooke returned to the Metropolitan Opera for her role debut as Cherubino in Le nozze di Figaro conducted by James Gaffigan. She also joined the Met as Eduige in Rodelinda conducted by Harry Bicket. She joined the Minnesota Orchestra for Mahler’s Lieder eines fahrenden Gesellen and subsequently for Mahler’s Symphony No. 8, the latter conducted by Osmo Vänskä. Additionally, she performed Michael Tilson Thomas’ Meditations on Rilke under his baton with the Los Angeles Philharmonic, scenes from Nadia Boulanger’s Faust et Hélène with the Houston Symphony, led by Fabien Gabel, in addition to Mahler’s Symphony No. 2 and Beethoven’s Symphony No. 9 there, Berlioz’s Béatrice et Bénédict with the Festival de la Côte Saint-André, led by John Nelson, Beethoven’s Symphony No. 9 with the Detroit Symphony Orchestra, Mahler’s Symphony No. 2 with the Oregon Symphony, Jake Heggie’s The Work at Hand and Elgar’s Sea Pictures with the St. Louis Symphony Orchestra, led by Gemma New, Mahler’s Lieder eines fahrenden Gesellen with the New World Symphony, and a holiday concert with the Wheeling Symphony Orchestra. She also gave a solo recital at the Tucson Desert Song Festival, joined by pianist Myra Huang, including the world premiere of Jennifer Higdon’s song cycle Summer Music. The 2021/22 season also marked the release of Ms. Cooke’s new album, entitled how do I find you, on the Pentatone label. Featuring songs by Caroline Shaw, Nico Muhly, Missy Mazzoli and Jimmy Lopez, among others, the Grammy-nominate recording is intended as a tribute to both the struggles and hopes of those affected by the pandemic. All seventeen songs were written in 2020. Ms. Cooke performed the world premiere in January 2022 as part of the San Francisco Symphony’s Great Performers Series, before giving subsequent recitals at the Shriver Hall Concert Series and elsewhere, with pianist Kirill Kuzmin.

Previously scheduled engagements included appearances at the Metropolitan Opera as Hansel in Hansel and Gretel, at Dallas Opera as Sylvie in the world premiere of Talbot’s The Diving Bell and the Butterfly, and at San Francisco Opera as Offred in Poul Ruder’s The Handmaid’s Tale. Concert performances were to include Bach’s Mass in B minor with the Orchestre National de France under the direction of Trevor Pinnock, Beethoven’s Missa Solemnis with the Pittsburgh Symphony under Manfred Honeck  and the Atlanta Symphony under Robert Spano, both in Atlanta and on tour at Carnegie Hall in New York. Other previously scheduled concert engagements included Mahler’s Symphony No. 3 with the Minnesota Orchestra and music director Osmo Vänskä, reuniting with Jaap van Zweden and the New York Philharmonic for concerts of Mahler’s Symphony No. 2 Resurrection at David Geffen Hall (New York), Barbican Hall (London), and The Royal Concertgebouw (Amsterdam), as well as Mahler’s Symphony No. 3 with Myung-Whun Chung at the Accademia Nazionale di Santa Cecilia. Previously scheduled recital engagements included a duo recital tour alongside soprano Susanna Phillips and a solo recital of songs at the Santa Fe Chamber Music Festival.

Ms. Cooke has performed with opera companies worldwide, including the Metropolitan Opera, Opéra National de Bordeaux, Los Angeles Opera, San Francisco Opera, Opera Parallèle, Seattle Opera, Houston Grand Opera, Dallas Opera, Gran Teatre del Liceu, Israeli Opera, and English National Opera. During her career, she has been engaged by over 70 orchestras, including the Los Angeles Philharmonic Orchestra, Philadelphia Orchestra, Boston Symphony Orchestra, Nashville Symphony, St. Louis Symphony Orchestra, Dallas Symphony Orchestra, Hong Kong Philharmonic, London Symphony Orchestra, Tokyo Symphony, Deutsches Symphonie-Orchester Berlin, New Zealand Symphony, Orchestre Métropolitain de Montreal, New World Symphony, under leading conductors such as Yannick Nézet-Séguin, Riccardo Muti, Gustavo Dudamel, Bernard Haitink, James Levine, Edo de Waart, Trevor Pinnock, Harry Bicket, Pinchas Zukerman, Gerard Schwarz, Riccardo Frizza, James Gaffigan, Vasily Petrenko, Sir Mark Elder, and Krzysztof Urbański. Ms. Cooke has performed at such prestigious venues as Carnegie Hall’s Weill and Zankel Halls, Palau de la Música de València, Hollywood Bowl, Theater an der Wien, Alice Tully Hall, Auditorio Nacional de Música, Elbphilharmonie, and Brooklyn Academy of Music. Previous festival appearances have included the Spoleto Festival USA, Aspen Music Festival, Caramoor International Music Festival, Lucerne Festival, Mostly Mozart Festival, New York Festival of Song, Chamber Music Society of Lincoln Center, Seattle Chamber Music Festival, Chamber Music Northwest, and Festspiele Mecklenburg-Vorpommern. A devoted interpreter of new music, Ms. Cooke has premiered works by Mark Adamo, Mason Bates, William Bolcom, Pierre Jalbert, Laura Kaminsky, Lowell Liebermann, Nico Muhly, John Musto, Marc Neikrug, Kevin Puts, Jimmy Lopez, Augusta Read Thomas, and Joby Talbot.

As a dedicated recitalist, Ms. Cooke was presented by Young Concert Artists in her widely acclaimed New York and Washington debuts at Carnegie’s Zankel Hall and the Kennedy Center. She has also appeared in recital at Alice Tully Hall, Wigmore Hall, the Kennedy Center and the 92^nd Street Y. Her recordings can be found on the Hyperion, BIS, Chandos, Pentatone, Naxos, Bridge Records, Yarlung, GPR Records, and Sono Luminus labels. Most recently she appears on recordings including Intonations: Songs from the Violins of Hope by Jake Heggie and Gene Scheer on Pentatone, L’enfance du Christ with Sir Andrew Davis and the Melbourne Symphony on Chandos, Bates’ The (R)evolution of Steve Jobs on Pentatone which won the 2019 Grammy Award for Best Opera Recording, Mahler’s 2nd Symphony with Osmo Vänskä and the Minnesota Orchestra on BIS, Michael Tilson Thomas’ Meditations on Rilke with the San Francisco Symphony with won the 2021 Grammy Award for Best Classical Compendium and Sasha Cooke LIVE, a collection of her performances at the Music@Menlo chamber music festival released on their label.

Sasha Cooke is a graduate of Rice University and The Juilliard School. She also attended the Music Academy of the West, Aspen Music Festival, Ravinia Festival’s Steans Music Institute, Wolf Trap Foundation, Marlboro Music Festival, Metropolitan Opera’s Lindemann Young Artist Development Program, and Seattle Opera and Central City Opera’s Young Artist Training Programs.