The 22-23 season featured Brownlee in several of his signature Rossini roles, including Rodrigo in Otello at Opera Philadelphia, the title role of Le comte Ory at Lyric Opera of Chicago, and Count Almaviva at the Royal Opera House, in addition to his return to the Metropolitan Opera as Tamino in a new production of Die Zauberflöte. Brownlee also shared the stage with Michael Spyres in a program titled, “Amici e Rivali” at the Theatre des Champs-Élysées in January 2023, in addition to the premiere of his new album Rising which featured Brownlee along with pianist Kevin J. Miller and was released through Warner Classics. The duo performed newly commissioned songs by composers Shawn Okpebholo, Damien Sneed, Joel Thompson, and others with texts drawn from James Weldon Johnson and other great Black writers of the Harlem Renaissance. Brownlee and Miller toured “Rising” at venues across the U.S. including Carnegie Hall, the Kimmel Center, Calderwood Studio at GBH Boston, and the Schwartz Center for the Performing Arts at Emory University. The Boston Globe praised how “Brownlee is smartly applying his star power to uplift music that might not otherwise be heard, and spread the names of composers on the verge of greater recognition…all the commissions are worthy of repeat performances…”

In spring 2021, Brownlee joined The Juilliard School as a Distinguished Visiting Faculty Member. He serves as artistic advisor for Opera Philadelphia, where his responsibilities include increasing and expanding audience diversity, advocating for new works, and liaising with the General Director from the perspective of a performing artist. “As an artist, I think it is important that we are actively advocating for this beautiful art form we love so much,” said Brownlee, “ensuring that it will be alive and well for many years to come.” Mr. Brownlee also serves as an Ambassador for Lyric Opera of Chicago’s Lyric Unlimited, and is an Ambassador for Opera for Peace. Highlights of Brownlee’s most recent past seasons include his role debut in the title role of Rameau’s Platée with Opéra National de Paris to great acclaim. Brownlee also participated in Washington National Opera’s “Come Home: A Celebration of a Return” concert to open The Kennedy Center’s 50th Anniversary Season and marking a return to live performance. In fall 2021 Brownlee released a holiday mixtape with neo-classical pianist BLKBOK called “Angels Watching Over Me”. He made his role debut as Edgardo in Lucia di Lammermoor at New National Theatre Tokyo. In 2019-20 he added Fernand to his repertoire in a new production of Donizetti’s La Favorite with Houston Grand Opera.

In recent years, Brownlee has emerged as a pivotal voice around equity and diversity in classical music. Mr. Brownlee works with companies and engages civic organizations in the cities he visits to create programs and experiences seeking to expand opera audiences. His critically-acclaimed solo recital program Cycles of My Being, a song cycle that centers on the black male experience in America today, has toured extensively, including performances at Opera Philadelphia, Carnegie Hall, the Kennedy Center, and virtual broadcasts throughout 2020. Following the successful Lawrence Brownlee and Friends concert at Lyric Opera of Chicago in 2019, Brownlee performed Giving Voice at Houston Grand Opera, a concert created to celebrate Houston’s diverse community, and reprised his concert at Lyric with the virtual performance of Lawrence Brownlee and Friends: The Next Chapter in July 2020.

In May 2020, Brownlee launched “The Sitdown with LB,” a weekly Facebook Live series exploring the experience of being an African-American opera singer. The series featured Brownlee in conversation with renowned artists like George Shirley, Denyce Graves, Martina Arroyo, J’Nai Bridges, Angel Blue, and others. In 2021 Brownlee expanded the series to include a segment titled “Inside the Industry” where he shifted the focus to a behind-the-scenes look at the opera industry, speaking with leaders such as Diane Zola (Metropolitan Opera), Francesca Zambello (Glimmerglass and Washington National Opera), Anthony Tommasini (The New York Times), and Matthew Horner (IMG Artists). Since April 2020 he has also hosted the video series “Coffee and a Song,” in which he invites artist friends to perform interpretations of art-songs from the intimacy of their own homes. Brownlee also gave a Masterclass conversation-performance as part of National Sawdust’s Digital Discovery Festival.

With an ever-increasing presence in opera, recital, and concerts, Lawrence Brownlee has cemented his place as one of the top artists in classical music. He is a regular guest at the world’s most important opera houses including The Metropolitan Opera, Teatro alla Scala, Royal Opera House – Covent Garden, Bayerische Staatsoper, Staatsoper Unter den Linden, Deutsche Oper Berlin, Opéra national de Paris, Gran Teatre del Liceu, Teatro Real, Opernhaus Zürich, and Wiener Staatsoper. He is a fixture at the world’s top recital venues including Carnegie Hall, Wigmore Hall, and The Kennedy Center. His concert performances include collaborations with The Cleveland Orchestra, Chicago Symphony Orchestra, The Philadelphia Orchestra, The San Francisco Symphony, Amsterdam’s Concertgebouw, Orchestra dell’Accademia Nazionale di Santa Cecilia, and the festivals of Baden-Baden and Salzburg.

Brownlee is the fourth of six children and first discovered music when he learned to play bass, drums, and piano at his family’s church in Hubbard, Ohio. He was awarded a Masters of Music from Indiana University and went on to win a Grand Prize in the 2001 Metropolitan Opera National Council auditions. Brownlee is a winner of numerous awards and distinctions including “Male Singer of the Year” (2017 International Opera Awards), the Kennedy Center’s Marian Anderson Award, and the Opera News Award (2021). In October 2019, he had the distinct honor of singing at Jessye Norman’s funeral in her hometown of Augusta, Georgia.