Chief Conductor – Württembergisches Kammerorchester Heilbronn
MD and Principal Conductor (from 2019/20) – Orchestre national d’Île de France
Case Scaglione is Chief Conductor of the Württembergisches Kammerorchester Heilbronn commencing from 18/19 season and Music Director of Orchestre national d’Île de France (19/20). He has previously served as Associate Conductor with the New York Philharmonic and Music Director of the Young Musicians Foundation Debut Orchestra of Los Angeles. Case was the driving force behind the artistic growth and diversification of the organisation, founding their educational outreach initiative ‘360° Music’.
Back in 2016, Case made a highly acclaimed German debut with the Württembergisches Kammerorchester Heilbronn for the final subscription performance of the 15/16 concert season. Heilbronner Stimme commented Precision, balance, and an almost weightless sound dominated the concert from the first bar…Mozart’s Linz Symphony was like a sun-lit wander along an alpine way. Following second return to the orchestra conducting Beethoven’s 1st Symphony in Stuttgart’s Liederhalle, it was announced at the press conference in Heilbronn in July 2017 that Case Scaglione had been unanimously elected as the orchestra’s Chief Conductor effective from the 2018-19 season.Read more
In their short time together, the orchestra has played with soloists such as Simone Lamsma, Johannes Moser and Sharon Kam.Enjoying an intense touring schedule, together with Case, Württembergisches Kammerorchester Heilbronn currently performs in some of the most distinguished venues across Europe including Amsterdam’s Concertgebouw, Vienna’s Musikverein and Herkulessaal in Munich, where they will present four different programs across 18/19 season. In the current and upcoming seasons, the theme of Transformation is the major thematic focus and to this end some of the programme highlights featuring in live performance are Transfigured Night by Arnold Schoenberg, Metamorphosen by Richard Strauss as well as a recording of the Six Symphonies (after Ovid’s Metamorphoses), by Carl Ditters von Dittersdorf. Further recording plans with Württembergisches Kammerorchester Heilbronn include an all-Copland CD with clarinetist Sebastian Manz performing the clarinet concerto.
Following a two-week tour of d’île de France region back in 2016, Case’s debut with Orchestre national d’Île de France was a huge success leading to an instant re-invitation to conduct the orchestra in the Philharmonie de Paris for the opening of 17/18 season. Following a second collaboration with the orchestra, it was announced that Case had been elected as the orchestra’s designate Music Director from the 19/ 20 season. Case will next conduct the orchestra in August 2019 at theBerlioz Festival in Côte Saint-André for a program featuring Ludwig van Beethoven’s Eroica Symphony and Heldenleben by Richard Strauss.
High in demand as a guest conductor across the globe, Case’s recent distinguished European engagements include debut and return appearances with Scottish Chamber Orchestra, Ulster Symphony, RTÉ National Symphony Orchestra, Orchestre Philharmonique du Luxembourg, Luzerner Sinfonieorchester, Brussels Philharmonic, Flanders Symphony Orchestra and Brno Philharmonic. In North America, Case has worked with New York Philharmonic, Houston, Dallas, Detroit, Phoenix, San Diego and Baltimore symphony orchestras. In Asia, he has led concerts with the China Philharmonic Orchestra as well as Shanghai and Guangzhou symphony orchestras, in addition to regular returns to the Hong Kong Philharmonic Orchestra.
He enjoys close relationships with many of the world’s leading solo artists including Joshua Bell, Yulianna Avdeeva, Jean-Efflam Bavouzet, Behzod Abduraimov and Khatia Buniatishvili. Case’s conducting mentors have included some of the most prominent conductors on the world stage today including Alan Gilbert, Jaap van Zweden and David Zinman.
IMG Artists is delighted to announce the signing of conductor Case Scaglione for worldwide general management. Mr Scaglione will be managed by Nicholas Mathias and Elena Kostova out of the company's London office. Of joining IMG Artists' roster, Mr Scaglione said, "I...
“If the OP seeks its leader, another formation has found it: it was the first time that we heard the Orchestre National d’Île-de-France (Ondif) with its new musical director, Case Scaglione. Listening to a programme of selected Wagner songs with two solid-sounding singers (Michelle DeYoung and Simon O’Neill), reminiscent of the olden symphonic associations, the least we can say is that we were favourably impressed. The 37-year-old American chef has a clear and fluid body language, never ostentatious, and keener to help the orchestra and the singers rather than to put himself in the spotlight. The musicians and him are only at the beginning, but the way in which he has modelled a balanced, warm and homogeneous sound in the strings, whilst paying special attention to the legato and progressions, is already more than promising. The winds did not always show the same cohesion throughout the evening, but we still came out invigorated from this exciting concert, and made the promise of not waiting too long before going back to hear the Ondif in this form again.”
“For Case Scaglione, it is the second season as chief conductor and he has shown with this concert that the time of scanning, and testing and trying is over. This Mozart Interpretation makes cleat that Scaglione has arrived, that he knows where the strengths of the musicians are and where he must intervene as leader”
Case Scaglione is relaxed, likeable, unpretentious, reflective, clear-cut – and is highly inspiring and demanding of his musicians. With Schönberg’s Verklärte nacht one could close their eyes for half an hour and dive into Vienna in 1900.
It’s great news, really: Young American conductor Case Scaglione made his San Diego debut, impressing with his easy rapport with the San Diego Symphony and the engaging performances he oversaw. […] It’s probably for the best that Scaglione substituted Wagner’s “Overture to Tannhäuser.” With clear, broad podium gestures, Scaglione shaped the noble opening, the ecstatic central section, and the triumphant processional that concludes the overture.
(HEILBRONNER STIMME, SEPTEMBER 2018)
(YOUROBSERVER.COM, JANUARY 2017)
(THEATER JONES, SEPTEMBER 2016)
(CASA MAGAZINE, JULY 2016)
(HEILBRONNER STIMME, JUNE 2016)
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(EMIL OTTO SYVERTSEN, FÆDRELANDSVENNEN, APRIL 2015)
(ANTHONY TOMMASINI, NEW YORK TIMES, FEBRUARY 2015)
(SCOTT CANTRELL, DALLAS MORNING NEWS, MARCH 2015)
(CATHERINE WOMACK, D MAGAZINE, MARCH 2015)
(SCOTT CANTRELL, DALLAS MORNING NEWS, JANUARY 2015)
(GREGORY SULLIVAN ISAACS, THEATER JONES, JANUARY 2015)
(CATHERINE WOMACK, D MAGAZINE, JANUARY 2015)
” The young maestro on the podium, Case Scaglione, was flexible and empathetic with the Württembergisches Kammerorchester. The ensemble from Heilbronn, which sees itself as an “international sound manufactory” and travels a lot, was then able to show its own profile in Beethoven’s “Pastorale”. Chief Conductor Scaglione, Associate Conductor of the New York Philharmonic Orchestra, unites American looseness with a highly sensitive musicality. Although he bought the intimacy of his interpretation of Beethoven with extreme pianissimi and much ritardandi, he brought the sound culture of the orchestra to best advantage. ”