CASE SCAGLIONE
CONDUCTORMD and Principal Conductor – Orchestre national d’Île de France
![Case Scaglione pc Kaupo Kikkas hm Conductor](https://imgartists.com/wp-content/uploads/2024/03/Case-Scaglione-pc-Kaupo-Kikkas-hm.jpg)
CASE SCAGLIONE
CONDUCTOR
MD and Principal Conductor – Orchestre national d’Île de France
ABOUT
Case Scaglione is currently in his sixth season as Music Director of Orchestre National d’Île de France. He has previously served as Associate Conductor with the New York Philharmonic and as Music Director of the Young Musicians Foundation Debut Orchestra of Los Angeles. Case was the driving force behind the artistic growth and diversification of the organisation, founding their educational outreach initiative ‘360° Music’.
Whilst working with Orchestre National d’Île de France, Case has explored a plethora of repertoire including music by Strauss, Wagner, Mahler, Dvořák, Béla Bartók, Beethoven, Ravel, Sibelius, Britten, and Anna Clyne. In the 23/24 season, Case’s tenure as Music Director celebrated the orchestra’s 50th birthday.
Case will begin the 24/25 season with Orchestre National d’Île de France by recording Berio’s Folk Songs with renowned Czech folk singer Iva Bittová, which will be released and toured in 26/27. Additional season highlights with the orchestra include a re-premiere of Rhita Strohl’s Symphonie Forêt followed by a tour featuring Steven Isserlis performing Dvořák, and, for the first time in the orchestra’s history, a performance of Mahler’s Symphony No. 7. To close the season, Case will reunite with the Chœur de Radio France to present Schubert’s Mass in A-flat major.
Most recently, Case completed a six-year tenure at Württembergisches Kammerorchester Heilbronn. During his time with the orchestra, Case appeared regularly at Stuttgart’s Liederhalle, Kloster Schöntal, Ludwigsburg, Queen Elisabeth Hall in Antwerp, Munich’s Prinzregententheater, and Forum am Schlosspark in Ludwigsburg. Composers of classical and early Romantic periods, as well as 20th Century and contemporary ones, featured prominently throughout Case’s 2022/23 season with the Württembergisches Kammerorchester Heilbronn.
Recent guest conducting highlights included appearances in the United Kingdom at Liverpool’s Philharmonic Hall with the Royal Liverpool Philharmonic Orchestra; Lighthouse, Poole with the Bournemouth Symphony Orchestra; and an Irish debut with the RTE Symphony Orchestra.
Recent European guest conducting highlights include debut appearances in Stockholm with the Swedish Radio Symphony; Hamburg with the NDR Elbphilharmonie Orchestra; Valladolid with Castilla y León Symphony Orchestra; and at Madrid’s Teatro Monumental with RTVE Symphony Orchestra. His Polish debut was with the Szczecin Philharmonic; his Prague debut with the Prague Symphony Orchestra; and his Danish debut with the Aalborg Symphony. Debut highlights of the 24/25 season are collaborations with the Orchestra Sinfonica di Milano, Komische Oper Berlin, and Gävle Symphony Orchestra. Recently, Case also made a highly acclaimed debut at the Opéra National de Paris in a production of Elektra by Richard Strauss.
In the United States, Case recently collaborated with the Cincinnati Symphony Orchestra, leading to an instant re-invitation for the 24/25 season, and with the Utah and San Diego Symphony Orchestras. He also returned to the Phoenix Symphony. In previous seasons, Case successfully collaborated with the New York Philharmonic, Houston, Dallas, Detroit, and Baltimore Symphony Orchestras.
In Asia, Case has led concerts with the China Philharmonic Orchestra as well as the Shanghai and Guangzhou Symphony Orchestras, in addition to regular returns to the Hong Kong Philharmonic Orchestra.
Case enjoys close relationships with many of the world’s leading soloists including Simone Lamsma, Yeol Eum Son, Federico Colli, Alisa Weilerstein, Yulianna Avdeeva, Jean-Efflam Bavouzet, and Behzod Abduraimov. Case has been mentored by some of the most prominent conductors on the world stage today, including Alan Gilbert, Jaap van Zweden, and David Zinman.
RECENT PRAISE
Cincinnati Business Courier
JANELLE GELFAND
The second movement, which Mahler indicated as “vehemently stormy,” continued without a break. This was a contrast of intensity and momentum. The clarinets and horns lifted their bells, the strings played with ferocity. Scaglione, who conducted without a baton all evening, was attentive to its fleeting moods and expertly balanced the forces. Then came the scherzo, and instantly the mood was sunny. Scaglione perfectly caught feel of the ländler, an Austrian folk dance.
casopisharmonie
He imparted a clear sense of order to the interpretation of the pieces. With restrained yet heartfelt gestures, he meticulously shaped phrases, allowing them to breathe in a way that engaged the listener, as the ensemble gradually shifted its dynamics and colours.
CONCERT CLASSIC
ALAIN COCHARD
“Scaglione unfolds the great architecture of the piece with breadth and admirable clarity. His affinities with the Wagnerian universe are illustrated once again here and make us all the more impatient to see him again soon at the Massy Opera (November 12 and 14).”
“The poetic force of the Prelude to Lohengrin is made all the more striking by the conductor’s lack of narcissism. He knows how to make the music speak, to brighten up the timbres without ever reflecting on the result obtained. The remark is equally valid for Also Sprach Zarathustra, the listener’s attention never wavers for a moment, so much so that the maestro strives to bring the musical text to life from within.”
DIAPASON
EMMANUEL DUPUY
“The credit goes to Scaglione, an unstoppable guide who imposes a flawless discipline on this reading of Ravel’s Bolero.”
“The firmness of the soloists’ interventions in the Rhapsodie espagnole, showed notable diversity of moods, stemming directly from Scaglione’s sensitivity and stylistic ease, qualities already noted on other occasions.”
SCHERZO
MICHAEL THALLIUM
“Case Scaglione and the RTVE Symphony Orchestra came together in a magnificent performance, which was full of contrast and intensity. Case Scaglione gave the orchestra the true prominence it deserved with his outstanding conducting. His interpretation of this symphony fuelled the imagination of his listeners and was applauded by the audience.”
NEWS
CONTACT
ELENA KOSTOVA
GENERAL MANAGER
+44 (0) 79854 27552
EMAIL
NICHOLAS MATHIAS
GENERAL MANAGER
+44 (0) 20 7957 5800
EMAIL
Bibi Thomas Gándara
ASSISTANT ARTIST MANAGER
O: +44 (0) 20 7957 5831
M: +44 (0) 7981802278
EMAIL
ALISON HEATHER
NORTH AMERICAN ORCHESTRAL BOOKING
+44 (0) 207 957 5812
+44 (0) 775 452 3450
EMAIL